Transmissions from Echo Beach with Derek Westerholm and DJ Babs:
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from August 11, 2022
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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
Thursday
8 - 10pm
(EST)
|
On
WFMU's
Sheena's Jungle Room
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August 11, 2022: Flying Swiss, Songs About Pizza, and the other things we do.
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| Artist | Track | Album | Label | Year | Comments | New | Approx. start time |
|---|---|---|---|---|---|---|---|
| Sounds Of The Ocean |
Beach Sounds
|
Ocean Sounds | Sounds Of The Ocean | 2016 | 0:00:00 (Pop-up) | ||
| Teenage Head |
Infected
|
Frantic City | Attic Records | 1980 | Sadly, Teenage Head founder Gord Lewis was found dead in his Hamilton apartment this weekend, and to add to the tragedy, his son is charged with second degree murder. Tributes are pouring in about Gord Lewis' gentleness, heart, talent and inspirational nature. Teenage Head "formed in 1976 in Hamilton, Ontario, by high-school friends Frank Kerr (vocals) and Gord Lewis (guitar), galvanized by recent local gigs from the New York Dolls and the Ramones..." "...Often billed as Canada's answer to the Ramones, Teenage Head were in truth just as much a new wave band as they were a punk rock outfit. They had a similar affection for pre-Beatles rock & roll, especially rockabilly, as well as a sense of trashy fun that made them a terrific party band when they were on. Their songs were unpretentious celebrations of all the classic rock & roll staples: cars, booze, girls, partying, and teenage rebellion. Notorious for inadvertently touching off one of the biggest rock & roll riots in their home country's history, the band never broke big in the U.S., partly owing to an ill-timed car crash at the peak of their momentum, partly to an ill-advised makeover as a tamed-down, rootsy pub rock band. Still, they endured to rank as one of the best-loved Canadian rock bands of the '80s, and remain fondly remembered today." This song is an underplayed classic by Teenage Head, and it showcases various sides of Gord as he adds an acoustic overdub alongside his electric rhythm and lead. Hopefully a fitting tribute. | 0:00:51 (Pop-up) | |
Music behind DJ: Simply Saucer |
Mole Machine
|
Cyborgs Revisited |
In The Red Records |
1974 / 2018 |
Another legendary Hamilton, Ontario band, Simply Saucer are considered Canada's preeminent example of Proto-Punk, marrying a "combination of early punk pre-cursors (Velvets, Stooges, Modern Lovers), krautrock (Can, Neu, early Kraftwerk), and U.K. prog/psych (Hawkwind, Pink Fairies, Syd Barrett - both with and without Pink Floyd)... Simply Saucer's origins date back to 1972... They soon entered brothers Bob and Daniel Lanois's basement studio to record six songs. Alas, the Canadian music industry at the time was mired in mainstream convention that produced steady sales but little artistic vision. None would sign the quartet or release their recordings. By 1976, a nascent punk music scene was beginning to develop in London and New York and Toronto soon followed. A reinvigorated version of Simply Saucer, featuring ex-Teenage Head guitar player Steve Park... By 1979, Toronto's club scene had begun to dissipate and the individual members of the band began exploring new paths. Breau detuned his guitar ala John Fahey, sold all his electric gear and began a new solo career. Almost thirty years would pass before he would own an electric guitar or appear on stage with Simply Saucer." |
0:06:14 (Pop-up) |
|
| Heimat |
Weider Ja!
|
Heimat | Teenage Menopause | 2016 | Not to be confused with Heimat the Flemish Pagan Black Metal band, this Heimat is fA French duo consisting of OLIVIER from CHEVEU and ARMELLIE from THE DREAMS. Their debut album contains ten tracks of Afro-beat rhythms, cinematic soundscapes and post-punk aggression, almost sounding as if John Carpenter, RZA and The Slits made a record together. Heimat associates a peculiar style of eastern imagery to their music, sing and name their songs in german and even indulge with some peculiar, minimalistic form of industrial music dissolved in the off-kilter accessibility of art-pop, but with strong references to eastern traditional folk music. | 0:14:38 (Pop-up) | |
| Russian.Girls |
Autopilot
|
Brothers & Sisters Vol. 2 | hfn music | 2017 | The band started out as the solo project of Icelandic musician Guðlaugur Halldór Einarsson (also a member of Fufanu), and has since progressed to having fluid and flexible line-up, currently centred on the trio Einarsson, Tatjana Dís and Gylfi Sigurðsson. "The name came from pop-up ads on the internet. It’s sort of a thing that’s hard to deny when you are browsing."...They cite "Daily crisis, friendship and a lot of joking." as their main influences. This tune in particular is described as dead-eyed, nihilist-cowboy rock...glitchy, unnerving and hard to pin down, amphetamine lounge music. | 0:20:27 (Pop-up) | |
| Jowe Head |
Swissair
|
Pincer Movement | Hedonics | 1982 | Jowe Head (the stage name derived from Birmingham slang for "weirdo") was born Stephen John Bird in 1956 in Kidderminster, Worcestershire, and moved to Solihull at an early age. He started playing in 1973 with Nikki Sudden, Epic Soundtracks and Phones Sportsman in a loose collective that later became known as Swell Maps. He also played with Epic Soundtracks and Ken Spiers (later better known as Spizz) in another local band. With Swell Maps he recorded numerous singles (some under the guise of the Phones Sportsman Band and also backing The Cult Figures) and two albums, before the band split up in 1980. He then embarked on a solo career, releasing his debut album, Pincer Movement, in 1982. He is also a prolific visual artist and sculptor, and a serial collaborator. "When I am not making music, I enjoy making images - in paint, drawing with pencil, print-making, figures and sculptures with found objects, and so on. I find that visual expression uses the same kind of impulses that my music employs, and the two feed off each other." | 0:24:50 (Pop-up) | |
Music behind DJ: Lindlerkapelle Rigibuebe |
Up To The Rigi
|
Swiss Yodelling Mountain Music |
Black Cat Recordings |
2017 |
0:27:46 (Pop-up) |
||
Music behind DJ: Lindlerkapelle Rigibuebe |
Bundner Schottisch
|
Swiss Yodelling Mountain Music |
Black Cat Recordings |
2017 |
0:30:38 (Pop-up) |
||
Music behind DJ: Lindlerkapelle Rigibuebe |
Spiezer Polka
|
Swiss Yodelling Mountain Music |
Black Cat Recordings |
2017 |
0:33:39 (Pop-up) |
||
| Stevie Dinner |
Card Declined For Pizza & Wine
|
Mystery Flavour | Skeleton Realm | 2015 | Stevie Dinner is Josh Hughes from Atlanta, GA and makes azz/No House music. Of this description he says "I kinda just thought they sounded funny at first but they actually ended up being pretty accurate. Softcore punk cause I identify as a punk but definitely not a hardcore punk. I don’t make music to mosh to I make music to dance to, (get fucked up and) wash dishes to, walk to, quit your job to, skate to, and *fingers crossed* fuck to. Cheap Jazz is a play on free jazz cause I’m addicted to jazz and also I’m addicted to being completely and utterly broke at all times. No house is because I love house music and I kinda assumed I was gonna be homeless at some point on this journey which turned out to be true. Well not all the way homeless (my heart goes out to the people who are stuck in that awful situation, their ongoing plight is probably the greatest failure of society) I was living in a storage unit but it was…yeah awful." | 0:35:32 (Pop-up) | |
| The Fall |
Don't Take The Pizza - 12" Version
|
High Tension Line 12" | Fontana | 1991 | Shift-Work marked the sophomore effort from a Brix-less Fall and is a slightly more subdued effort than the raging Extricate. The Fall started working on the album in 1990 while touring in support of Extricate. Mark E. Smith sacked guitarist Martin Bramah and keyboardist Marcia Schofield immediately after the Australian leg of the tour, reducing the lineup to four for the first time in band's history. This tune did not appear on the original release of Shift Work, existing as a B-Side to the High Tension Line 12", it appeared on the 2007 Mercury Reissue of the album. | 0:39:07 (Pop-up) | |
| Personal & The Pizzas |
I Don't Wanna Be No Personal Pizza
|
Raw Pie | Slovenly Recordings | 2022 | These 3 greasy goons from Jersey write Rock n Roll songs about girls, hangin around, startin' trouble, partyin, beatin up nerds, delinquency, cars, rocking n rollin, eatin pizza, drinkin, fightin, smokin, cryin, kidnappin, and everything else 3 greaseballs from the streets might sing about. Multiple songs on the album are literally instrumentals from Stooges and Ramones with new Pizza and/or Jersey themed lyrics dropped on top and even some of those lyrics are basically the same as the originals. Yet, because the band is bold and without shame in their theft, the music comes across as a genuine appreciation for the source material, and further, betrays a deeper understanding of that music than other Ramonesy bands. Raw Pie collects their previously released singles and out of print for a decade - still piping hot and greasy enough to dab with your napkin. | * | 0:41:45 (Pop-up) |
| The Ramones |
I Just Wanna Have Something To Do
|
Road To Ruin | Sire | 1978 | After the band's previous album Rocket to Russia saw poor album sales, drummer Tommy Ramone left his performing position to focus primarily on producing for the band. After Tommy suggested they search for a new drummer, they began looking in New York City based clubs.[6] While at CBGBs, Ramones bassist Dee Dee Ramone approached Marc Bell (Marky Ramone) – who was his friend and had previously been the drummer in Richard Hell and the Voidoids – asking him if he was interested in joining the Ramones. Tommy relates: "Road to Ruin was a flop Stateside, even though it had been a very deliberate attempt to secure American radioplay." The album opens with the midtempo piece "I Just Want to Have Something to Do", which contains lyrics pertaining to ambivalence and anomie. In the song, Joey manages to rhyme "Second Avenue" with "chicken vindaloo". | 0:43:40 (Pop-up) | |
| Urochromes |
I Don't Wanna Be Like Me
|
EP | Lumpy Records | 2016 | This 2016 EP clocks in with 6 songs in just over 9 minutes. Urochrome, singular, is the pigment that determines the color of urine. Urochromes, plural, are the pummeling duo from Western Massachusetts that released a handful of noisy hardcore platters over the past two years on underground punk labels. Frontman Jackie Jackieboy commands attention with his rabid, yammering screams. Dick Riddick is the shredder, responsible for solos and the band’s massive, gnarly guitar tone. Their drummer is (literally) a machine. Within limited time constraints, they build an emotionally complex and sonically elaborate world. This chaotic, always-fluctuating, heavy music undercuts self-consciousness, bitterness, anger, and an unsettling self-confidence. | 0:46:22 (Pop-up) | |
| Satanic Togas |
No Mind
|
X-Ray Vision | Goodbye Boozy | 2020 | Satanic Togas hail from Sydney, Austrialia and are self described as "Satan and his toga recording hit records" They deliver lo-fi sonic deviance and low-frills glam meets scuzz punk attitude as these fellas lay waste to prog-rock profligacy in generally, just two minutes a tune. | 0:48:00 (Pop-up) | |
Music behind DJ: Easy Jazz Instrumentals Academy |
Pizza Time In The Park
|
Latin Jazz For Work (Office Background Music, Positive Mood) |
Once Upon A Music |
2022 |
0:50:34 (Pop-up) |
||
| Pizza Boys |
Little Bay
|
Little Bay (Digital Single) | Bandcamp | 2020 | Playing along with this week's loose theme of places to travel to, and... umm... Pizza... I found something that incorporates both... A band called Pizza Boys talking about going to a place called Little Bay. "Born out of the necessity to do something, rather, ANYTHING other than self-flagellate in-front of portraits of The Sonics and The Mummies on a gilded altar, the Pizzaboys were violently and unapologetically thrusted upon the Sydney garage scene in 2018. With a touring record up and down the east coast and the unwavering desire to subjugate all to their music, nobody shall be spared." This can be purchased for any price you name at the bandcamp page Pizza Boys Bandcamp: Little Bay | 1:02:06 (Pop-up) | |
| Oneida |
I Wanna Hold Your Electric Hand
|
Success | Tiger Bomb | 2022 | This album is officially out Aug 19. "Sometimes even the longest journey ends close to where you started. Previously, Oneida pushed further into abstract sounds, recording compositions that couldn’t have been more different than the hammering anthems of their past. They return with 'Success', their most guitar-centric, rock album in decades" Oneida Bandcamp | * | 1:04:52 (Pop-up) |
| The Jesus And Mary Chain |
Darklands (with strings)
|
Darklands (Deluxe Reissue) | Warner / Edsel / Rhino | 1987 / 2011 | An outtake of the title track, with the added flourishes of... Strings? The second Jesus And Mary Chain album was a departure from their debut, but I hadn't realised that strings might have been part of the plan. I love finding versions of songs that you hadn't expected. I very much enjoy this version of this song. | 1:09:23 (Pop-up) | |
Music behind DJ: Fembots |
Transfigurations #2
|
Transfigurations |
Bandcamp |
2022 |
This song released Aug 1, in advance of the first new FemBots record in 14 years, to be released in September 2022. They will be celebrating with a show in Toronto on Sep 10 @ The Dakota Tavern. Fembots Bandcamp |
1:14:43 (Pop-up) |
|
| Damaged Bug |
Sold America
|
Bug On Yonkers | Castle Face Records | 2020 | The cat picked this one. No, really. Meep Moop "The Producer Cat" occasionally munches on the plastic sleeve of a record on the shelf. He chose this one for you this week. Damaged Bug is one of Osees frontman's alternate projects, this album finds him paying tribute to Michael Yonkers, covering solo songs by Yonkers as well as songs from his "Michael Yonkers Band" release. | 1:27:04 (Pop-up) | |
| Michael Yonkers Band |
Kill The Enemy
|
Microminiature Love | De Stijl | 2002 (1968) | (Originally recorded in 1968 but never released at the time.) "Michael Yonkers was born in the year 1947, son of a stay-at-home mom and a supermarket worker. He is an American rock musician from Minneapolis, Minnesota, United States. Yonkers’s story is one of a lifelong experiment with the potentiality of his instruments. His Damascene moment came when he heard The Trashmen record Surfin’ Bird (1963) for the first time. His first band, The Vectors, played surf rock, but Yonkers felt bound by the sounds available to him over the counter, so he decided to recompose by building his own additions. It started his journey of creating his own unique style. His work has been praised for its groundbreaking and extremely innovative style. Cole Alexander of psychedelic-rock band Black Lips said that Yonkers “kind of invented noise and drone guitar techniques," discussing further he said that "when you think of how The Who, Jimi Hendrix, and The Velvet Underground were pushing feedback at the time, he was more extreme than all three combined in terms of what he was doing... Still, his work did not reach a large-scale audience until decades after he began recording, one of the reasons was him suffering from a spinal injury which kept him in perpetual, lifelong pain." | 1:31:07 (Pop-up) | |
| CAN |
Butterfly
|
Delay 1968 | SPOON | 1981 (1968) | This 1968 album would not see the light of day for another 25 years. It was "originally intended to be the band's first album, Prepared to Meet Thy PNOOM ("Pnoom" being the name of the album's second track—a 27-second saxophone instrumental, recorded as part of their Ethnological Forgery Series). When no record company would release the record, Can set out to make a somewhat more accessible album, which became their 1969 debut Monster Movie." | 1:34:49 (Pop-up) | |
Music behind DJ: Yo La Tengo |
Spec Bebop
|
I Can Hear The Heart Beating As One |
Matador |
1997 |
This album has just been re-released this year in expanded fashion to celebrate its 25th anniversary. The lock-groove-like motorik of this song is most excellent. |
1:43:07 (Pop-up) |
|
| Prettiest Eyes |
Don't Call
|
Pools | Castle Face | 2017 | LA Post-Industrial trio offer chrome-dipped timbres and surprise sharp edges, alien klaxon-calls and wailing dissonance offsetting the ziplock’d grease of their insistent drum and bass grooves. John Dwyer says of them "they are captivating, they are odd, they make strange and interesting choices…futuristic and yet drawn from the same sonic sludge that all mankind derives from they live and breathe early Los Angeles punk vibes while still innovating at every turn there is electricity in this sound they simply rule and what a pleasure to hear the album doesn’t stray far from what makes them just melt it in person recorded perfectly to harness the animal on a nice inanimate slab of plastic you can take home for fans of Screamers, Suicide, Chrome, and yes, a hint of a down unda Birthday Party” And that is why they release on Castle Face. | 1:49:16 (Pop-up) | |
| Isotope Soap |
T-T-T-Telepathic
|
An Artifact of Insects | Push My Buttons | 2020 | Synth Punk from Stockholm. Peter Swedenhammar has a rich history in the Swedish punk and hardcore scene. As part of the legendary mid 80s Linköping band Raped Teenagers, (a band that drew from Koro, Die Kreuzen and The Feederz), Peter also did time in Pusrad, a band known for not producing any song much longer than 15 seconds. He's returned with Isotope Soap, a solo synth project, named after a track by Geza X , a personality from the 70s LA punk scene who produced records for the Dead Kennedys, Germs and Black Flag. Isotope Soap takes the same frantic energy of Geza and blast it through some basic synth punk with an additional nod to Screamers and DEVO. It's all good. | 1:52:47 (Pop-up) | |
| Reymour |
De ma Tour
|
Leviosa | Kneckelhuis | 2021 | Recently relocated from Switzerland to Brussels, an composed of real-life partners Lou Savary and Luc Bersier, Reymour carry forward this droll, automaton spirit, inflecting it with psychedelic dimensions of minimal wave, rolling bass and infectious guitar. Lou’s voice rises like unctuous fumes, as hazy as cigarette smoke or oil on water. Picture the irreproachable love interest in a Jean-Luc Godard film, set to a retro-futurist soundtrack. Or Édith Piaf with a Moog accompaniment. | 1:54:51 (Pop-up) | |
Music behind DJ: Sounds Of The Ocean |
Beach Sounds
|
Ocean Sounds |
Sounds Of The Ocean |
2016 |
1:58:10 (Pop-up) |
||
| Pose Dia |
At The Beach
|
Front View | Bureau B | 2020 | Front View is the album debut of film-maker and musician Helena Ratka, alias Pose Dia. A soundtrack and theatre composer, as well as resident DJ at Hamburg's Golden Pudel Club. "My art is based on the visualization of sound, especially when it comes to the lyrics. The words always follow the sound. I rarely make notes beforehand or use found fragments of poetry. Most of the lyrics materialize in jams, when I'm listening to new music or beats and start making noises with my mouth. Random words which gradually crystallize into a more concrete idea of an abstract story." | 2:01:45 (Pop-up) |
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Live Audio Streams for Sheena's Jungle Room: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
DJ Babs:
Derek Westerholm:
ultradamno:
DJ Babs:
Derek Westerholm:
gsdoubleu:
DJ Blush:
ultradamno:
DJ Babs:
gsdoubleu:
DJ Babs:
Feldy:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
DJ Babs:
gsdoubleu:
Scott67:
G'day Babs, Derek & Beached as!🌏☀️📻🎶🌊
DJ Babs:
Tyler:
Derek Westerholm:
Tyler:
laurapanic:
DJ Babs:
Scott67:
🍻😎🤙🍕⛰️
DJ Babs:
Tyler:
DJ Blush:
DJ Babs:
DJ Blush:
gsdoubleu:
dipped
Tyler:
Alli B:
DJ Babs:
gsdoubleu:
DJ Blush:
DJ Blush:
gsdoubleu:
ultradamno:
DJ Blush:
laurapanic:
Tyler:
DJ Blush:
Aitch:
Tyler:
Derek Westerholm:
Alli B:
DJ Babs:
gsdoubleu:
Tyler:
Alli B:
DJ Babs:
DJ Babs:
Alli B:
Aitch:
Support for Jay Macsis who did similar.
Great stuff
Derek Westerholm:
Alli B:
gsdoubleu:
Derek Westerholm:
DJ Babs:
Aitch:
Mr Fab:
This Heimat track answers the question "what if Nico sang for Depeche Mode"? Which I know we've all asked ourselves at some point.
DJ Babs:
DJ Babs:
Derek Westerholm:
laurapanic:
Aitch:
DJ Blush:
Tyler:
DJ Babs:
ultradamno:
ultradamno:
Tyler:
laurapanic:
Tyler:
Scott67:
It's shit we don't just bounce back next day anymore mate.
😎🤙💨☕🌻
DJ Babs:
laurapanic:
DJ Babs:
Scott67:
ultradamno:
laurapanic:
Derek Westerholm:
Alli B:
Aitch:
ultradamno:
Scott67:
Derek Westerholm:
Alli B:
Aitch:
Tyler:
Scott67:
Tyler:
Derek Westerholm:
Tyler:
Aitch:
www.youtube.com...
Tyler:
Tyler:
laurapanic:
DJ Babs:
Derek Westerholm:
Scott67:
laurapanic:
DJ Babs:
Tyler:
Tyler:
Mr Fab:
if you can open the damn things. They need zippers.
DJ Babs:
Scott67:
Tyler:
DJ Babs:
DJ Nico:
Derek Westerholm:
laurapanic:
ultradamno:
DJ Babs:
Aitch:
DJ Babs:
Derek Westerholm:
ultradamno:
Scott67:
Tyler:
laurapanic:
DJ Babs:
Tyler:
DJ Nico:
Mr Fab:
DJ Babs:
DJ Babs:
Derek Westerholm:
DJ Nico:
Alli B:
DJ Babs:
Tyler:
Scott67:
Aitch:
I like Rocket to Russia way more than Road to Ruin.
Tyler:
DJ Babs:
Scott67:
gsdoubleu:
DJ Babs:
Scott67:
Aitch:
DJ Babs:
Aitch:
DJ Nico:
Derek Westerholm:
ultradamno:
Scott67:
Tyler:
laurapanic:
Scott67:
Tyler:
laurapanic:
coelacanth∅:
Tyler:
ultradamno:
gsdoubleu:
Tyler:
laurapanic:
Scott67:
🍻😎🤙🍕
Aitch:
Think Rykers
ultradamno:
DJ Babs:
DJ Babs:
laurapanic:
Tyler:
Scott67:
laurapanic:
DJ Babs:
ultradamno:
DJ Blush:
ultradamno:
DJ Babs:
Tyler:
StringOFperils:
Scott67:
DJ Babs:
DJ Blush:
DJ Babs:
Derek Westerholm:
coelacanth∅:
StringOFperils:
coelacanth∅:
Derek Westerholm:
DJ Babs:
Alli B:
coelacanth∅:
i like the corner oneida has turned
but i like all the corners they turn
DJ Babs:
Tyler:
Derek Westerholm:
DJ Babs:
Scott67:
DJ Babs:
StringOFperils:
Derek Westerholm:
Derek Westerholm:
coelacanth∅:
Thanks Scott!
(nomnomnomslurpppp)
Tyler:
ultradamno:
Tyler:
coelacanth∅:
ultradamno:
StringOFperils:
StringOFperils:
coelacanth∅:
Tyler:
Tyler:
StringOFperils:
StringOFperils:
coelacanth∅:
-but i mean "coelocanth" by shriekback
Tyler:
DJ Babs:
ultradamno:
Tyler:
DJ Babs:
Tyler:
Alli B:
StringOFperils:
Tyler:
Scott67:
ultradamno:
DJ Babs:
DJ Babs:
Scott67:
Tyler:
DJ Babs:
Alli B:
Tyler:
Scott67:
🍻😎🤙💨🍺
Tyler:
DJ Babs:
Tyler:
DJ Babs:
Tyler:
coelacanth∅:
...we *have* been a bit looney
Aitch:
ultradamno:
DJ Babs:
DJ Babs:
Tyler:
coelacanth∅:
DJ Babs:
Aitch:
Tyler:
ultradamno:
DJ Babs:
coelacanth∅:
i'll look again later
Mr Fab:
DJ Babs:
Tyler:
Aitch:
Derek Westerholm:
DJ Babs:
Aitch:
Derek Westerholm:
drowsy:
DJ Babs:
Derek Westerholm:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
Alli B:
DJ Babs:
Scott67:
🍻😎🤙💨🍺🍷🍕🍕
Tyler:
DJ Babs:
Tyler:
Tyler:
coelacanth∅:
Aitch:
StringOFperils:
Tyler:
Cp304:
coelacanth∅:
i'm really not happy with it though. tried to remix and maybe improved it, but the one in the archives isn't good
but maybe some potential...
gsdoubleu:
Scott67:
DJ Babs:
Derek Westerholm:
Derek Westerholm:
coelacanth∅:
Derek Westerholm:
DJ Babs:
DJ Babs: