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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
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Music behind DJ: Sounds Of The Ocean |
Beach Sounds |
Ocean Sounds |
Sounds Of The Ocean |
2016 |
0:00:00 (Pop-up) |
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Shelf Lives | Fighting That Bitch | Yes, Offence | Not Sorry Mom Records | 2022 | Clench your fists and raise them to the sky! We played Shelf Lives two episodes ago but this song needs to be played. Loudly. Shelf Lives are vocalist Sabrina and guitarist/producer Jonny, originating from Toronto, Canada and Northampton in the UK. They describe the album as 'a reflection of a broken society verging on the edge of cultureless, all while wearing a party hat' THEY ARE FROM MY HOMETOWN AND THIS MAKES ME VERY HAPPY. | 0:02:33 (Pop-up) | |
Chalk | Velodrome | Velodrome Single | Dutch Tilt | 2022 | Gushing with angst and the thrilling musicianship of Chalk, ‘Velodrome’ is a mammoth-sounding blast to the ears. The tune spirals in an intoxicating soundscape of shrilling guitars pummeling drums and acid-baked fury. Chalk are from Ireland. They remind us of Gilla Band...a bit. They are furious and relentless, all the things we like. | 0:05:29 (Pop-up) | |
Prettiest Eyes | Marihuana | Vol 3. | Castle Face | 2019 | once you’ve become accustomed to their clanging synthetic orbit, it’s hard to find other tunes that truly scratch the same itch. Volume 3 bursts at the seams with chrome-dipped timbres and surprise sharp edges, alien klaxon-calls and wailing dissonance offsetting the ziplock’d grease of their insistent drum and bass grooves. Prettiest Eyes are one of the most exciting live bands going on right now...I would love to see them. | 0:08:38 (Pop-up) | |
Sweaty Palms | Wading In The Mud | The Pursuit Of Novelty | Sweaty Palms | 2022 | Sweaty Palms are an energetic four-piece post-punk band from the Southside of Glasgow who admit their music is inspired by drug-fuelled anxiety. “It's probably because we're all very anxious people. I've got sweaty palms right now,” confides band member Robbie. “I wrote a song called Sweaty Palms, but we were known as The Sweats first. We were in between the two names until last week or something, until we were forced to choose...We all came together with a mutual interest in inciting anger, fear and any other complex emotions in a nation of empty vessels, staring into an endless void on their iPhones,” There is shockingly little hype on the interweb about a band that's this fucking good! | 0:10:50 (Pop-up) | |
WOOZE | Witch Slap (IOU) | Witch Slap (IOU) Single | Young Poet Records | 2021 | One of our favourite discoveries of this year...WOOZE bring a gothic, harder edge with Bowie-esque glammy goth vibes. They love the colour yellow. They have a singing drummer. They are British/Korean. Wooze is named after a phonetic translation of 'space' in Korean - 우주 They are excellent. | 0:13:39 (Pop-up) | |
Music behind DJ: Charles Stepney |
Daddy's Diddies |
Step On Step |
International Anthem |
2022 |
Charles Stepney was an American record producer, arranger, songwriter and musician. Stepney is noted for his work with artists such as The Dells, Ramsey Lewis, Rotary Connection and Earth, Wind & Fire. He started his musical career as a jazz piano and vibraphone player, and began work for Chess Records as a musician and arranger. He was a goddamn genius. |
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Music behind DJ: Charles Stepney |
That's the Way Of The World |
Step On Step |
International Anthem |
2022 |
0:17:55 (Pop-up) |
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Music behind DJ: Charles Stepney |
Around The House |
Step On Step |
International Anthem |
2022 |
0:22:23 (Pop-up) |
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The Prodigy, Sleaford Mods | Ibiza | The Day Is My Enemy | Cooking Vinyl | 2015 | Prodigy & Sleaford Mods together? This happened??!! 7 years ago???!!! Jason Williamson is quietly (loudly?) becoming a prolific collaborator. This is good for the world, in my estimation. | 0:22:52 (Pop-up) | |
Here Are The Young Men & Uncle Peanut | Mark E Smith's Still Doing The Fall | This Is the Standard Life | Musical Bear Records | 2017 | Seems this was first in the world as early as Nov 23, 2015; when Mark E. Smith was, indeed, still doing The Fall. HERE ARE THE YOUNG MEN & UNCLE PEANUT - MARK E. SMITH'S STILL DOING THE FALL (YouTube) | 0:25:38 (Pop-up) | |
Lewsberg | Six Hills | Six Hills | Speedy Wunderground | 2022 | "“Rotterdam’s Lewsberg are one of the more interesting bands to come out of a city currently enjoying something of an alternative musical renaissance. Lewsberg are exponents of a measured, arty-but-inquisitive sound that is slightly at odds with the brazen racket made by the likes of their city peers. Those who dig ‘The Gift’ by the Velvet Underground or that very early Modern Lovers sound will surely be drawn to this.” — Louder Than War" | 0:27:10 (Pop-up) | |
Taraka | Psychocastle | Welcome to Paradise Lost | Rage Peace Records | 2021 | "Since the breakup of the legendary underground cult duo Prince Rama, former front-woman Taraka has thrown herself headlong into the dark existential world of her “inner teenager," merging bastard elements of outsider-psych, post-edenic grunge, kaleidoscopic punk and post-adolescent angst to create her debut solo album. A departure from Prince Rama’s sparkly dance-pop sound, WELCOME TO PARADISE LOST is a primal, electrifying, dirty and unapologetically life-affirming celebration of ennui and disillusion. Taraka's disheveled anthems fuse a combination of lo-fi opulence with ecstatic punk ritual, like the vivid visions of the disturbed daughter of Kate Bush and Johnny Rotten who drank ayahuasca at the gates of Warped Tour ’02. Welcome to Paradise Lost was conceived while Taraka (pronounced like maraca) was living in solitary confinement in a hot Texas gallery with a live serpent in an attempt to return to a pre-internet Eden. She was without a band, without a label, without a future, and had vowed never to make music again. Disenchanted with the world, she sat in her trashed simulated Garden of Eden smoking mapacho and listening to old school punk, grunge, and obscure psych records that excited her as a teenager in a small redneck town, learning to skateboard and discovering her first power chord. One night she picked up an electric guitar and hit record. The songs started pouring out-- pep rallies for total failure, hymns to binary code, love songs to walls-- most recorded in one take, sometimes as she was channeling them in order to capture that primordial electricity of creation, a feeling of “making out under the bleachers with infinity.” Her pals Ryan Sciaino (Spank Rock, Prince Rama, Win Win) and Tim Koh (Gang Gang Dance, Conan Mockasin, Haunted Graffiti) later helped flesh them out, pimp them up, and eventually Welcome to Paradise Lost took form like the intricate layers of a fucked up Bosch painting, or collaged jingles for a lost 1970s cult children’s TV show that split off via the mandela effect. Taraka realized perhaps paradise is nothing but another empty societal construction-- a mirage-like prison of perfection-- and the moment it is lost, we are left with the glow of some inner forgotten freedom. The kind of freedom once found in the piss puddles of a Beatles concert or the face of Buddha winking inside the mud of a fossilized Dr. Martens footprint in an abandoned mosh pit. There is a playfulness here, but a lurking poetry as well. Some of the first lines of the album begin with the fall of humankind: “I ate forbidden fruits and with their seeds I grew a silhouette…” and maybe this is where the magic of Welcome to Paradise Lost truly begins; not some shallow resurrection of past nostalgia, but a dangerous and sometimes absurd spiritual quest for freedom, rebellion, and that awkwardly honest place within us all that defies logic and authority so urgently needed right now." | 0:32:57 (Pop-up) | |
Blonde Elvis | The Gardener | On Humility (Unreleased) | Unreleased | Unreleased | Also of various projects such as: Body Rot, Catholic Wilt, Young Mother, etc. In addition to this, "Jesse started volunteering at drop-in centers in his free time by cooking vegetarian meals for people in need. Once the pandemic hit, he had more time to get the word out and collect donations to fund meals. Now, he’s created an entire network to arrange donations with drop-in centers and encampments across the city, and coordinate drivers to deliver meals that have been cooked at Vit Beo, a Vietnamese restaurant owned by his friend David Hyunh." Quote from Jesse: "I started doing it because of the increasing precariousness of housing and the rising expense of living in Toronto. It came to my attention that much of the food being donated to drop-in centers was of very low quality and contained very little in the way of nutrients in the form of vegetables. Initially, I was cooking the food out of my own kitchen, which was difficult. Once I got involved with Dave at Vit Beo, we expanded into cooking some meat dishes at the request of the places we were donating to. The goal is still to always make a healthy, full meal. But we also make comfort food, because everyone deserves that once in a while as well." As for his music: Blonde Elvis (Bandcamp) | * | 0:36:24 (Pop-up) |
Weird Nightmare | Nibs | Weird Nightmare | Sub Pop | 2022 | "“So Far Gone,” the latest track from Weird Nightmare, the electrifying new project from METZ guitarist and singer Alex Edkins is now available for your listening pleasure on all digital service providers. The single is an exuberant blast of fun-as-hell, melodic indie rock that mixes equal parts Replacements, Teenage Fanclub, and Edkins’ own METZ-ian snarl." Weird Nightmare (Bandcamp) | 0:38:30 (Pop-up) | |
Uh Huh | Somewhere Beyond | Somewhere Beyond (Single) | Telephone Explosion | 2022 | Released Dec 5, 2022. Toronto's Teenanger swap instruments, reshape themselves, rename themselves & offer up a new single with more to come. UH HUH: Melissa Ball, Jonathon Schouten, Steve Sidoli, Chris Swimmings LIVE PERCUSSION: Blake Howard RECORDED & MIXED: Studio Z, Toronto, Canada, 2022 RECORDED & PRODUCED: Steve Sidoli and Jonathon Schouten MIXED: David Plowman MASTERED: East End Mastering, Toronto, Canada Uh Huh (Bandcamp) | * | 0:41:28 (Pop-up) |
Music behind DJ: Afrorack |
African Drum Machine |
The Afrorack |
Hakuna Kulala |
2022 |
""For a human being to be fully functional, it has to have a brain that's working and eyes and ears and arms," says Ugandan synth builder and producer Brian Bamanya, aka Afrorack. "Which is the same with the modular synthesizer: you have an oscillator, a VCA and all these envelopes. For it to create something meaningful, everything has to work together to create harmony." //// Bamanya is responsible for building Africa's first DIY modular synthesizer, a huge wall of home-made modules and FX units that he dubbed, fittingly, The Afrorack. His reason for embarking on this difficult project was simple: as he began to investigate the world of modular synthesizers, he realized it would be difficult to acquire the technology in Uganda. Not only were there relatively few retailers across the whole of Africa, but the modules were often prohibitively expensive. After quick search online, Bamanya realized he could easily download circuit diagrams and buy the required parts locally, so he taught himself electronics and constructed a CV-controlled system that's been evolving ever since. //// "The Afrorack" is Bamanya's debut album and displays the producer's untethered creativity and restless energy. He's all too aware that these modules were developed with European and American musical styles in mind, so developed his own musical methodology and language to coax the system into suiting his needs. His starting points are often abstractions of acid and techno, but Bamanya curves East African rhythms and different scales into these familiar structures, splintering them into fractal shards. "I believe Africa is at that point where people are getting new tools which were not available to them, and then experimenting with them in a different context, because Africa has its own traditional music," he told Pan African Music back in 2019. //// This attitude is most evident on 'African Drum Machine', where Bamanya uses a Euclidean rhythm sequencer to divide his CV signals into complex algorithmic patterns that mimic the polyrhythmic structures that exist in many East African musical forms. If you're not listening closely it might sound like 4/4 techno, but focus your attention and you'll hear different layers of drums and jagged oscillators bouncing between each other creating hypnotic new rhythms. Bamanya takes a similar approach on 'Why Serious', fuzzing dubby basslines and plasticky percussive sounds into a frenetic hybrid of abstract electronics and fwd-thinking East African club sounds." The Afrorack (Bandcamp) |
0:46:34 (Pop-up) |
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Music behind DJ: Afrorack |
Osc |
The Afrorack |
Hakuna Kulala |
2022 |
"At times, Bamanya's meditative, bass-heavy compositions echo the psychedelic sounds of Shackleton or Adrian Sherwood's African Head Charge, particularly on tracks like 'Inspired' and 'Last Modular'. With lysergic tonal shifts and precision-engineered drums, both tracks sound defiantly metallic, but sculpted by a producer who's always completely in control as he introduces risky eccentricities like feline groans and videogame blips. And on less beat-heavy tracks like 'Osc' and 'Rev', Bamanya makes a conscious nod to the history of modular music, approaching the kosmische universe of Popol Vuh, Klaus Schulze and Emeralds, augmenting it with East Africa's idiosyncratic rhythmic intensity. "The Afrorack" is the beginning of a conversation that's been long overdue." The Afrorack (Bandcamp) |
0:49:08 (Pop-up) |
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Music behind DJ: Afrorack |
Inspired |
The Afrorack |
Hakuna Kulala |
2022 |
Label: HAKUNA KULALA Kampala, Ugand "Club explorations from the East African and Congolese Electronic Underground and beyond." The Afrorack (Bandcamp) |
0:56:47 (Pop-up) |
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GENN | Rohmeresse | Rohmeresse Single | GENN | 2022 | When one is in the netherworld between Christmas and New Year...one must give one's self over to the ending of one trip around the sun to the new beginning. Fuck it. I don't want to go anywhere. I want to stay in all day. I don't want to wear pants. It's all a psychedelic meat, cheese and chocolate sweats for 7 days. Genn are a A sisterhood of psychadelic (sic) textures based in Brighton. t’s a shape-shifting track that moves through the influences and locations of their collective upbringing. With the band’s mixed heritage, they’ve always had a collection of influences running through their veins and ‘Rohmeresse’ sets a scene for ĠENN’s ability to weave comfortably through an ever-moving cinematic landscape. On the song, vocalist Leona Farrugia said, “I’ve often felt a pressure running through everyday life: a pressure to be productive whilst being true to oneself. Modern life can be very dissociative and small tasks become a real burden to uphold. I wanted to capture these thoughts through the track, whereby these emotions gradually build to a point of ecstasy.” The track’s title nods to French new wave director Éric Rohmer, | 0:58:20 (Pop-up) | |
Mandrake Handshake | Emonzaemon | Emonzaemon Single | Glasshouse Records | 2022 | Is it KGATLZ? Is it Stereolab? No! It's Mandrake Handshake! “An expansive, ramshackle collective with a fine line in hypnotic slowburns...They ride gloriously sleek, machine-oiled psych grooves into the sunset.” They are from Oxford. They have many members. They cite alternative and psych music from the 90s, but in two differing forms. One pillar is the extremely high production and art-poppy style of British bands like Stereolab and Broadcast for their super intelligent and deliberate use of harmonies and rhythms. The other is the psych revival side of the 90s with BJM and the Spacemen 3 - their energy and live shows just seemed to have the perfect blend of druggy blurriness and total empowerment. They also like CAN. | 1:03:14 (Pop-up) | |
The Nightingales | Sunlit Uplands (Turn That Frown Upside Down) | The Last Laugh | Tiny Global Productions | 2022 | Derek told me that they are the darlings of BBC 6 and Marc Riley,. Apparently Fall fans really like them and I can see why. They are "The misfits misfits" and enjoyed cult status in the early 1980s as darlings of the credible music scene and were championed by John Peel, who said of them – "Their performances will serve to confirm their excellence when we are far enough distanced from the 1980s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans". I fucking love that a band still makes music 40 years on as great as the day they started, even better, There is hope for us all. | 1:07:18 (Pop-up) | |
NOT THE TWOS | HAHA | HAHA (Single) | Fire Pink | 2022 | They are Kendrick Lamar's new favourite artist and producer. I don't care much for Kendrick Lamar but I sure love this band. NOT THE TWOS is Chicago's Tim Maxey. He is a one man band, motivated by "releasing songs that I don't want to see die on my computer". He loves movies ad the Beatles. | 1:10:31 (Pop-up) | |
The Shifters | Work, Life, Gym, Etc. | Have A Cunning Plan | Trouble In Mind | 2018 | Recorded at (Australian legend) Al Montfort of Total ControlTerry’s home studio, “Have A Cunning Plan” ups the fidelity a bit, tempering the up-front crunch of their previous demoLP. The sonic space suits the band, allowing the unpretentious complexity of the songs & lyrics to generate the “oomph” rather than bludgeoning the listener with treble and feedback. Lyrics simultaneously celebrate and decry the banality of life, while also tackling larger issues of colonialism conservatism’s effects on society at large. On the surface, there’s no denying the band owe a heavy debt to The Fall, but whatever seeds were planted by the late, great Mark E. Smith, have gestated into an animal all their own. | 1:12:50 (Pop-up) | |
Rearranged Face | Chin Brute | A Rare Caged Fern | Tomothy Records | 2021 | While Rearranged Face has some of the superficial trappings of egg punk (like jittery rhythms and mutated rock and roll riffing), A Rare Caged Fern is too unique to sum up with a simple genre description. Rearranged Face builds songs around catchy, repetitive riffs, but spice things up with weird sci-fi noises, a yelpy vocalist, and jammed-out parts that edge into Can territory. DEVO, Suburban Lawns, Uranium Club fans will also find something to grab your ears.... | 1:15:20 (Pop-up) | |
Music behind DJ: The Residents |
Santa Dog For Gamelan Orchestra |
Dot.Com RE |
Klangalerie |
2017 |
Dot.Com is an album released by avant rock musicians, The Residents, in 2000. It was released in a limited edition of 1200 copies. In 2000, Ralph America collected all of the MP3s they had released on the Buy Or Die website on a CD entitled dot.com. Each MP3 is a never-before-released track from The Residents' history, dating from 1969 to 2000. |
1:17:17 (Pop-up) |
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Jac Berrocalo, Vincent Epplay, David Fenech & Jah Wobble | Chapelle Ganache | Transcodex | Akuphone | 2022 | Feat. Jah Wobble on Electric Bass. +++ //// Bass, Rhythm Section, Electric Guitar, Bodhrán, Electric Bass, Sampler, Editor, Turntables, Mixed By, Recorded By – David Fenech //// Synthesizer, Sampler, Electric Bass, Rhythm Section, Electronics, Drum Machine, Flute, Field Recording, Editor, Percussion, Tape, Mixed By, Recorded By, Cover – Vincent Epplay //// Trumpet, Voice, Lyrics By, Harmonica – Jac Berrocal. --- "Jacques "Jac" Berrocal (born 22 October 1946, Saint-Jean d'Angély) is a French trumpeter, singer and composer. He has been active since the 1970s in the independent and avant-garde music scene, and has released many albums. He also founded and performed in the group Catalogue, and has collaborated with Ron Anderson. Berrocal has appeared in several films." | 1:26:44 (Pop-up) | |
Hitomi Moriwaki | Song For My English Lesson | Subtropic Cosmos | Guruguru Brain | 2022 | "Hitomi Moriwaki is a multidisciplinary artist working with a wide range of mediums besides music, including: magazines, ceramics, digital art, and animation." -- "Subtropic Cosmos is the international debut album by Japanese artist Hitomi Moriwaki. Composed and recorded at her Fukuoka home during the worldwide pandemic between 2020-2022, the album was produced by Hideki Urawa, who has also worked with Kikagaku Moyo and other musical acts on Guruguru Brain. "Subtropic Cosmos" in particular is a wonderful work that conveys the "joy of making things" to listeners, as it is filled with various influences from her diverse activities. As suggested by the album title, most of the songs were created under the unprecedented conditions of corona--and as a result, were inspired by the consciousness of traveling through imaginary foreign lands and nature. As if adventuring through the universe inside of her own mind, Moriwaki's versatility is best experienced through her fearless fusion of hip-hop, pop and experimental music. Through a lens of psychedelic production by Hideki Urawa, this album is a truly special, one-of-a-kind space experience for listeners to enjoy and embark upon. Released September 2, 2022. All songs written by Hitomi Moriwaki .Recorded in my room, Fukouka, Japan (2020 November - 2021 March)"" | 1:30:14 (Pop-up) | |
Jane Weaver | Oblique Fantasy | Oblique Fantasy | Speedy Wunderground | 2022 | "Jane Louise Weaver (born 28 February 1972) is an English singer, songwriter, and guitarist. She runs the label Bird Records, an offshoot of Twisted Nerve Records. Weaver has performed as part of the Britpop group Kill Laura, the folktronica project Misty Dixon, and as a solo artist. She was brought up in the town of Widnes, Cheshire." | 1:31:02 (Pop-up) | |
