View Doug Schulkind's profile |
The finest in Micronesian doo-wop, Appalachian mambo, Turkish mariachi, pygmy yodeling of
Baltimore, Portuguese juju, Cajun gamelan, tuba choirs from Mozambique, Inuit marching bands,
Filipino free jazz, Egyptian kabuki theater, and throat singers of the Lower East Side.
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August 12, 2022: It's all in the hips
Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
Music behind DJ: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues |
Folkways |
1976 |
0:00:00 (Pop-up) |
|||||
Music behind DJ: ECD |
In Tempo |
Major Force: The Original Art-Form |
Mo' Wax |
1990 |
0:04:15 (Pop-up) |
|||||
|
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José Paredela d'Oliveira | Fado Da Sé Velha | b/w Fado de Santa Cruz | Victor | 1927 | 0:06:43 (Pop-up) | |||||
Júlio Silva | Fado Melancólico | b/w José Diaz: Fado da Monanha | Gramophone | 1927 | 0:10:05 (Pop-up) | |||||
Dr. Ricardo Borges De Sousa, João De Matos & Eduardo Alves | Fado Espanhol e Alexandrino | Portuguese String Music 1908-1931 | Heritage | 1927 | 0:13:27 (Pop-up) | |||||
Mariasinha [Maria Silva] | Fado Franklin | b/w Fado Corrido | His Master's Voice | 1928 | 0:16:21 (Pop-up) | |||||
Edmundo de Bettancourt | Fado da Sugestão | b/w Menina e Moça | Columbia | 1928 | 0:19:39 (Pop-up) | |||||
Armandinho | Fado Bacalhau | b/w Marcha em Ré Maior | His Master's Voice | 1928 | 0:22:32 (Pop-up) | |||||
Ercília Costa | A Desgarrada | Meu Tormento | Valentim de Carvalho | 1930 | 0:25:23 (Pop-up) | |||||
Celestina Luisa | Amor Abençoado | b/w As Minhas Saudades | Valentim de Carvalho | 1930 | 0:29:14 (Pop-up) | |||||
José Afonso | O Pastor De Bensafrim | Baladas e Canções | Ofir | 1964 | 0:32:16 (Pop-up) | |||||
|
||||||||||
Music behind DJ: George Barnes |
I Can't Give You Anything But Love |
The Uncollected George Barnes and His Octet |
Decca |
1946 |
0:36:39 (Pop-up) |
|||||
Mugadzikwa Mwanagona | Chirombo Weye Nditerere | Columbia Masterworks: British East Africa | Columbia | 1955 | 0:44:49 (Pop-up) | |||||
Mhembero Mbira Ensemble | Dandemutande | Pasi Mupindu | Chigamba | 1996 | 0:46:09 (Pop-up) | |||||
Chaka Chawasarira | Dimbotimbo | Matepe Mbira 2000 | Mbira | 2000 | 0:51:17 (Pop-up) | |||||
Hakurotwi Mude, Cosmas Magaya, Ephraim Mutemasanga | Nhemamusasa | Shona Mbira Music | Nonesuch | 1972 | 0:57:07 (Pop-up) | |||||
|
||||||||||
Music behind DJ: Cults Percussion Ensemble |
Autun Carillion |
Cults Percussion Ensemble |
Trunk/Highland |
1979 |
1:08:22 (Pop-up) |
|||||
Gunter Hampel | (No 269) The Cosmic Dancer | Cosmic Dancer | Birth | 1975 | 1:15:31 (Pop-up) | |||||
Hamiet Bluiett | Before Yesterday | Resolution | Black Saint | 1977 | 1:19:31 (Pop-up) | |||||
Beaver Harris 360 Degree Music Experience |
Round Trip (pt. 1): Introduction Is Glo There Down in Brazil |
From Rag Time to No Time | 360 Records | 1974 | 1:24:45 (Pop-up) | |||||
Beaver Harris 360 Degree Music Experience |
Round Trip (pt. 2): African Drums No Time |
From Rag Time to No Time | 360 Records | 1974 | 1:37:54 (Pop-up) | |||||
|
||||||||||
Music behind DJ: Memphis Black (Ingfried Hoffman) |
Why Don't You Play the Organ, Man |
Soul Club |
Sunset |
1969 |
1:47:38 (Pop-up) |
|||||
The Movers | Balele | The Movers: Volume 1 - 1970-1976 | Analog Africa | 1:54:26 (Pop-up) | ||||||
The Green Pastures | Please Come Back to Me | Groovin' with Green Pastures | RAJ | 1971 | 1:57:31 (Pop-up) | |||||
The Meritones | Soul Bump (pts. 1 & 2) | Lita | 2:01:36 (Pop-up) | |||||||
The Heroes | Come with Me | Next Stop Soweto, Volume 2 | Strut | 2:07:24 (Pop-up) | ||||||
The Hurricanes | Love, Peace and Goodwill | RPM Greatest Soul Hits, Volume 3 | RPM | 1973 | 2:10:07 (Pop-up) | |||||
The Macoys | Go-Go Underground | b/w Lonely Avenue | Up Up Up | 1970 | 2:13:06 (Pop-up) | |||||
The Minerals | Sweet Soweto | Sweet Soweto | RPM | 1976 | 2:15:31 (Pop-up) | |||||
|
||||||||||
Music behind DJ: The Movers |
Give Five or More |
The Movers Greatest Hits, Volume 6 |
City Special |
1972 |
2:29:01 (Pop-up) |
|||||
Wilmar Walker | Somebody Will | b/w Stompin' Roaches | Philips | 1962 | 2:32:06 (Pop-up) | |||||
Tony Mathews | Don't Hurt Me No More | b/w My Wish | Convoy | 1967 | 2:34:19 (Pop-up) | |||||
Willie Que | Don't Wait Till Tommorow | b/w There’s Something Wrong with You | Dumas | 1963 | 2:37:06 (Pop-up) | |||||
Ernie Hines | Help Me Put Out the Flame (In My Heart) | b/w A Better World (For Everyone) | Stax | 1970 | 2:39:30 (Pop-up) | |||||
George Perkins | When You Try to Use a Good Man | b/w A Man in Love | Soul Power | 1972 | 2:42:38 (Pop-up) | |||||
Leroy Taylor & The Four Kays | I'll Understand | b/w Takin' My Time | Shrine | 1965 | 2:46:17 (Pop-up) | |||||
Hoagy Lands | Do You Know What Life Is All About | b/w Why Didn't You Let Me Know | Spectrum | 1971 | 2:49:05 (Pop-up) | |||||
Nat Turner Rebellion | Going in Circles | Laugh to Keep from Crying` | Philly Groove | 1969 | 2:51:38 (Pop-up) | |||||
Shay Holiday | It's Not How Long You Make It | b/w Fight Fire with Fire | Soul Power | 1972 | 2:56:09 (Pop-up) | |||||
|
||||||||||
Music behind DJ: John Lee Hooker |
Stand By |
I Feel Good |
Jewel |
1970 |
2:58:53 (Pop-up) |
Give the Drummer Radio denounces explicit and implicit racism and condemns the culture of white supremacy. Black Lives Matter. |
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Listener comments!
listener james from westwood:
Doug Schulkind:
Andrew in Toronto:
Doug Schulkind:
chresti:
Listener Gregory:
Doug Schulkind:
listener james from westwood:
TDK60:
Doug Schulkind:
In addition to it being nice and cool this morning, the road crew that's been tearing up my block for literally the last five months seems to have disappeared. It's not just cool, it's.... q u i e t .
Little Danny:
Doug Schulkind:
adamdoesit:
PAULS:
WR:
Little Danny:
Doug Schulkind:
I wish I were headed home to Brooklyn tomorrow. (Just gonna leave that right there.)
Good morning, PAULS! WR! I see neither of you decided to attack an FBI field office yesterday. Good choice!
Andrew in Toronto:
Gina Bacon:
Doug Schulkind:
Brian in UK:
KWilde:
TDK60:
Listener Gregory:
Brian in UK:
Doug Schulkind:
It's like the word "Blues" in all the blues tones. The This Blues, The That Blues, etc. etc.
Doug Schulkind:
Listener Gregory:
The Other Thing Blues is my favorite.
PAULS:
bobdc:
Brian in UK:
Brian in UK:
Listener Gregory:
Doug Schulkind:
Yes. The guitarra. Played in a modal style, typically Dorian or Ionian.
alanr:
Doug Schulkind:
Open wide and say ahhhhhm alanr!
Artie:
Artie:
Doug Schulkind:
The word saudade always makes me think sausage. And then I get hungry.
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
PAULS:
doctorjazz:
Doug Schulkind:
Andrew in Toronto:
Andrew in Toronto:
bigplanetnoise:
prguitar:
Gina Bacon:
bigplanetnoise:
Listener Gregory:
doctorjazz:
chresti:
Gina Bacon:
Doug Schulkind:
Doug Schulkind:
Jeff g. via app, in Massachusetts:
Doug Schulkind:
They serve Frosty Mbiras at the Dunkin's in New England, no?
Jeff g. via app, in Massachusetts:
Franco Twinkie:
Webhamster Henry:
Doug Schulkind:
Greetings, Autoharpster Henry!
Franco Twinkie:
TDK60:
PAULS:
Franco Twinkie:
βrian:
Doug Schulkind:
From the liner notes: "During this recording, the music moved Mude to think deeply about his troubles. As he sang, he stared off into the distance and tears welled up in his eyes. In one line...Mude charges that one of his ancestral spirits is a witch, and he blames the spirit for troubles that have befallen him."
TDK60:
Doug Schulkind:
Franco Twinkie:
Doug Schulkind:
PAULS:
Franco Twinkie:
Zipperhead7:
Doug Schulkind:
βrian:
The coffee, however, is problematic.
PAULS:
Brian in UK:
Listener Gregory:
PAULS:
Franco Twinkie:
PAULS:
βrian:
TDK60:
Doug Schulkind:
Brian in UK:
PAULS:
Franco Twinkie:
βrian:
chresti:
βrian:
Zipperhead7:
TDK60:
Brian in UK:
βrian:
Franco Twinkie:
βrian:
PAULS:
Listener Gregory:
listener james from westwood:
Zipperhead7:
PAULS:
chresti:
listener james from westwood:
Brian in UK:
TDK60:
PAULS:
adamdoesit:
Brian in UK:
WOMAD used to be at Reading now moved down the M4 to Chippenham,
βrian:
Doug Schulkind:
Bethany is thrilled to have a four-hour slot. She plays so many long pieces, and this slot will give her time to fit more in that she usually has to work with.
chresti:
Brian in UK:
PAULS:
Doug Schulkind:
Doug Schulkind:
Brian in UK:
Doug Schulkind:
Doug Schulkind:
The unmitigated gall!
PAULS:
doctorjazz:
doctorjazz:
TDK60:
Doug Schulkind:
Brian in UK:
Brian in UK:
Doug Schulkind:
doctorjazz:
doctorjazz:
Doug Schulkind:
doctorjazz:
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
With a brief stop in the Caribbean!
Doug Schulkind:
PAULS:
PAULS:
Doug Schulkind:
I thought I was the kind of sausage that soothes...
Brian in UK:
Doug Schulkind:
adamdoesit:
Ramblin' Ray:
Doug Schulkind:
βrian:
Starting prep for dinner. Little Human shall have her pasta with long-simmered tomato sauce.
Stork:
Doug Schulkind:
Speaking of epic... Stork's here!
Brian in UK:
adamdoesit:
doctorjazz:
doctorjazz:
Listener Gregory:
doctorjazz:
βrian:
Dean:
https://www.nytimes.com/2022/08/12/arts/design/donald-judd-marfa-texas-debate.html
Dean:
Little Danny:
Doug Schulkind:
Little Danny:
Doug Schulkind:
I just saw that story and bookmarked it for future reading. And yes, Marfa is down to a single Drummerstreamer.
StringOFperils:
adamdoesit:
TDK60:
PAULS:
Dean:
Doug Schulkind:
I like your comment @10:50. In a way, that observation gets to the heart of the phrase "Give the Drummer Some," which James Brown would intone late into a show when everyone but the drummer has had a chance to solo.
PAULS:
Little Danny:
doctorjazz:
Brian in UK:
βrian I think you might be able to keep gallstones. If that is what does it for you.
Pity those political types that have no soul.
PAULS:
PAULS:
)
Doug Schulkind:
Little Danny:
doctorjazz:
Listener Gregory:
βrian:
still b/p:
Temp job required not even two hours of my time this morning, but I still git me a half-day's pay. And now I get, yeh, Drummer listening time...sitting out where the sun shines and the hummingbird checks in, where it's so much more mercifully pleasant than the recent heat beatings.
doctorjazz:
Doug Schulkind:
You're worth a full's day's worth of Drummer Soming.
βrian:
PAULS:
Uncle Michael:
doctorjazz:
PAULS:
Doug Schulkind:
Artie:
sinner:
Doug Schulkind:
Oh HELL yes, sinner!
Doug Schulkind:
Doug Schulkind:
Uncle Michael:
Doug Schulkind:
Listener Gregory:
Brian in UK:
en.wikipedia.org...
Dean:
still b/p:
Doug Schulkind:
Comments like that cause DJgasms.
Doug Schulkind:
PAULS:
Doug Schulkind:
Go to the blog, search for the artists' names and see if the download links are still active. Many of them still are.
Listener Gregory:
Doug Schulkind:
KimSorise:
Listener Gregory:
Doug Schulkind:
I believe the correct term is soulpsichord.
Doug Schulkind:
Uncle Michael:
wfmu.org...
doctorjazz:
Doug Schulkind:
That's no rabbit hole, it's nirvana.
Listener Gregory:
Brian in UK:
Listener Gregory:
Doug Schulkind:
Doug Schulkind:
Hinky over here: wfmu.org...
Doug Schulkind:
Zipperhead7:
It's all changed now -- but the locals were saying that in 1990, too. You gotta climb Enchanted Rock sometime!
rw:
Doug Schulkind:
Doug Schulkind:
doctorjazz:
Andrew in Toronto:
Doug Schulkind:
I'm glad listening ain't a chore, doctorjazz!
The pleasure is all mine and most sublime, Andrew in Toronto!
StringOFperils:
βrian:
TDK60:
Doug Schulkind:
Doug Schulkind:
Uncle Michael:
Doug Schulkind:
PAULS:
Doug Schulkind:
Doug Schulkind:
rw:
Ramblin' Ray:
listener james from westwood:
adamdoesit:
chresti:
still b/p:
Uncle Michael:
Zipperhead7:
Rich in Washington:
Doug Schulkind:
prguitar: