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The run-around drill sergeant of love meets the freeform radio nurse in an international popularity crisis. Twang, dub, noise, rockers, aliens, drum machines, foreigners, imported goods, songs, rumbles, hollers, blips and squiggles, along with an occasional musical number.
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Syd Barrett | Golden Hair (Take 5) | The Madcap Laughs / Barrett | Harvest | 2003 | bonus track from reish | 0:00:00 (Pop-up) | ||||
Kristin Oppenheim | Golden Hair | Voices Fill My Head: Collected Sound Works 1993 - 1999 | INFO | 2022 | 0:02:37 (Pop-up) | |||||
Slowdive | Golden Hair | Holding Our Breath EP | Creation | 1991 | 0:11:15 (Pop-up) | |||||
Hipnoascensión | Alma de Neón | V/A: Crisálida Sónica Compilación I | Superspace Records | 2018 | 0:15:29 (Pop-up) | |||||
Rakta | Atrativos da Mentira | Oculto Pelos Seres 7" | Nada Nada Discos | 2017 | 0:18:56 (Pop-up) | |||||
Quttinirpaaq | White Witch | Dead September | Rural Isolation Project | 2015 | 0:21:11 (Pop-up) | |||||
Wizards Tell Lies | Think Back | No One Horizon | Muteant Sounds | 2022 | 0:23:31 (Pop-up) | |||||
Admina | 190401 | V/A: Hallucinating Heights | Ondes HXCX | 2020 | 0:27:08 (Pop-up) | |||||
Luc Ferrari | Saliceburry Cocktail (Part 5) | Son Mémorisé | Sub Rosa | 2006 | 0:30:41 (Pop-up) | |||||
Alvin Curran | Field It More (Excerpt) | Drumming Up Trouble | Black Truffle | 2022 | Prev. unreleased... | 0:38:47 (Pop-up) | ||||
Electric Junk | Komputer X | V/A: Illuminated Pleasures | Auricle Records | 2018 | '83 | 0:52:32 (Pop-up) | ||||
Mchy I Porosty | Horror Horror | V/A: РАЗОМ ЗА УКРАЇНУ / Together for Ukraine | Standard Deviation / Mystictrax | 2022 | https://standard-deviation.bandcamp.com/album/together-for-ukraine | 0:58:52 (Pop-up) | ||||
Music behind DJ: Patrick Cowley & Jorge Socarras |
Burn Brighter Flame (instrumental) |
Burn Brighter Flame 12" |
Macro |
2009 |
1:05:23 (Pop-up) |
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Pendro | Sleepwalkers Promenade | Hidden Codes | Bandcamp | 2020 | 1:14:52 (Pop-up) | |||||
Strotter Inst. | Halbwesen | V/A: Renaissance - Resonances | Copypasta Editions | 2022 | 1:18:26 (Pop-up) | |||||
Maurizio Bianchi / MB | Track 4 | Untitled 1980 | Musica Dispersa | 2020 | 1:20:19 (Pop-up) | |||||
Electric Phoenix | Stimmung: Models 1-6 | Karlheinz Stockhausen: Stimmung | Prima Facie | 2021 | A bit of light reading: Daryl Runswick of Electric Phoenix: "Improvised? - yes, though within strict guidelines laid down by the composer. There are 51 sections - Stockhausen calls them 'models' - each led by one of the six singers, and Stockhausen always prescribes which singer comes next. He does not, however, prescribe what music they sing. Sure enough, he has composed the 51 models - very loosely, allowing for improvisation - but the current lead singer is to choose, in real time during performance, which one to do. When a particular lead singer begins her or his chosen model the others have to recognise it and join in. When the lead singer feels this model has gone on long enough she or he hands over to the next lead singer and the music slowly transforms into the next model. When all the models have been sung the piece ends. If the singers happen to be feeling particularly laid-back this could be after some hours. Stockhausen intended Stimmung to be done from memory without scores as a sort of sacramental game. Indeed there is no score, just a wad of unbound sheets containing the 51 models, some erotic poems written by Stockhausen and the names of 77 gods from world religions. The poems are given to specific singers but the gods' names can be inserted ad lib by any singer who wants to, and when a name is called the other singers have to modify what they are doing to incorporate the sound of the god's name: all this while chanting a single chord with overtone singing. Performing Stimmung is indeed like playing a game, with amusement and sometimes even hilarity at the unexpected things that turn up. You can be singing a sweet, slow chant when suddenly someone shouts COATLICUÉ! at you (track 5 on this recording) and you have to absorb that into what you're singing, days of the week, all sorts of seemingly unconnected but curiously apposite interjections. But when all's said and done Stimmung is nothing more than a very long drone on a chord of B-flat nine. Six notes. After one performance in Aberdeen, Scotland, a reviewer wrote, 'Listening to Stimmung is like staring at a brick wall for more than an hour: but how fascinating each brick becomes." | 1:26:39 (Pop-up) | ||||
Incredible String Band | Sunday Song | Earthspan | Reprise | 1972 | 1:36:46 (Pop-up) | |||||
Ulaan Passerine | Pinara | Sun Spar | Worstward Recordings | 2022 | 1:44:04 (Pop-up) | |||||
Low | Words | I Could Live in Hope | Vernon Yard | 1994 | 1:48:27 (Pop-up) | |||||
United Bible Studies | Bonnie At Morn | Three Barrows Round | Was Ist Das? | 2020 | 1:53:45 (Pop-up) | |||||
Music behind DJ: On Fillmore |
Doitsu |
Sleeps with Fishes |
Quakebasket |
2004 |
1:58:30 (Pop-up) |
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Spaceship Airguitars | Dark Matter #056257 | Split with Kazuya Ishigami | Neus-318 | 2021 | 2:06:25 (Pop-up) | |||||
Surface of the Earth | Voyager | Surface of the Earth | Thin Wrist | 2022 | '96 | 2:19:58 (Pop-up) | ||||
Donato Epiro | Un Globo Rosso Rotondo | Fiume Nero | Black Moss | 2014 | 2:35:07 (Pop-up) | |||||
Phill Niblock | Browner | MMXX-12 | Matière Mémoire | 2020 | Made with material from Arne Deforce, Cello; Deborah Walker, Cello; Erik Drescher, Flute; Dafne Vicent Sandoval, Bassoon | 2:41:08 (Pop-up) | ||||
Richie Hawtin | Acid King (Vox) | Acid King EP | From Our Minds | 2021 | 2:57:59 (Pop-up) | |||||
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Revolution Rabbit Nov63:
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Revolution Rabbit Nov63:
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working on stuff at home -- boring but necessary -- thank goodness for Wunderschnapps!
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