Prolapse | Broken Cormorant (Peel Session) | Prolapse - John Peel Session 20.08.94 | Precious Recordings | 1994 / 2022 | "On vinyl for the fist time, this is Prolapse's spectacular debut session for John Peel, featuring divergent versions of a couple of classics and the previously unreleased 'Broken Cormorant', the subject of much debate among devotees down the years." Further to this point, you can find an excellent blog post (apparently the author joined Tumblr specifically to talk about this song alone) about this song here: Tumblr Post about this song You can also find Prolapse's page here: Prolapse Bandcamp -- ""Me and Scottish Mick were going out for some of the time, not going out for the rest of the time. If we hadn’t been in a relationship we might have sounded exactly the same but I suspect not." —Linda Steelyard, interviewed about Prolapse in 2007. //// (Mick Derrick adds later in the interview, “The lyrics were by and large improvised, to the point where if we did live radio we would make up a song from scratch.”)" -- Lastly, good news, they have been touring and playing again after decades away! We're hoping for a new album... | 1:36:32 (Pop-up) | |
Music behind DJ: Colin Newman |
Fish 12 |
Provisionally Entitled The Singing Fish (Deluxe) |
Sentient Sonics |
1981 / 2016 |
From the desk of Meep Moop: "A DOZEN FISHES!!!!!" From the desk of Derek: Last fish of the album. |
1:41:39 (Pop-up) |
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Total Control | Flesh War | Typical System | Iron Lung Records | 2014 | Total Control are five Melbourne men dead-set on pumping life into the spiritual tradition of post-punk exploration with little regard for sonic congruity. Ghosts of new wave's past audibly haunt these songs, and "Flesh War" is Typical System's most straightforward take on that sound. It's the widescreen, mechanical-sounding focal point, with synths soaring soft enough to rest your head on without worrying about getting clawed in the face. But it's not mere retro-styling. "Flesh War" looks for what's left in the endless possibilities of post-punk and says something real through it. "Flesh War" sounds like commentary on life under the relentless watch of overlords—further proof that electronic pop can be just as subversive as throat-shredding rock and roll. | 1:45:28 (Pop-up) | |
19 Gadi Pirms Sākuma | Ruhig | 19 Gadi Pirms Sākuma | Approximate Art Agency | 1989 | "Sometimes our own creations surprised us," says Inguna Rubene, flute player, guitarist, bassoonist, and songwriter for 19 Gadi Pirms Sākuma (19 Years Before the Beginning). Created with the idea of lasting for a single performance, 19 Gadi Pirms Sākuma developed into one of the most delicate, intriguing groups in Latvia's 1980s and early 1990s music scene. Formed in 1988, the band arrived at a time when the Soviet Union was showing the first signs of unravelling. "19 Gadi Pirms Sākuma started because we wanted to prepare a musical program for an exhibition organized by Hardijs Lediņs, Juris Boiko [both from the band/performance collective NSRD] and other avant-garde artists at the Aizrobezu Art Museum [now the Art Museum of Riga Bourse]. It could have remained as a one-time musical project if it were not for two journalists from West Berlin who were at the exhibition," Rubene reveals. The band quickly recorded an album in their apartment, Listening to it now, the frantic synths, percussion and Rubene's vocal reveal the urgency of the time. Seemingly disparate acoustic and synthetic sounds orchestrated into swooning, surreal songs. Elements of minimalism combined with synth pop and echoes of folk melodicism. | 1:50:07 (Pop-up) | |
Sweet Baboo | Hopeless | Horticulture EP | Amazing Tapes From Canton | 2022 | Stephen Black, better known by his stage name Sweet Baboo, is a Welsh musician. Before becoming a solo artist, he played with the band JT MOuse. e is close friends with fellow musicians Cate Le Bon and H. Hawkline and often performs in their accompanying bands, and has also performed with and produced Euros Childs, The Pictish Trail, The Voluntary Butler Scheme and Islet, and collaborated with Gruff Rhys. This song is amazing and it's such an earworm in a most pleasant Stereolab way and he totally admits it gleefully. | 1:53:51 (Pop-up) | |
Music behind DJ: Claude Dupras |
I''d Like To Teach The World To Sing |
Claude Dupras |
Yamaha – PH 91079 |
1977 |
This is a demonstration album for the Yamaha Electone Organ. In their promotional material, Yamaha advertises this as "The Electone allows you to create and enjoy those moments when music resonates with your emotions, and then to share the inspiration with your friends." |
1:57:10 (Pop-up) |
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Music behind DJ: Claude Dupras |
Isn't She Lovely |
Claude Dupras |
Yamaha – PH 91079 |
1977 |
1:58:26 (Pop-up) |
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Music behind DJ: Claude Dupras |
Southern Nights |
Claude Dupras |
Yamaha – PH 91079 |
1977 |
2:00:28 (Pop-up) |
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Legendary Pink Dots | The Eternal Optimist | The Legendary Pink Dots' Christmas Special 2022 | Self Released (Bandcamp) | 2022 | "Ice on the road, snow on the grass, Slade on the radio, red and white hats at the supermarket. Yup, everybody is doing his or her best to look cheerful despite it all... "The Eternal Optimist" was actually performed live on the final day of The Dots' Post Pandemic Tour of North America but It seemed fitting to create a studio interpretation of a piece about hope regardless of the circumstances at the end of such a dark year. 2022 has but a few days left...I reckon it has long outstayed its welcome." Legendary Pink Dots (Bandcamp) | * | 2:02:55 (Pop-up) |
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DJ Babs:
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ultradamno:
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ultradamno:
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WR:
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TroyD8:
ultradamno:
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ultradamno:
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Scott67:
🌏☀️🍻😎🤙💨🍺🍺🍺🍺🍺🍺
DJ Babs:
Derek Westerholm:
DJ Babs:
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Mr Fab:
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Alli B:
gsdoubleu:
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gsdoubleu:
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Rich in Washington:
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Derek Westerholm:
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shellioh:
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ultradamno:
Kristine:
Derek Westerholm:
Mr Fab:
DJ Babs:
ultradamno:
Derek Westerholm:
DJ Babs:
DJ Babs:
DJ Babs:
DJ Babs:
Barno in Akron:
Mr Fab:
Kristine:
ultradamno:
TroyD8:
RohanSJ:
ultradamno:
Kristine:
DJ Babs:
DJ Babs:
Kristine:
DJ Babs:
ultradamno:
RohanSJ:
RohanSJ:
DJ Babs:
ultradamno:
RohanSJ:
Your Pretend Boyfriend:
DJ Babs:
Your Pretend Boyfriend:
Derek Westerholm:
Derek Westerholm:
Your Pretend Boyfriend:
DJ Babs:
RohanSJ:
Your Pretend Boyfriend:
Derek Westerholm:
DJ Babs:
DJ Babs:
ultradamno:
Derek Westerholm:
ultradamno:
DJ Babs:
DJ Babs:
Alli B:
DJ Babs:
RohanSJ:
DJ Babs:
ultradamno:
RohanSJ:
DJ Babs:
RohanSJ:
Kristine:
Derek Westerholm:
DJ Babs:
DJ Babs:
DJ Babs:
RohanSJ:
DJ Babs:
Kristine:
Your Pretend Boyfriend:
Derek Westerholm:
ultradamno:
Kristine:
RohanSJ:
Derek Westerholm:
Kristine:
Kristine:
Derek Westerholm:
Kristine:
ultradamno:
ultradamno:
Scott67:
Scott67:
DJ Babs:
DJ Babs:
I CANNOT CHOOSE ONE
ultradamno:
Kristine:
Kristine:
Derek Westerholm:
DJ Babs:
Scott67:
🍻😎🤙🫕
DJ Babs:
Kristine:
DJ Babs:
DJ Babs:
DJ Babs:
Kristine:
Derek Westerholm:
Kristine:
Kristine:
ultradamno:
DJ Babs:
Derek Westerholm:
Kristine:
RohanSJ:
ultradamno:
DJ Babs:
DJ Babs:
Scott67:
☕😎🤙🫕
Kristine:
Derek Westerholm:
Scott67:
🍻😎🤙🧀🥖🍞
Derek Westerholm:
DJ Babs:
DJ Babs:
Scott67:
DJ Babs:
DJ Babs:
Derek Westerholm:
RohanSJ:
Scott67:
Alli B:
Scott67:
DJ Babs:
DJ Babs:
DJ Babs:
DJ Babs:
Scott67:
ultradamno:
Kristine:
DJ Babs:
Kristine:
Derek Westerholm:
DJ Babs:
RohanSJ:
Derek Westerholm:
DJ Babs:
Scott67:
Derek Westerholm:
RohanSJ:
Derek Westerholm:
Scott67:
🌏☀️🍻😎🤙💨🍺🍺🫕🌻❤️❤️
Kristine:
Rich in Washington:
See you next year!
Kristine:
RohanSJ:
WR:
DJ Babs:
Mr Fab:
DJ Babs:
ultradamno:
Derek Westerholm:
Kristine:
northguineahills:
Derek Westerholm:
Derek Westerholm:
ultradamno:
northguineahills:
Derek Westerholm:
northguineahills:
oh please, oh please, oh please!!!
Derek Westerholm:
Derek Westerholm:
Scott67: