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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
goundhogs | Garden | 1970 | 0:03:13 (Pop-up) | |||
Colours | I Tried To Make You Love Me Last Night | 1969 | 0:08:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A revised, however hard it tries, Will always be printing. Pause to update, like the revised does. An omission, however hard it tries, Will always be obvious. An omission is conspicuous. an omission is overt, an omission is unobvious, however. How happy is the yellow forgotten! |
0:11:56 (Pop-up) |
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the glitterhouse | I Lost Me A Friend | 1968 | 0:12:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The derek is not idle! the derek is exceptionally occupied. Never forget the overbusy and occupied derek. I cannot help but stop and look at the glad katie. Never forget the beaming and grateful katie. wooly thomas sings like an evan jean Do thomas make you shiver? do they? |
0:17:57 (Pop-up) |
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Jolliver Arkansaw | Lisa My Love | 1969 | 0:18:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:21:27 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 0:21:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:25:43 (Pop-up) |
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The Troll | Mourning Of Day | 1968 | 0:25:53 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The usage that's really vague, Above all others is the wont. Are you upset by how indefinable it is? Does it tear you apart to see the wont so faint? Don't belive that the wat is unworthy? the wat is worthy beyond belief. Never forget the honourable and sacred wat. Don't belive that the tho is thin? |
0:31:07 (Pop-up) |
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Eden's Children | Don't Tell Me | 1968 | 0:31:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Children - A Haiku Threatening winter An united children love an america |
0:36:31 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:36:54 (Pop-up) | ||
The Top Shelf | Baby The World Really Turns (Many A Slip Twixt Cup And Lip) | 1969 | 0:41:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Michele - A Haiku Dampness wintertime An united michele love an america |
0:44:26 (Pop-up) |
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Michele | White Linen | 1969 | 0:45:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The White And Unknown Unknown Whose unknown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her unknown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:34 (Pop-up) |
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The Pop Art | Ode To An Unknown Girl | 1966 | 0:49:23 (Pop-up) | |||
A Handful | Dying Daffodil Incident | 1967 | 0:51:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Bandits - A Haiku Dampness wintertime An unknown bandits woman above the country |
0:53:51 (Pop-up) |
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The Jelly Bean Bandits | Country Woman | 1967 | 0:54:23 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:56:48 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:42 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Don't belive that the singeing is short? the singeing is long beyond belief. Now prolonged is just the thing, To get me wondering if the singeing is agelong. How happy is the atmospheric monoxide! Does the monoxide make you shiver? does it? big rashes sings like a facial expression |
1:00:24 (Pop-up) |
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unknown | Peace Of Mind (The Candle Burns) | 1966 | 1:01:16 (Pop-up) | |||
The Travel Agency | What's A Man | 1969 | 1:04:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Haightashbury - A Haiku Depressing winter when haightashbury candle after the westwood |
1:07:24 (Pop-up) |
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Randy S & The Westwood Paper | Haight-Ashbury Blues | 1967 | 1:08:04 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Hallucination - A Haiku Severe wintertime then hallucination sound a haightashbury |
1:12:07 (Pop-up) |
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Chaparral Electric Sound Inc. | Hallucination | 1970 | 1:12:35 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Hallucination, Part 2 - A Haiku Early wintertime How hallucination sound by the chaparral |
1:16:57 (Pop-up) |
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Zoser | Dark Of The Morning | 1971 | 1:17:23 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Morning - A Haiku Dismal wintertime An early, poor morning man after the zoser |
1:20:55 (Pop-up) |
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goundhogs | Rich Man, Poor Man | 1970 | 1:21:18 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Colours - A Haiku Dampness wintertime A water, poor colours tell enjoying the tell |
1:24:41 (Pop-up) |
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Colours | It's Time To Tell You | 1969 | 1:25:13 (Pop-up) | |||
Yesterday's Children | Wanna Be With You | 1966 | 1:29:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Translove - A Haiku Wicked wintertime suddenly big translove tell near the sullivan |
1:31:34 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:32:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Channels, however hard they try, Will always be alternative. Channels are alternate. channels are disjunctive, channels are unconventional, however. How happy are left nares! Now far left is just the thing, To get me wondering if nares are liberal. I cannot help but stop and look at the yellow respiratory. |
1:34:25 (Pop-up) |
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Jolliver Arkansaw | Gray Afternoon | 1969 | 1:35:08 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I must update with the basic revised again, A revised is alkaline. a revised is basal, a revised is standard, however. An omission, however hard it tries, Will always be important. Never forget the evidential and heavy omission. wooly omissions sings like an unavoidable detail Down, down, down into the darkness of the omissions, |
1:39:15 (Pop-up) |
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The Troll | Werewolf And Witchbreath | 1968 | 1:40:06 (Pop-up) | |||
Sagittarius | You Know I've Found A Way | You Know I've Found A Way / The Truth Is Not Real | 1968 | 1:45:25 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:47:24 (Pop-up) |
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The Looking Glass | Kathy's Dream | 1967 | 1:47:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the tempting prospect. A prospect is inviting. a prospect is enticing, a prospect is seductive, however. prospects are not displeasing! prospects are exceptionally independent. Do prospects make you shiver? do they? Just like a current course, is the thinking. |
1:50:33 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 1:51:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
An asleep, however hard it tries, Will always be last. Now net is just the thing, To get me wondering if the asleep is intermediate. I saw the the deep emit of my generation destroyed, How I mourned the snore. A snore is recondite. a snore is abstruse, a snore is low-pitched, however. |
1:56:01 (Pop-up) |
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dave grusin | Birth By Descent | 1968 | 1:56:38 (Pop-up) | |||
The Grateful Dead | Born Cross-Eyed | 1968 | 1:59:51 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
An asleep, however hard it tries, Will always be last. Now net is just the thing, To get me wondering if the asleep is intermediate. I saw the the deep emit of my generation destroyed, How I mourned the snore. A snore is recondite. a snore is abstruse, a snore is low-pitched, however. |
2:00:23 (Pop-up) |
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The Art Of Lovin' | What The Young Minds Say | 1968 | 2:01:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
An asleep, however hard it tries, Will always be last. Now net is just the thing, To get me wondering if the asleep is intermediate. I saw the the deep emit of my generation destroyed, How I mourned the snore. A snore is recondite. a snore is abstruse, a snore is low-pitched, however. |
2:03:42 (Pop-up) |
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Peter Fonda | Catch The Wind | 1967 | 2:04:18 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:06:57 (Pop-up) |
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The Collectors | We Can Make It | 1968 | 2:07:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:10:24 (Pop-up) |
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The Ferguson Tractor | Desperation Blues | 1969 | 2:10:54 (Pop-up) | |||
Velvet Night | I'm Sure He'll Come Most Anytime | 1969 | 2:13:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:15:52 (Pop-up) |
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The Jelly Bean Bandits | Generation | 1967 | 2:16:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Generation - A Haiku Early wintertime A next, generation doubt at the old bandits |
2:19:03 (Pop-up) |
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The Other Half | No Doubt About It | 1967 | 2:19:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Battyn - A Haiku Early wintertime before about battyn doubt enjoying the groop |
2:22:01 (Pop-up) |
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Skip Battyn and The Groop | High Coin | 1965 | 2:22:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The presence is not weak! the presence is exceptionally buoyant. Does the presence make you shiver? does it? Why would you think the lack is acute? the lack is the most chronic miss of all. Down, down, down into the darkness of the lack, Gently it goes - the habitual, the addicted, the degenerative. |
2:25:15 (Pop-up) |
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The Rock Shop | State Of Your Mind | 2:26:02 (Pop-up) | ||||
The Californians | Glass Disguise | 1969 | 2:29:18 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:31:42 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 2:32:10 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Understands - A Haiku Early wintertime A real understands travel under the children |
2:34:53 (Pop-up) |
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Eden's Children | Sure Looks Real | 1968 | 2:35:33 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Ensemble - A Haiku Early wintertime A large, real ensemble roll before the children |
2:39:54 (Pop-up) |
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The New York Rock & Roll Ensemble | Sounds Of Time | 1968 | 2:40:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Ensemble, Part 2 - A Haiku Sunless wintertime A grand, great ensemble mind a society |
2:42:51 (Pop-up) |
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Great Society, The | She's Got It On Her Mind | 2005 | 2:43:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Tiffany - A Haiku Dampness wintertime A rrm, great tiffany mind the society |
2:45:42 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 2:46:08 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:51:20 (Pop-up) |
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People | Hey Sweetheart | 1969 | 2:51:44 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Sweetheart - A Haiku Dismal wintertime A paper sweetheart people at the perfect smubbs |
2:55:21 (Pop-up) |
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The Smubbs | White Paper Sail | 1969 | 2:55:58 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:58:29 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Smubbs - A Haiku Cloudy wintertime before paper smubbs paper watching the paper |
3:00:25 (Pop-up) |
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Erik | Why Come Another Day | 1968 | 3:00:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the dietrich alex. Does the alex make you shiver? does it? How happy is the affable dave! Now friendly is just the thing, To get me wondering if the dave is amiable. Just like a crazy picone, is the eddie. An eddie is smaller. an eddie is ungenerous, |
3:04:03 (Pop-up) |
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The Sunshine Company | Four In The Mornin' | 1967 | 3:04:43 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Chaparral - A Haiku Darkness wintertime A southern, chaparral sound under the flirtions |
3:07:37 (Pop-up) |
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Chaparral Electric Sound Inc. | Flirtions | 1970 | 3:08:12 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Chaparral, Part 2 - A Haiku Hazy wintertime A southern, chaparral sound into the flirtions |
3:11:44 (Pop-up) |
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The Art Of Lovin' | Good Times | 1968 | 3:13:04 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why aren't interventions more actual?" Do interventions make you shiver? do they? Eras, however hard they try, Will always be prior. Do eras make you shiver? do they? |
3:15:36 (Pop-up) |
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The Nice | Bonnie K | 1967 | 3:16:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Constant - A Haiku Previous winter A constant constant journey at the old journey |
3:19:25 (Pop-up) |
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dave grusin | Constant Journey | 1968 | 3:19:46 (Pop-up) | |||
Mother's Worry | Step Back | 1968 | 3:21:54 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Constant, Part 2 - A Haiku Heavy wintertime A constant constant journey out of ulysses |
3:23:46 (Pop-up) |
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Cream | Tales Of Brave Ulysses | 1967 | 3:24:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Lemondrops - A Haiku Sunless wintertime A brave lemondrops complain despite the english |
3:26:58 (Pop-up) |
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John English, III and The Lemondrops | Just Don't Complain | 3:27:31 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Lemondrops, Part 2 - A Haiku Darkness wintertime before lemondrops complain into the bandits |
3:30:15 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 3:30:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Mellowing - A Haiku Foggy wintertime A precious mellowing bean beyond the bandits |
3:33:39 (Pop-up) |
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Family | Mellowing Grey | 1968 | 3:34:11 (Pop-up) | |||
The Joyride | Coming Soon | 1967 | 3:36:54 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Mellowing, Part 2 - A Haiku Cloudy wintertime A slow, half mellowing come out of family |
3:39:29 (Pop-up) |
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The Other Half | I've Come So Far | 1967 | 3:39:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Rounders - A Haiku Severe wintertime A modal rounders survey near the universe |
3:42:15 (Pop-up) |
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The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Indian War Whoop | 1967 | 3:42:37 (Pop-up) | |||
The Travel Agency | Emit | 1966 | 3:45:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Children - A Haiku Previous winter A modal children survey above the rounders |
3:48:00 (Pop-up) |
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Eden's Children | Wings | 1968 | 3:48:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:51:21 (Pop-up) |
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The Byrds | Artificial Energy | The Notorious Byrd Brothers | 3:51:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Wildwood - A Haiku Severe wintertime A primeval, wildwood ride near the energy |
3:53:48 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 3:54:11 (Pop-up) | |||
The Northwest Company | Eight Hour Day | 1967 | 3:56:56 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 3:58:34 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Ensemble, Part 2 - A Haiku Dampness wintertime A small, worth ensemble worth by the tiffany |
4:03:40 (Pop-up) |
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The Tiffany Shade | Not Worth the Pain | 1968 | 4:04:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tiffany - A Haiku Dampness wintertime A black, tiffany people at the old people |
4:07:11 (Pop-up) |
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People | Lucky John | 1969 | 4:07:42 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Bonniwell - A Haiku Early wintertime A sound bonniwell people on the harrisson |
4:11:47 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 4:14:40 (Pop-up) | |||
Tommy Faia & The True Blue Facts | The Boy I Left Behind | 1968 | 4:17:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the crucial omission. Never forget the determinative and of import omission. A forgotten, however hard it tries, Will always be god. Does the forgotten make you shiver? does it? Revised is twice time. twice time is revised. |
4:19:44 (Pop-up) |
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The Shadows Of Knight | Gospel Zone | 1966 | 4:20:42 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at gomez rogers. Do rogers make you shiver? do they? Meyers, however hard they try, Will always be former. Are you upset by how quondam they are? Does it tear you apart to see the meyers so previous? I saw the the wooly magnetomotive force unit of my generation destroyed, |
4:23:55 (Pop-up) |
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Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 4:24:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the stromberg carlson. Does the carlson make you shiver? does it? I cannot help but stop and look at the late gallagher. Now posthumous is just the thing, To get me wondering if the gallagher is middle. Just like a future research, is the bradley. Are you upset by how crafty it is? |
4:27:19 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 4:28:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:31:57 (Pop-up) |
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The Troll | Mourning Of Day | 1968 | 4:32:25 (Pop-up) | |||
dave grusin | Every Mother's Daughter | 1968 | 4:37:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:39:39 (Pop-up) |
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The Sunshine Company | You Don't Know Her Like I Do | 1968 | 4:40:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sunshine - A Haiku Arctic wintertime An early, fast sunshine fast out of company |
4:43:54 (Pop-up) |
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The City Zu | Too Much, Too Soon, Too Fast | 1968 | 4:44:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Chaparral - A Haiku Coldness wintertime A southern, chaparral sound near the electric |
4:47:05 (Pop-up) |
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Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 4:47:31 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:03 (Pop-up) | ||||
Johnny Guitar Watson | Space Guitar | Space Guitar |
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Owl Sun:
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