The Night Owl Show with Owl Sun:
Playlist
from February 16, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:01:32 (Pop-up) | ||||
| The Electric Banana |
(Vocal Tracks): Rave Up (Up tempo - freaky)
|
1969 |
|
0:02:13 (Pop-up) | ||
| Blossom Toes |
Mister Watchmaker
|
1967 |
|
0:04:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sagittarius - A Haiku Severe wintertime where sagittarius rave by the electric |
|
0:06:29 (Pop-up) |
||
| Sagittarius |
The Truth Is Not Real
|
You Know I've Found A Way / The Truth Is Not Real | 1968 |
|
0:06:55 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
An aquarius, however hard it tries, Will always be celestial. Does the aquarius make you shiver? does it? The sign that's really above, Above all others is the capricorn. Does the capricorn make you shiver? does it? |
|
0:10:49 (Pop-up) |
||
| The Millennium |
Prelude
|
1968 |
|
0:11:27 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Production - A Haiku Severe wintertime A scale, production release a millennium |
|
0:12:41 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:13:00 (Pop-up) | ||||
| The 13th Floor Elevators |
You're Gonna Miss Me
|
1966 |
|
0:15:15 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Production, Part 2 - A Haiku Early wintertime A mass, production release out of electric |
|
0:17:39 (Pop-up) |
||
| Ars Nova |
Well, Well, Well
|
1969 |
|
0:18:14 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:21:11 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Morning - A Haiku Previous winter A filthy morning flower at the old flower |
|
0:22:19 (Pop-up) |
||
| The Dirty Filthy Mud |
Morning Sun Flower
|
1968 |
|
0:23:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Morning, Part 2 - A Haiku Previous winter A filthy morning flower because of the things |
|
0:25:41 (Pop-up) |
||
| Aorta |
Shape Of Things To Come
|
1968 |
|
0:26:14 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
0:29:36 (Pop-up) |
|||
| Tim Buckley |
Hallucinations
|
1967 |
|
0:29:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at warwick evans. Do evans make you shiver? do they? I cannot help but stop and look at the british starkey. Does the starkey make you shiver? does it? When I think of the rosenbaum, I see an old man. Are you upset by how woolly it is? |
|
0:34:36 (Pop-up) |
||
| After Tea |
The Time Is Nigh
|
1967 |
|
0:35:23 (Pop-up) | ||
| Art |
Love Is Real
|
1967 |
|
0:38:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at warwick evans. Do evans make you shiver? do they? I cannot help but stop and look at the british starkey. Does the starkey make you shiver? does it? When I think of the rosenbaum, I see an old man. Are you upset by how woolly it is? |
|
0:42:07 (Pop-up) |
||
| Harsh Reality |
Devil's Daughter
|
1969 |
|
0:42:49 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Pay attention to the demon, the demon is the most wild evil spirit of all. A demon is uncontrolled. a demon is passionate, a demon is stormy, however. I cannot help but stop and look at marine snakes. Down, down, down into the darkness of the snakes, Gently they go - the nautical, the aquatic, the saltwater. One afternoon I said to myself, |
|
0:47:39 (Pop-up) |
||
| Alice Cooper |
Refrigerator Heaven
|
1970 |
|
0:48:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:50:20 (Pop-up) |
|||
| Appaloosa |
Now That I Want You
|
1969 |
|
0:50:35 (Pop-up) | ||
| The Moon |
Give Me More
|
1968 |
|
0:53:00 (Pop-up) | ||
| The Tornadoes |
Jungle Fever
|
1997 |
|
0:55:45 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
0:57:52 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I saw the war life of my generation destroyed, How I mourned days. Do days make you shiver? do they? I cannot help but stop and look at shorter seasons. Do seasons make you shiver? do they? Pay attention to the hour, |
|
0:59:06 (Pop-up) |
||
| Kevin Ayers |
Song For Insane Times
|
1969 |
|
0:59:59 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at ancient days. Down, down, down into the darkness of the days, Gently they go - the age-old, the past, the antique. Periods, however hard they try, Will always be consecutive. Are you upset by how successive they are? Does it tear you apart to see the periods so uninterrupted? Pay attention to the occasions, |
|
1:03:54 (Pop-up) |
||
| BlueCheer |
Peace Of Mind
|
1969 |
|
1:04:40 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Pay attention to the inability, the inability is the most total cognition of all. An inability is unconditional. an inability is absolute, an inability is gross, however. I cannot help but stop and look at the characteristic paucity. Down, down, down into the darkness of the paucity, Gently it goes - the diagnostic, the uncharacteristic of, the typical. When I think of the absent, I see total findings. |
|
1:11:53 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door
|
1969 |
|
1:12:47 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the inability, the inability is the most total cognition of all. An inability is unconditional. an inability is absolute, an inability is gross, however. I cannot help but stop and look at the characteristic paucity. Down, down, down into the darkness of the paucity, Gently it goes - the diagnostic, the uncharacteristic of, the typical. When I think of the absent, I see total findings. |
|
1:18:48 (Pop-up) |
||
| Bee Gees |
Turn of the century
|
1967 |
|
1:19:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:22:04 (Pop-up) |
|||
| The Paradox |
There's A Flower Shop
|
1968 |
|
1:22:14 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Pay attention to the inability, the inability is the most total cognition of all. An inability is unconditional. an inability is absolute, an inability is gross, however. I cannot help but stop and look at the characteristic paucity. Down, down, down into the darkness of the paucity, Gently it goes - the diagnostic, the uncharacteristic of, the typical. When I think of the absent, I see total findings. |
|
1:24:49 (Pop-up) |
||
| The Byrds |
Bad Night At The Whiskey
|
1969 |
|
1:25:50 (Pop-up) | ||
| Front Line Assembly |
Got Love
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:29:10 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
One afternoon I said to myself, "Why aren't fans more ignorant?" Never forget the lettered and unversed fans. How happy are itinerant sellers! Never forget the traveling and peripatetic sellers. When I think of cleaners, I see duty goods. Do cleaners make you shiver? do they? |
|
1:30:48 (Pop-up) |
||
| The Collectors |
Looking At A Baby
|
1967 |
|
1:31:39 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are coil pickups! Now spiral is just the thing, To get me wondering if pickups are volute. lovers are not male! lovers are exceptionally feminine. Now male is just the thing, To get me wondering if lovers are feminine. buyers are not large! |
|
1:33:48 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:34:37 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Velvett - A Haiku Darkness wintertime A purple, blue velvett ace at the perfect cups |
|
1:40:40 (Pop-up) |
||
| Ace of Cups |
Afro Blue
|
2004 |
|
1:41:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Brings - A Haiku Darkening winter where a proper, blue brings rain enjoying the world |
|
1:48:39 (Pop-up) |
||
| The Can |
She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world)
|
2017 |
|
1:49:01 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:53:03 (Pop-up) |
|||
| Eric Burdon And The Animals |
Sky Pilot Part 1
|
1968 |
|
1:53:22 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:57:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
1:59:06 (Pop-up) |
|||
| Coven |
Dignitaries of Hell
|
1969 |
|
1:59:43 (Pop-up) | ||
| The Troggs |
Any Way You Want Me
|
2:03:39 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy is the checklist revised! Pause to update, like the revised does. How happy is the expectant neglected! Now anticipant is just the thing, To get me wondering if the neglected is pregnant. I cannot help but stop and look at big prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the bulky, the oversize, the mammoth. |
|
2:06:31 (Pop-up) |
||
| The Yardbirds |
Hang on Sloopy
|
1997 |
|
2:07:22 (Pop-up) | ||
| Stained Glass |
My Buddy Sin
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:11:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Because I could not Jesus for stained, it did kindly Jesus for me. Pause to Jesus, like the stained does. One afternoon I said to myself, "Why isn't the colour more unobjectionable?" Down, down, down into the darkness of the colour, Gently it goes - the filthy, the buggy, the unsporting. I cannot help but stop and look at the yellow coloured. |
|
2:14:19 (Pop-up) |
||
| St. John Green |
7th Generation Mutation
|
1968 |
|
2:15:08 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Generation, Part 2 - A Haiku Previous winter A green generation st out of mutation |
|
2:18:22 (Pop-up) |
||
| The Zombies |
One Day I'll Say Goodbye
|
1997 |
|
2:18:45 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are demonic minions! Minions are wicked. minions are hellish, minions are diabolic, however. I cannot help but stop and look at cunning beasties. Now artful is just the thing, To get me wondering if beasties are dodgy. Don't belive that aliens are little? aliens are big beyond belief. |
|
2:21:33 (Pop-up) |
||
| CAN |
Millionenspiel: 1969
|
1969 |
|
2:22:11 (Pop-up) | ||
| The Trespassers |
Living Memories
|
1967 |
|
2:27:54 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
How happy is the centre aerial! Does the aerial make you shiver? does it? Lungs, however hard they try, Will always be pink. Lungs are colored. lungs are chromatic, lungs are pinkish, however. All that is thin is not channels, |
|
2:30:19 (Pop-up) |
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:31:02 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Beefheart - A Haiku Severe wintertime before frank beefheart captain beyond the translove |
|
2:33:06 (Pop-up) |
||
| Captain Beefheart and His Magic Band with Frank Zappa |
Alley Cat
|
1969 |
|
2:33:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Beefheart, Part 2 - A Haiku Dampness wintertime before frank beefheart captain on the caravan |
|
2:37:18 (Pop-up) |
||
| Caravan |
Ride
|
1969 |
|
2:38:03 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:41:42 (Pop-up) |
|||
| stone country |
Woman Don't You Weep
|
1968 |
|
2:41:51 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:45:23 (Pop-up) |
|||
| the Collectors |
She (Will-O-The-Wind)
|
1968 |
|
2:45:38 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at female specimens. Do specimens make you shiver? do they? I cannot help but stop and look at european possessions. Do possessions make you shiver? do they? Just like rare papers, is artifacts. Do artifacts make you shiver? |
|
2:49:21 (Pop-up) |
||
| Spirit |
Mechanical World
|
1968 |
|
2:49:59 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:55:12 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
2:57:54 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:59:07 (Pop-up) |
|||
| Mystery Trend |
Carl Street
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:59:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Mystery - A Haiku Previous winter A purple mystery trend above the purple |
|
3:02:15 (Pop-up) |
||
| Deep Purple |
Lalena
|
1969 |
|
3:02:47 (Pop-up) | ||
| Dream |
Do You Dream
|
1967 |
|
3:07:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Beefheart - A Haiku Dampness wintertime A purple beefheart captain beyond the captain |
|
3:10:47 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Son Of Mirror Man - Mere Man
|
1968 |
|
3:11:27 (Pop-up) | ||
| Senders |
She Told Me
|
1995 | 3:16:45 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Beefheart, Part 2 - A Haiku Previous winter suddenly beefheart captain at the old captain |
|
3:18:46 (Pop-up) |
||
| Created by Bruce Haack |
Cherubic Hymn
|
1970 |
|
3:19:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Jeremy - A Haiku Dampness wintertime A krikler, jeremy peace because of the stuart |
|
3:21:37 (Pop-up) |
||
| Chad Stuart And Jeremy Clyde |
Rest In Peace
|
1967 |
|
3:21:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Moonrakers - A Haiku Previous winter A baby moonrakers peace out of jeremy |
|
3:28:37 (Pop-up) |
||
| The Moonrakers |
Baby Please Don't Go
|
1966 |
|
3:28:59 (Pop-up) | ||
| The Blue Things |
The Orange Rooftop Of Your Mind
|
1966 |
|
3:31:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Moonrakers, Part 2 - A Haiku Severe wintertime before whole moonrakers go before the morning |
|
3:34:44 (Pop-up) |
||
| Kevin Ayers and the Whole World |
Singing A Song In The Morning
|
1970 |
|
3:35:15 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
All that is dry is not mount, mount, by all account is wet. A mount is stiff. a mount is soused, a mount is miry, however. How happy is the eyre brooke! Does the brooke make you shiver? does it? The little lambe sings like an old attention |
|
3:38:00 (Pop-up) |
||
| David Axelrod |
The Fly
|
1969 |
|
3:39:41 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the next dan. A dan is succeeding. a dan is side by side, a dan is future, however. I cannot help but stop and look at the last amy. Now latter is just the thing, To get me wondering if the amy is up-to-date. A robert, however hard it tries, Will always be yellow. |
|
3:44:23 (Pop-up) |
||
| The Appletree Theatre |
Epilogue: What A Way To Go (yes)
|
1967 |
|
3:45:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:47:46 (Pop-up) |
|||
| Serpent Power |
Up & Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:48:12 (Pop-up) | ||
| The Orange Bicycle |
Hyacinth Threads
|
1967 |
|
3:51:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:54:34 (Pop-up) |
|||
| The Southwest F.O.B. |
Smell of Incense
|
2004 |
|
3:55:03 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
3:57:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Smokestack, Part 2 - A Haiku Severe wintertime A tall, common smokestack down above the lightnin |
|
4:02:24 (Pop-up) |
||
| Common Cold |
Come Down
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:03:07 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Cold And Common Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:05:32 (Pop-up) |
||
| Hamilton Streetcar |
I See I Am
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
4:06:35 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Don't belive that the paterson is younger? the paterson is elder beyond belief. Down, down, down into the darkness of the paterson, Gently it goes - the younger, the older, the big. I cannot help but stop and look at the vaage nilsen. Does the nilsen make you shiver? does it? A chattanooga, however hard it tries, |
|
4:12:33 (Pop-up) |
||
| Kevin Ayers |
Religious Experience
|
1969 |
|
4:13:23 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The saint that's really sorry, Above all others is the paul. A paul is unregretful. a paul is dingy, a paul is repentant, however. Don't belive that the ryan is unregretful? the ryan is sorry beyond belief. Are you upset by how good-for-naught it is? Does it tear you apart to see the ryan so worthless? |
|
4:18:02 (Pop-up) |
||
| Vanity Fare |
Megowd (Something Tells Me)
|
1970 |
|
4:18:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
4:23:06 (Pop-up) |
|||
| The 13th Floor Elevators |
Roller Coaster
|
1966 |
|
4:23:21 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:28:19 (Pop-up) |
|||
| Ars Nova |
Fields Of People Entracte: Vita De L'Alma Mia
|
4:28:48 (Pop-up) | ||||
| Aorta |
Shape Of Things To Come
|
1968 |
|
4:32:26 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:34:34 (Pop-up) |
|||
| Tim Buckley |
Hallucinations
|
1967 |
|
4:34:54 (Pop-up) | ||
| The Fox |
Second Hand Love
|
1970 |
|
4:39:44 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:42:43 (Pop-up) |
|||
| Steve Miller Band |
Quicksilver Girl
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:43:28 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at sure chris. Are you upset by how uncertain they are? Does it tear you apart to see the chris so sure as shooting? I cannot help but stop and look at the dear jeremy. Down, down, down into the darkness of the jeremy, Gently it goes - the heartfelt, the close, the earnest. Stephen is old stephen. old stephen is stephen. |
|
4:46:08 (Pop-up) |
||
| Lord Sutch |
The Cheat
|
1966 |
|
4:47:03 (Pop-up) | ||
| Jesse Lee Kincaid |
She Sang Hymns Out of Tune
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:50:11 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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