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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Images | Approx. start time |
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Famoudou Don Moye, Baba Sissoko, Maurizio Capone | Salamandra | Folk Bass Spirit Suite | Bass, Vocals – Aldo Vigorito; Congas, Timbales, Bells, Steel Drums, Vocals, Other [Scatolera, Scatolophone, Canalina Elettrica] – Maurizio Capone; Congas, Triangle, Drums, Vocals, Other [Karanjan] – Famoudou Don Moye; Guitar – Pasquale Panico; Ngoni, Bells, Vocals, Other [Tama, Kamalen'goni, Karanjan] – Baba Sissoko; Piano, Electric Piano [Rhodes] – Piero De Asmundis; Surdo – Giovanni Volpe; Vocals – Fabiana Martone, Marcello Colasurdo - - -released: 2004 Pomigliano Jazz Tribute To Malachi Favors, Marcello Melis, Johnny Dyani, Djeli Baba Sissokjo | 0:00:00 (Pop-up) | |
Yungchen Lhamo | Khyab Sangye | Coming Home | Acoustic Guitar, Backing Vocals – Sam Doherty §§§Acoustic Guitar, Electric Guitar – Kent Condon §§§Arranged By [Cello] – Patrick Morgenthaler §§§Backing Vocals – Ben Findlay, Sister Soleil §§§Bass – Daniel Yvinec §§§Cello – Caroline Lavelle §§§Drone – Peter Gabriel §§§Guitar [Wild Guitar, Guitars] – David Rhodes §§§Guitar, Backing Vocals – Henry Frayne §§§Kantele – Timo Trovinen §§§Lead Vocals – Yungchen Lhamo §§§Loops, Effects [Sound Effects], Arranged By [Cello] – Hector Zazou §§§Percussion – Chris Liliedahl, Hossam Ramzy §§§Violin – Richard Bourreau §§§Written-By – Yungchen Lhamo §§§Producer – Hector Zazou - - Recorded at Real World Studios, Wiltshire, England. Additional recording at Les Nouvelles Musiques Electroniques, Paris, France - 1998 §§§Producer – Hector Zazou | 0:06:56 (Pop-up) | |
Myra Melford's Fire And Water Quintet | III | For the Love of Fire and Water | Cello – Tomeka Reid; Drums, Percussion – Susie Ibarra; Guitar – Mary Halvorson; Piano, Melodica, All Compositions By – Myra Melford; Tenor Saxophone, Soprano Saxophone – Ingrid Laubrock - - - Recorded ... on July 20st and 21st 2021 | 0:13:10 (Pop-up) | |
Maria Schneider Orchestra | Stone Song | Data Lords | Soloist, Soprano Saxophone – Steve Wilson; Greg Gisbert – trumpet, flügelhorn • Tony Kadleck – trumpet, flügelhorn • Nadje Noordhuis – trumpet, flügelhorn • Mike Rodriguez – trumpet, flügelhorn • Marshall Gilkes – trombone • Ryan Keberle – trombone • Keith O'Quinn – trombone • George Flynn – bass trombone • Dave Pietro – alto saxophone, clarinet, piccolo, flute • Steve Wilson – alto saxophone, soprano saxophone, clarinet, flute • Donny McCaslin – tenor saxophone, flute • Rich Perry – tenor saxophone • Scott Robinson – baritone, Bb, bass & contrabass clarinets, muson • Gary Versace – accordion • Frank Kimbrough – piano • Ben Monder – guitar • Jay Anderson – bass • Johnathan Blake – drums, percussion - - Recorded August 30, 2019 - September 2, 2019 Studio Oktaven Audio, Mount Vernon, New York | 0:16:24 (Pop-up) | |
Satoko Fujii | I Haven't Seen You Since Then | Indication | SATOKO FUJII piano - - Recorded at Systems Two, Brooklyn, May 17, 1996 | 0:22:05 (Pop-up) | |
Anthony De Mare | Paraphrase (Someone In A Tree) | Liaisons: Re-Imagining Sondheim From The Piano | (Arranged By Phil Kline) | 0:25:39 (Pop-up) | |
People Like Us & Ergo Phizmiz | Snow Day | Rhapsody In Glue | https://peoplelikeus-vickibennett.bandcamp.com | 0:31:14 (Pop-up) | |
DJ Slouches In | 0:36:35 (Pop-up) | ||||
Randy Brecker | The Weasel Goes Out To Lunch | Score | Randy Brecker – trumpet, flugelhorn, arranger • Michael Brecker – tenor saxophone • Jerry Dodgion – alto flute • Recorded • January 24 & February 3, 1969 • • Van Gelder Studio, Englewood Cliffs, NJ | 0:43:59 (Pop-up) | |
GRP All-Star Big Band | Manteca | GRP All-Star Big Band | Arranged by Bob Minzer; Dave Valentin - flute; Arturo Sandoval - trumpet; Randy Brecker - trumpet; Dave Weckl - drums; Alex Acuna - percussion; Kenny Kirkland - piano - - 1992 | 0:45:20 (Pop-up) | |
Horace Silver | Liberated Brother | In Pursuit of The 27th Man | Horace Silver - piano • Randy Brecker - trumpet, flugelhorn ; • Michael Brecker - tenor saxophone ; • Bob Cranshaw - electric bass; • Mickey Roker - drums - - • Recorded • October 6 & November 10, 1972 | 0:52:13 (Pop-up) | |
Harlem River Drive (Eddie Palmieri) | Seeds Of Life | Harlem River Drive | Bass – Victor Venegas; Bass [Fender] – Andy Gonzalez; Congas – Eladio Perez; Drums – Bernard Purdy; Guitar [Accompanying] – Cornell Dupree; Lead Guitar – Bob Mann; Tenor Saxophone – Dick Meza; Timbales – Manny Oquendo; Trombone – Barry Rogers; Trumpet – Randy Brecker - - 1971 | 0:57:30 (Pop-up) | |
Charlie Sepúlveda & The Turnaround | Liberty | This Is Latin Jazz | Charlie Sepúlveda (trumpet); Norberto Ortiz (tenor saxophone); Eduardo Zayas (piano); Gabriel Rodriguez (bass); Francisco Alcalá (drums); Nicholas Cosaboom (congas). Randy Brecker (trumpet) - - - Recorded at Dizzy’s Club, Jazz at Lincoln Center, New York, NY on February 7, 8 & 9, 2020 | 1:02:37 (Pop-up) | |
João Donato & Deodato | Nightripper | DonatoDeodato | Congas – Ray Barretto; Drums – Allan Schwartzberg; Electric Bass – Dud Bascomb; Electric Guitar – Bob Rose; Flute, Whistle – Romeo Penque; Harmonica – Mauricio Einhorn; Keyboards – Joao Donato; Keyboards, Arranged By, Conductor – Eumir Deodato; Percussion – Airto; Trombone – Michael Gibson; Trumpet – Randy Brecker - - - Recorded March 26 & April 10, 1973 | 1:10:39 (Pop-up) | |
Steely Dan | Babylon Sisters | Gaucho | Arranged By [Horns] – Rob Mounsey; Backing Vocals – Diva Grey, Gordon Grody, Lani Groves, Leslie Miller, Patti Austin, Toni Wine; Bass – Chuck Rainey; Bass Clarinet – George Marge, Walter Kane; Drums – Bernard Purdie; Electric Piano, Clavinet – Don Grolnick; Guitar – Steve Khan; Percussion – Crusher Bennett; Tenor Saxophone, Alto Saxophone, Clarinet – Tom Scott; Trumpet, Flugelhorn – Randy Brecker - - 1980 | 1:17:11 (Pop-up) | |
Everything Is Everything | Into The Heaven | Just Flash In The Cosmic Pan | Bass – John Carbone, Lanny Fields, Reggie Workman, Teruo Nakamura; Drums – Lenny White; Electric Piano – Joe Bonner; Guitar – John Abercrombie; Percussion – Steve Jackson; Percussion, Flute – Yosuke Tonoki; Piano – Mike Garson; Tenor Saxophone, Soprano Saxophone – Dave Liebman, Steve Grossman; Trumpet – Randy Brecker - -Recorded on 15 June 1970 | 1:22:55 (Pop-up) | |
D-Ject | 1:49:33 (Pop-up) | ||||
Bootsy's Rubber Band | Rubber Duckie | Ahh...The Name Is Bootsy, Baby! | Phelps "Catfish" Collins, Garry Shider, Michael Hampton, Glenn Goins, Bootsy Collins - guitar • Frankie "Kash" Waddy, Jerome Brailey, Gary "Mudbone" Cooper, Bootsy Collins - drums • Joel "Razor-Sharp" Johnson, Bernie Worrell - keyboards • Bootsy Collins, Casper (William Earl Collins)- bass • Fred Wesley, Maceo Parker, Rick Gardner, Richard "Kush" Griffith - Horny Horns • Randy Brecker, Michael Brecker - horns • Gary "Mudbone" Cooper, Robert "P-Nut" Johnson - "front ground" vocals • Fred Wesley, Bootsy Collins - horn arrangements - - Recorded 1976 Studio United Sound Systems, Detroit; Hollywood Sound Recorders, Hollywood | 1:55:27 (Pop-up) | |
Steve Khan | The Big Ones | Tightrope | Steve Khan: electric guitar, 12-string electric guitar • Don Grolnick: Clavinet • Bob James: Fender Rhodes • Will Lee: electric bass • Steve Gadd: drums • Ralph MacDonald: percussion • Michael Brecker: tenor saxophone • Randy Brecker: trumpet • Recorded • March/April 1977 at Media Sound Inc, New York City | 1:58:42 (Pop-up) | |
The Brecker Brothers | Funky Sea, Funky Dew | Heavy Metal Be-Bop | Randy Brecker – Trumpet and Keyboards • Michael Brecker – Tenor Saxophone • Barry Finnerty – guitars, guitorganiser, background vocals • Terry Bozzio – drums, background vocals • Neil Jason – bass, lead vocals • Sammy Figueroa – percussion • Rafael Cruz – percussion ◦ Released ◦ September 1978 | 2:04:41 (Pop-up) | |
Don Pullen | Big Alice | Tomorrow's Promises | Don Pullen, piano, electric piano; George Adams, tenor saxophone; Michal Urbaniak, violin; Randy Brecker, trumpet; Sterling Magee, guitar; Roland Prince, guitar; John Flippin, electric bass; Tyronne Walker, drums; Ray Mantilla, percussion; Bobby Battle, percussion - - Recorded at Atlantic Recording Studios, New York City, NY in July 1976 | 2:12:34 (Pop-up) | |
Walter Bishop, Jr. | My Little Suede Shoes | Cubicle | Walter Bishop Jr. – piano • Randy Brecker – trumpet, flugelhorn • Curtis Fuller – trombone • Rene McLean – soprano saxophone, alto saxophone, tenor saxophone • Pepper Adams – baritone saxophone • Joe Caro – guitar • Bob Cranshaw – Fender bass • Billy Hart – drums • Ray Mantilla – percussion • Mitch Farber – arranger - - - Recorded: June 21, 1978 | 2:23:23 (Pop-up) | |
Gary McFarland | Suburbia: Two Poodles And A Plastic Jesus | America The Beautiful, An Account Of Its Disappearance | Bass Guitar – Chuck Rainey ; Composed By – Gary McFarland; Conductor – Gary McFarland; Drums – Bernard Purdie; French Horn – Earl Chapin Ray Alonge; Guitar – Eric Gayle; Percussion – Warren Smith; Piano – Warren Bernhardt; Reeds – Danny Bank Jerome Richardson, Joe Farrell Romeo Penque, Wally Caine; Trombone – Garnett Brown; Trumpet – Marvin Stamm, Randy Brecker Richard Williams - - Composed By, Orchestrated By, Conductor – Gary McFarland Producer – Norman Schwartz Remastered By [For Compact Disc] – Steve Hoffman - - Recorded 16, 18, 21, 22 October 1968 at A&R Recording Studios, New York | 2:28:08 (Pop-up) | |
Lou Reed | Oh Jim | Berlin | Lou Reed – vocals, acoustic guitar • Bob Ezrin – piano, Mellotron, arrangement • Steve Hunter – electric guitar • Dick Wagner – electric guitar, backing vocals • Jack Bruce – bass guitar • Aynsley Dunbar – drums • Steve Winwood – Hammond organ, harmonium • Michael Brecker – tenor saxophone • Randy Brecker – trumpet • Jon Pierson – bass trombone • Steve Hyden, Elizabeth March, Dick Wagner, Lou Reed – choir • Released • October 5, 1973 • Studio • Morgan, London; Record Plant, New York City | 2:32:36 (Pop-up) | |
Don Sebesky | The Rape Of El Morro | The Rape Of El Morro | Don Sebesky - keyboards, arranger, conductor • Randy Brecker, Jon Faddis - trumpet • Wayne Andre, Barry Rogers, Sonny Russo - trombone • Tony Studd - bass trombone • Michael Brecker - tenor saxophone • David Sanborn - alto saxophone • Ray Beckenstetein - flute, alto flute, piccolo • Harvey Estrin, Walt Levinsky, George Marge, Al Regni - flute • Don Grolnick, Roland Hanna, Pat Rebillot - keyboards • Joe Beck - guitar • Ron Carter, Will Lee - bass • Steve Gadd - drums • George Devens, Phil Kraus - percussion • Harry Cykman, Paul Gershman, Harry Glickman, Emanuel Green, Harold Kohon, Charles Libove, Harry Lookofsky, David Nadien, Matthew Raimondi, David Rose - violin • Jean R. Dane, Manny Vardi - viola • Seymour Barab, Charles McCracken - cello • Joan LaBarbara - vocal • Recorded at Van Gelder Studio in Englewood Cliffs, New Jersey between April and May, 1975 | 2:37:44 (Pop-up) | |
Randy Brecker | The Vamp | Score | Randy Brecker – trumpet, flugelhorn, arranger • Michael Brecker – tenor saxophone • Jerry Dodgion – alto flute • Larry Coryell – guitar • Hal Galper – piano, electric piano, arranger • Eddie Gómez – bass • Chuck Rainey – Fender bass • Bernard Purdie, Mickey Roker - drums • Recorded • January 24 & February 3, 1969 • • Van Gelder Studio, Englewood Cliffs, NJ | 2:45:25 (Pop-up) | |
Randy Brecker with Michael Brecker | Some Skunk Funk - Live At Leverkusener Jazztage | Some Skunk Funk | Michael Brecker – tenor saxophone • Randy Brecker – trumpet • Vince Mendoza – conductor, arranger • Will Lee – bass guitar • Jim Beard – piano, synthesizer • Peter Erskine – drums • Marcio Doctor – percussion • Koji Paul Shigihara – guitar • WDR Big Band • Rob Bruynen – trumpet • Andy Haderer – trumpet • Rick Kiefer – trumpet • John Marshall – trumpet • Klaus Osterloh – trumpet • David Horler – trombone • Bernt Laukamp – trombone • Ludwig Nuss – trombone • Mattis Cederberg – bass trombone • Harold Rosenstein – alto saxophone • Heiner Wiberny – alto saxophone • Olivier Peters – tenor saxophone • Rolf Römer – tenor saxophone • Jens Neufang – baritone saxophone[3] • Recorded • November 11, 2003 • Venue • Forum, Leverkusen, Germany | 2:50:35 (Pop-up) | |
DJ | 2:57:01 (Pop-up) | ||||
Jimi Hendrix | Message To Love | Band of Gypsys | Billy Cox – bass, vocals • Jimi Hendrix – guitar, vocals, producer, liner notes • Buddy Miles – drums, vocals • Recorded • January 1, 1970 • • Fillmore East, New York City | 3:01:51 (Pop-up) | |
The Jimi Hendrix Experience | Up From The Skies | Axis: Bold As Love | Jimi Hendrix – vocals, electric guitar • Mitch Mitchell – drums, backing vocals • Noel Redding – bass guitar - - Recorded • May–June, October 1967 • Studio | 3:07:08 (Pop-up) | |
The Jimi Hendrix Experience | Still Raining, Still Dreaming | Electric Ladyland | Jimi Hendrix – vocals, guitars, piano, percussion • Noel Redding – backing vocals, bass guitar o • Mitch Mitchell – backing vocals, drums, percussion - - 1967 | 3:10:01 (Pop-up) | |
The Jimi Hendrix Experience | Bold As Love | Axis: Bold As Love | Jimi Hendrix – vocals, electric guitar • Mitch Mitchell – drums, backing vocals • Noel Redding – bass guitar - - Recorded • May–June, October 1967 • Studio | 3:14:25 (Pop-up) | |
The Jimi Hendrix Experience | Fire | Are You Experienced | Jimi Hendrix – guitars, vocals; piano on "Are You Experienced?" • Noel Redding – bass guitar; backing vocals • Mitch Mitchell – drums; percussion Recorded • October 23, 1966 – April 4, 1967 • • De Lane Lea, CBS, & Olympic, London | 3:18:33 (Pop-up) | |
Jimi Hendrix | Who Knows | Band of Gypsys | Billy Cox – bass, vocals • Jimi Hendrix – guitar, vocals, producer, liner notes • Buddy Miles – drums, vocals • Recorded • January 1, 1970 • • Fillmore East, New York City | 3:21:07 (Pop-up) | |
The Jimi Hendrix Experience | 1983... (A Merman I Should Turn To Be) | Electric Ladyland | Jimi Hendrix – vocals, guitars, piano, percussion • Noel Redding – backing vocals, bass guitar o • Mitch Mitchell – backing vocals, drums, percussion | 3:30:38 (Pop-up) | |
DJ Flashes Back to 1975 - Tripping to Electric Ladyland and Tresspassing in Private Pools | 3:44:14 (Pop-up) | ||||
Chrissie Hynde | How Glad I Am | Valve Bone Woe | 3:46:06 (Pop-up) | ||
Patton Oswalt | The Silver Balloon | Talking for Clapping | 3:50:42 (Pop-up) | ||
DJ - OUT | 3:58:23 (Pop-up) |
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Listener comments!
doctorjazz:
Michael 98145:
Revolution Rabbit Nov63:
James Marshall Hendrix
27th Nov., 1942 - 18th Sept,, 1970
chresti:
Stork:
Revolution Rabbit Nov63:
StringOFperils:
Then come on across to me
We'll hold hands, and then we'll watch the sunrise
From the bottom of the sea
Stork:
Stork:
Jeff Golick:
Stork:
Jeff Golick:
WR:
adamdoesit:
coelacanth∅:
Stork:
WR:
chresti:
Andrew in Toronto:
Andrew in Toronto:
Andrew in Toronto:
Stork:
Andrew in Toronto:
chresti:
coelacanth∅:
Andrew in Toronto:
doctorjazz:
Andrew in Toronto:
Revolution Rabbit Nov63:
adamdoesit:
Speaking of friendly fire, barkeep! A tragically-aimed round for the assembled, if you please.
doctorjazz:
chresti:
Stork:
peoplelikeus-vickibennett.bandcamp.com
fred:
fred:
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
chresti:
doctorjazz:
fred:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
coelacanth∅:
fred:
Revolution Rabbit Nov63:
' Randal Edward Brecker (born November 27, 1945) is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B. '
adamdoesit:
fred, seeing Music for 18 Musicians performed live changed how I perceive it. I'd never have guessed that said musicians move around between instruments so much. It's a choreographed dance in its own right.
fred:
Stork:
Robm:
doctorjazz:
Stanley:
Sem:
Greets, the Storkiness of All Things, and acolytes, electrolytes, and christmaslytes everywhere.
fred:
Stork:
Andrew in Toronto:
Dean:
adamdoesit:
fred:
Revolution Rabbit Nov63:
fred:
Michael 98145:
monkeyz:
monkeyz:
Stork:
chresti:
Uncle Michael:
Stork:
fred:
Listening Out There:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Ike:
fred:
Revolution Rabbit Nov63:
...My feelings towards Homo sapiens are somewhat along those lines...
StringOFperils:
Revolution Rabbit Nov63:
Ike:
fred:
StringOFperils:
Revolution Rabbit Nov63:
fred:
monkeyz:
chresti:
Franco Twinkie:
adamdoesit:
* Consensual Delusion
2oz Glen Passaic
3/4oz lemon juice
3/4oz complex syrup
A dozen or so synapses
One eggwhite
Herbal smoking stuff
Dry shake Glen Passaic, lemon juice, syrup and egg white together, then add ice, and shake vigorously. Smear a chilled coupe with the synapses, inflame the herbal smoking stuff, invert glass over it till dank. Turn glass right-side up (I can't stress this part enough), strain in shaken cocktail, and serve over a bar napkin torn from the pages of Wittgenstein's Tractatus.
Dean:
Dean:
Franco Twinkie:
Stork:
Dhario:
Stork:
Ike:
Revolution Rabbit Nov63:
en.wikipedia.org...
fred:
Stork:
Stork:
Ike:
StringOFperils:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
fred:
Sem:
doctorjazz:
Revolution Rabbit Nov63:
www.facebook.com...
Dean:
Revolution Rabbit Nov63:
Dean:
doctorjazz:
Revolution Rabbit Nov63:
StringOFperils:
doctorjazz:
Revolution Rabbit Nov63:
Dean:
Clapton & Allman's "Little Wing"...whew.
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
doctorjazz:
www.jazziz.com...
Dean:
Revolution Rabbit Nov63:
doctorjazz:
Revolution Rabbit Nov63:
...SRV mostly AlbertKing - but Jimi had absorbed the entire History.
doctorjazz:
Revolution Rabbit Nov63:
doctorjazz:
fred:
monkeyz:
Stork:
Dean:
Revolution Rabbit Nov63:
Kronos Monk sounds tasty. Must have heard some once or twice.
Gurldoggie:
coelacanth∅:
really i'd say John Lee Hooker, or Neil Young played more like Hendrix, in that they poured their guts out through guitars.
Peter Green and of course Duane also, except they had technical expertise as well -although not like Jimi technically.
doctorjazz:
Dean-My bad, I quickly read the Wiki page-it was there first album for Nonesuch...
StringOFperils:
adamdoesit:
Revolution Rabbit Nov63:
doctorjazz:
Thanks so much, Stork, laters all!
Revolution Rabbit Nov63:
chresti:
Stork:
fred:
doctorjazz:
Dean:
doctorjazz:
adamdoesit:
StringOFperils:
Matt:
Revolution Rabbit Nov63:
SRV used thick strings & changed what people expected from Stratocaster tone - it seems to me. His feel was fantastic & it was about his hands & attack. This former is Hendrix-like - but Jimi was multicolored in tones & timbres.
Revolution Rabbit Nov63:
doctorjazz:
Thanks, Stork!