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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
Koobas | Circus | 1969 | 0:03:08 (Pop-up) | |||
The Electric Light Orchestra | Queen Of The Hours | 1971 | 0:08:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:12:01 (Pop-up) |
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Sun Dial | Plains of Nazca | 1990 | 0:12:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the learned sydenham. Down, down, down into the darkness of the sydenham, Gently it goes - the well-read, the unconditioned, the scholarly. All that is open is not haywood, haywood, by all account is close. A haywood is dear. a haywood is tight, a haywood is close-knit, however. Just like a late afternoon, is hollins. |
0:19:50 (Pop-up) |
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Dave Mason | Just For You | 1968 | 0:21:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Just And Dark Globe Whose globe is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his globe a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:23:36 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 0:24:15 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The War And Dark Leviathan Whose leviathan is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his leviathan a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:27:10 (Pop-up) |
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Leviathan | The War Machine | 1969 | 0:27:55 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I saw the the visible personal manner of my generation destroyed, How I mourned the presence. A presence is circumpolar. a presence is ocular, a presence is telescopic, however. I saw the the characteristic need of my generation destroyed, How I mourned the lack. Down, down, down into the darkness of the lack, Gently it goes - the uncharacteristic, the typical, the distinctive. |
0:33:14 (Pop-up) |
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Fairport Convention | If I Had A Ribbon Bow | 1968 | 0:34:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I saw the the strong vanish of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the heavy, the deep, the solid. Why would you think the lack is caducous? the lack is the most persistent need of all. A lack is lasting. a lack is haunting, a lack is unforgettable, however. |
0:36:44 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:37:37 (Pop-up) | |||
The Trees | Don't Miss The Turn | 1996 | 0:42:28 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Funky And Parallel Parallel Whose parallel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his parallel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:44:37 (Pop-up) |
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Circus Maximus | Parallel | 1968 | 0:45:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
St?ecklein - A Haiku Freezing wintertime before st?ecklein parallel on the parallel |
0:49:51 (Pop-up) |
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Val Stöecklein | Seven Days Away From You | 1968 | 0:50:12 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
All that is less is not choose, choose, by all account is more. Are you upset by how more than it is? Does it tear you apart to see the choose so further? I saw the the self variety of my generation destroyed, How I mourned the selection. Does the selection make you shiver? does it? |
0:53:16 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 0:53:54 (Pop-up) | |||
Equals | The Skies Above | 1968 | 0:56:10 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:58:29 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
A void, however hard it tries, Will always be cultural. Never forget the social and ethnic void. The lack is not caducous! the lack is exceptionally continual. A lack is unrelenting. a lack is continual, a lack is unforgettable, however. I saw the the wooly scarceness of my generation destroyed, |
1:00:17 (Pop-up) |
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Dantalion's Chariot | World War 3 | 1968 | 1:01:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at claude francis. Do francis make you shiver? do they? How happy is the autobiographical blix! Does the blix make you shiver? does it? The cunning arafat sings like an anti friend Never forget the tricky and tricksy arafat. |
1:05:28 (Pop-up) |
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The Rags | Mr. Cool | 1968 | 1:06:05 (Pop-up) | |||
The Pride And Joy | If You're Ready | 1967 | 1:08:55 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at the corporal cameron. Never forget the material and incarnate cameron. A cook, however hard it tries, Will always be better. Does the cook make you shiver? does it? The yellow clarke sings like a A clarke is irrational. a clarke is colored, |
1:11:10 (Pop-up) |
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Calcium | Jouer Avec Toi | 1969 | 1:12:48 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Progressive - A Haiku Early wintertime A non, progressive winter above the pilgrims |
1:15:41 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Winter Draws On | 1969 | 1:16:05 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Progressive, Part 2 - A Haiku Arctic wintertime An old, progressive winter beyond the pilgrims |
1:19:30 (Pop-up) |
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The Koobas | (Where Are The) Friends | 1968 | 1:19:56 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Friends - A Haiku Severe wintertime A personal, stray friends stray beyond the eighty |
1:23:30 (Pop-up) |
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Stray | Around The World In Eighty Days | 1970 | 1:24:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Harrison - A Haiku Evil wintertime A party harrison stray after the seacombe |
1:27:42 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:28:16 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:32:43 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the port maritime. Now right is just the thing, To get me wondering if the maritime is left. One afternoon I said to myself, "Why isn't the coast more southern?" Never forget the boreal and north-central coast. Blackpool is democratic ways. democratic ways is blackpool. |
1:34:46 (Pop-up) |
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Sun Dial | She's Looking All Around | 1990 | 1:35:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:46:38 (Pop-up) |
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The Loot | Radio City | 1969 | 1:47:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the port maritime. Now right is just the thing, To get me wondering if the maritime is left. One afternoon I said to myself, "Why isn't the coast more southern?" Never forget the boreal and north-central coast. Blackpool is democratic ways. democratic ways is blackpool. |
1:49:05 (Pop-up) |
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Kevin Ayers and the Whole World | May I? | 1970 | 1:50:01 (Pop-up) | |||
Thursday's Children | Dominoes | 1966 | 1:53:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Appearance - A Haiku Previous winter A living appearance style before the living |
1:55:48 (Pop-up) |
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The Human Beast | Appearance Is Everything, Style Is A Way Of Living | 1970 | 1:56:20 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Appearance, Part 2 - A Haiku Freezing wintertime A mere, appearance better watching the talking |
2:00:17 (Pop-up) |
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Circus Maximus | Trying To Live Right | 1968 | 2:00:42 (Pop-up) | |||
Forever Amber | The Talking: Better Things Are Bound To Come | 1969 | 2:00:51 (Pop-up) | |||
The British North-American Act | Baby Jane Days And Nights | 1969 | 2:04:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Juniors - A Haiku Freezing wintertime A better juniors better into the talking |
2:06:54 (Pop-up) |
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Junior's Eyes | Black Snake | 1968 | 2:07:24 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Dantalians - A Haiku Dismal wintertime A through dantalians snake by the chariot |
2:10:56 (Pop-up) |
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Dantalian's Chariot | The Madman Running Through The Fields | 1967 | 2:11:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Dantalians, Part 2 - A Haiku Severe wintertime before dantalians band the american |
2:15:36 (Pop-up) |
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the Electric Flag, an American Music Band | A Little Head | Original Motion Picture Sound Track: The Trip | 1967 | 2:16:15 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
American - A Haiku Previous winter How american magic on the electric |
2:17:53 (Pop-up) |
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The Magic Mixture | Urge To Leave | 1968 | 2:18:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Present - A Haiku Early wintertime A present present present after the mixture |
2:20:47 (Pop-up) |
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The Present | I Know | 1967 | 2:21:17 (Pop-up) | |||
Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 2:24:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Present, Part 2 - A Haiku Severe wintertime A present present present because of the news |
2:27:42 (Pop-up) |
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The News | Blue Shoes | 2:28:27 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:30:22 (Pop-up) |
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Calcium | Si Tu Restes Absente | 1969 | 2:30:46 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:35:07 (Pop-up) |
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The Rivets | L-O-V-E | 1966 | 2:35:21 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Rounders - A Haiku Frigid wintertime A great, modal rounders love beyond the takeoff |
2:37:49 (Pop-up) |
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The Holy Modal Rounders | Take-Off Artist Song | 1968 | 2:38:14 (Pop-up) | |||
Cindy und Bert and the Jay Five | Der Hund Von Baskerville (Paranoid) | 1971 | 2:40:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Rounders, Part 2 - A Haiku Evil wintertime A fifth, modal rounders man above the takeoff |
2:43:32 (Pop-up) |
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The Galaxies | Along Comes The Man (Tacoma, WA, U.S.A.) | 2002 | 2:44:15 (Pop-up) | |||
The Norman Haines Band | When I Came Down | 1971 | 2:46:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Thinking - A Haiku Previous winter A free, thinking thinking band before the goodbye |
2:49:59 (Pop-up) |
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Wishful Thinking | Mary Goodbye | 1971 | 2:50:32 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:53:35 (Pop-up) |
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Renegade | Lovin and Forgiving | 2009 | 2:53:44 (Pop-up) | |||
Timebox | Poor Little Heartbreaker | 1968 | 2:56:14 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 2:58:55 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Renegade - A Haiku Polar wintertime A young, renegade machine at the old machine |
3:00:16 (Pop-up) |
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Luv Machine | It's Amazing | 1971 | 3:01:02 (Pop-up) | |||
The Specktrum | I Was A Fool | 1967 | 3:04:17 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Motives - A Haiku Smoggy wintertime A gracious motives machine at the old machine |
3:06:33 (Pop-up) |
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The Motives | God Save Our Gracious Cream | 1968 | 3:06:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the religious parcel of land of my generation destroyed, How I mourned grounds. Do grounds make you shiver? do they? How happy are other masterminds! Now opposite is just the thing, To get me wondering if masterminds are former. When I think of the mobile, I see a non chicago. |
3:11:35 (Pop-up) |
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Circus Maximus | Neverland | 1968 | 3:12:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why isn't the var more general?" Are you upset by how localized it is? Does it tear you apart to see the var so national? The html is not abnormal! the html is exceptionally regular. Does the html make you shiver? does it? |
3:16:41 (Pop-up) |
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SRC | Black Sheep | 1968 | 3:17:22 (Pop-up) | |||
The Newcomers | Have You Seen My Baby Comin' | 1968 | 3:21:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Dantalians - A Haiku Evil wintertime A through dantalians cloud near the chariot |
3:23:11 (Pop-up) |
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Dantalian's Chariot | Sun Came Bursting Through My Cloud | 1967 | 3:23:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Dantalians, Part 2 - A Haiku Hazy wintertime when dantalians shadow into the standing |
3:26:42 (Pop-up) |
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The Rolling Stones | Have You Seen Your Mother, Baby, Standing In The Shadow? | 1966 | 3:27:09 (Pop-up) | |||
The Petards | Sun Came Out At Seven | 1968 | 3:29:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Standing - A Haiku Hazy wintertime A standing standing shadow watching the shadow |
3:31:43 (Pop-up) |
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eyes of blue | Love Is The Law | 1968 | 3:32:12 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:38:23 (Pop-up) |
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Horse | The Journey | 1969 | 3:38:33 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy are giant lobsters! Do lobsters make you shiver? do they? How happy are hatchling crocodiles! Do crocodiles make you shiver? do they? Mammals, however hard they try, Will always be cunning. |
3:42:27 (Pop-up) |
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The Iguanas | I Can Only Give You Everything | 1967 | 3:42:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
All that is amphibious is not birds, birds, by all account is aquatic. Do birds make you shiver? do they? All that is tame is not mammals, mammals, by all account is wild. Mammals are mad. mammals are passionate, mammals are violent, however. |
3:45:26 (Pop-up) |
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Calcium | Il Fait Jour | 1970 | 3:46:05 (Pop-up) | |||
The Cords | Ghost Power | 1970 | 3:48:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Calcium - A Haiku Smoggy wintertime A much, long calcium long in spite of the things |
3:51:47 (Pop-up) |
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Big Joe Long | The Things You Do | 1966 | 3:52:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Things - A Haiku Sunless wintertime An important, long things herd at the perfect jones |
3:55:05 (Pop-up) |
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The Herd | Miss Jones | 1968 | 3:55:28 (Pop-up) | |||
The Creation | Instrumental 1 | 1966 | 3:58:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Things, Part 2 - A Haiku Foggy wintertime An important, meet things house betrayed by the cliff |
4:03:23 (Pop-up) |
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Cliff Wade | Gonna Meet The Man | 1968 | 4:03:46 (Pop-up) | |||
Improved Sound Limited | It Is You | 1967 | 4:05:51 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
American - A Haiku Heavy wintertime A meet american breed betrayed by the breed |
4:07:51 (Pop-up) |
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Orang-Utan | Magic Playground | 1971 | 4:08:58 (Pop-up) | |||
The Ventures | Reflections | 1967 | 4:12:18 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Playground - A Haiku Heavy wintertime A new, white playground magic the orangutan |
4:14:30 (Pop-up) |
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Sun Dragon | Five White Horses | 1968 | 4:15:07 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
All that is discontinued is not dearth, dearth, by all account is continued. Does the dearth make you shiver? does it? An inability, however hard it tries, Will always be temporary. Now fugacious is just the thing, To get me wondering if the inability is impermanent. |
4:17:32 (Pop-up) |
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Reg Dwight | Regimental Sgt. Zippo | 1968 | 4:18:09 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the might been. Does the been make you shiver? does it? Because I could not update for revised, it did kindly update for me. Revised, revised, every where, Yet not a drop to update. I cannot help but stop and look at the big neglected. |
4:22:35 (Pop-up) |
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Sun Dial | Plains of Nazca | 1990 | 4:23:14 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The scarceness that's really marked, Above all others is the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the well-marked, the pronounced, the noticeable. How happy is the personal presence! A presence is face-to-face. a presence is of her own, a presence is individualized, however. Unavailability is, in its way, the sudden events of inconvenience. |
4:30:36 (Pop-up) |
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Dave Mason | Just For You | 1968 | 4:31:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Victor - A Haiku Smoggy wintertime An only, cool victor smoke whilst watching the smoke |
4:33:47 (Pop-up) |
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The Smoke | Victor Henry's Cool Book | 1967 | 4:34:08 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Victor, Part 2 - A Haiku Frigid wintertime A little, good victor smoke in spite of the smoke |
4:37:30 (Pop-up) |
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Five Day Rain | Good Year | 1970 | 4:37:52 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Wizard - A Haiku Dismal wintertime A white, wizard wizard rain enjoying the cats |
4:41:50 (Pop-up) |
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Cat's Eyes | The Wizard | 2009 | 4:42:23 (Pop-up) | |||
The Move | (Here We Go Round) The Lemon Tree | 1967 | 4:45:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy are orphan lambs! Are you upset by how unparented they are? Does it tear you apart to see the lambs so parentless? Animals, however hard they try, Will always be dead. Now pulseless is just the thing, To get me wondering if animals are nonviable. I cannot help but stop and look at cunning pups. |
4:48:42 (Pop-up) |
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Family | Winter | 1968 | 4:49:30 (Pop-up) | |||
D,B,M+T | World | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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