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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Images | Approx. start time |
---|---|---|---|---|---|
Magnet & Paul Giovanni | Maypole Song | The Wicker Man OST | Acoustic Guitar – Andrew Tompkins (3) :;:;Backing Vocals – Rachel Verney, Sally Presant :;::Concertina – Michael Cole (5) :;:;:Jew's Harp – Peter Brewis (2) :;:;Lead Vocals – Walter Kerr :;:;:Music By, Lyrics By – Paul Giovanni :;:;:Recorder – Gary Carpenter :;:;:Tambourine – Michael Frye* :;:;:Violin – Ian Cutler - - | ||
DJ GluggGlugg | 0:03:06 (Pop-up) | ||||
Ana Mazzotti | Feel Like Making Love | Ninguem Vai Me Segurar | Bass, Guitar, Acoustic Guitar [Violão] – Alexandre* §§§Drums – Romildo T. Santos §§§Percussion – Ariovaldo* §§§Producer, Music Director [Direção Musical e Produção] – Romildo T. Santos §§§Synthesizer [Moog], Synthesizer [Arp Synthesizer], Organ, Electric Piano [Piano Fender], Mellotron – José Roberto - - 1974 | 0:04:41 (Pop-up) | |
Chico Buarque De Hollanda | Nicanor | Per Un Pugno Di Samba | Performer – C. Buarque De Hollanda, Ennio Morricone, "I Cantori Moderni" di Alessandroni, Ennio Morricone E La Sua Orchestra - - -Producer – Sergio Bardotti - - 1970 | 0:08:23 (Pop-up) | |
Erik Friedlander | Chanting | Prowl | Alto Saxophone – Andy Laster :::::Cello – Erik Friedlander :::::Electric Bass – Stomu Takeishi :::::Percussion – Satoshi Takeishi - - Recorded March 25 & 26, 2005 at Castle Oaks Studio, Calabasas, CA | 0:11:33 (Pop-up) | |
Susan Alcorn | An Evening Tale | Evening Tales | Pedal Steel Guitar [Pedal Steel], Written-By – Susan Alcorn | 0:16:14 (Pop-up) | |
Bill Connors | Sad Hero | Theme to the Gaurdian | Bill Connors – guitar - - Recorded November 1974 at Arne Bendiksen Studio, Oslo | 0:21:40 (Pop-up) | |
Monkeyworks | 03 Somewhere in Between | Monkeyworks | http://monkeyworks.squarespace.com/ | 0:26:04 (Pop-up) | |
Low | Don't Walk Away | Hey What | Alan Sparhawk (vocals, guitar, piano), §§§Mimi Parker (vocals, drums), §§§Steve Garrington (bass,) - - -2021 | 0:32:00 (Pop-up) | |
Yungchen Lhamo | Coming Home | Coming Home | Acoustic Guitar, Backing Vocals – Sam Doherty §§§Acoustic Guitar, Electric Guitar – Kent Condon §§§Arranged By [Cello] – Patrick Morgenthaler §§§Backing Vocals – Ben Findlay, Sister Soleil §§§Bass – Daniel Yvinec §§§Cello – Caroline Lavelle §§§Drone – Peter Gabriel §§§Guitar [Wild Guitar, Guitars] – David Rhodes §§§Guitar, Backing Vocals – Henry Frayne §§§Kantele – Timo Trovinen §§§Lead Vocals – Yungchen Lhamo §§§Loops, Effects [Sound Effects], Arranged By [Cello] – Hector Zazou §§§Percussion – Chris Liliedahl, Hossam Ramzy §§§Violin – Richard Bourreau §§§Written-By – Yungchen Lhamo §§§Producer – Hector Zazou - - Recorded at Real World Studios, Wiltshire, England. Additional recording at Les Nouvelles Musiques Electroniques, Paris, France - 1998 | 0:36:02 (Pop-up) | |
Broadcast | Lights Out | Work And Non Work | All tracks are written by Trish Keenan, James Cargill and Roj Stevens - - | 0:44:00 (Pop-up) | |
Mary Halvorson | Storm Cloud | Code Girl | Bass – Michael Formanek :;:;:;:Drums – Tomas Fujiwara :;:;:;;Guitar – Mary Halvorson :;:;:;:;Music By, Lyrics By – Mary Halvorson :;::;:;Trumpet – Ambrose Akinmusire :;:;:;:Voice – Amirtha Kidambi. — - | 0:48:25 (Pop-up) | |
DJ Squirrel Nutzaway | 0:58:18 (Pop-up) | ||||
David Murray | La Tina Lee | Special Quartet | David Murray – tenor saxophone • McCoy Tyner – piano • Fred Hopkins – bass • Elvin Jones – drums - - Recorded at Soundtrack, NYC on March 26, 1990 Mixed at Effanel Towers, NYC on June 6&7, 1990 | 1:06:57 (Pop-up) | |
Andrew Cyrille | Dance of the Nuances | The News | Andrew Cyrille – drums, percussion • Bill Frisell – guitar • David Virelles - synthesizer, piano • Ben Street - bass Recorded August 2019 at Sound on Sound Studios, New Jersey | 1:12:55 (Pop-up) | |
New Jazz Orchestra | Rebirth (Remastered 2020) | Le Déjeuner Sur L'Herbe | Bass – Jack Bruce :;;:;Directed By – Neil Ardley :;:;:;Drums – Jon Hiseman :;:;:Tenor Saxophone, Clarinet, Bass Clarinet – Dave Gelly :;:;:;Tenor Saxophone, Flute, Clarinet – Jim Philip :;::Tenor Saxophone, Soprano Saxophone – Dick Heckstall-Smith :;:;:Tenor Saxophone, Soprano Saxophone, Flute – Barbara Thompson :;:;:Trombone – Derek Wadsworth, John Mumford, Michael Gibbs, Tony Russell :::;Trumpet – Derek Watkins, Harry Beckett, Henry Lowther ::;:Trumpet, Flugelhorn – Ian Carr :;:;:;Tuba – George Smith :;:;:;Vibraphone, Marimba – Frank Ricotti - - Recorded on September 17 & 18, 1968 | 1:20:14 (Pop-up) | |
Julius Hemphill | Savannah Suite | One Atmosphere | HEMPHILL DOES NOT PLAY ON THIS ALBUM! .,,..Cello – Erik Friedlander :;:;;:Drums, Percussion – Pheeroan Aklaff :;;:;:Flute – Marty Ehrlich - ca. 1978 | 1:24:58 (Pop-up) | |
Clifford Jordan | Sophisticated Lady | Cliff Craft | Clifford Jordan - tenor saxophone • Art Farmer - trumpet (tracks 1-4 & 6) • Sonny Clark - piano • George Tucker - bass • Louis Hayes – drums • • -.-.-.Recorded • November 10, 1957 • Van Gelder Studio, Hackensack, New Jersey - - Went by "Cliff Jordan" back then | 1:33:09 (Pop-up) | |
Dizzy Reece | I Had The Craziest Dream | Blues in Trinity | Dizzy Reece - trumpet • Terry Shannon - piano • Lloyd Thompson - bass • Art Taylor - drums —— Recorded August 24, 1958 Decca Studios, London | 1:39:52 (Pop-up) | |
Stan Tracey | Under Milk Wood | Under Milk Wood | Stan Tracey – piano • Bobby Wellins – tenor saxophone • Jeff Clyne – bass • Jackie Dougan – drums • • - - - Recorded • March 14, 1965 • • Lansdowne Studios, London | 1:42:54 (Pop-up) | |
Ran Blake & Jeanne Lee | You Stepped Out of a Dream | Free Standards: Stockholm 1966 | Piano – Ran Blake :;:;:;Vocals – Jeanne Lee - - - Recorded at Borgarskolan Studio, in Stockholm, Sweden, on November 8, 1966 | 1:48:51 (Pop-up) | |
Jacky Terrasson & Cassandra Wilson | Old Devil Moon | Rendezvous | Bass – Lonnie Plaxico :;:;:;Percussion – Mino Cinelu :;;:;Piano – Jacky Terrasson :;:;:;:;Vocals – Cassandra Wilson Written-By – B. Lane*, E.Y. Harburg - - January, 1997 | 1:54:15 (Pop-up) | |
Eddie Palmieri & Cal Tjader | Resemblance | Bamboleate | Eddie Palmieri Piano :;:;:;:Cal Tjader Vibraphone NO OTHER CREDITS AVAIL - - 1967 | 2:00:00 (Pop-up) | |
DJ Eichhörnchen | 2:05:30 (Pop-up) | ||||
Bread Love And Dreams | Circle Of The Night | Amaryllis | David McNiven - Vocals, Guitar, Flute, Harmonica *Angie Rew - Vocals, Guitar, Percussion With *Terry Cox - Drums *Alan Trajan - Organ, Piano *Danny Thompson - Bass *Dave Richmond - Bass Guitar - - 1971 | 2:13:19 (Pop-up) | |
Clara Engel | Murmurations | Their Invisible Hands | Release date: April 15 | 2:16:32 (Pop-up) | |
Jon Hassell | Moons Of Titan | Seeing Through Sound (Pentimento Volume Two) | Electronics [Textures] – Michel Redolfi :;:;:;:;Trumpet, Electronics – Jon Hassell - - 2020 | 2:22:07 (Pop-up) | |
Amancio D'Silva | What Maria Sees | Konkan Dance | Acoustic Guitar, Electric Guitar – Amancio D'Silva :;:;:;:Bass – Toni Campo :;:;:;:Flute, Vibraphone, Electric Piano – Alan Branscombe :;:::;Piano – Stan Tracey :;:;:;:Saxophone – Don Rendell :;;:;:Sitar – Clem Alford :;:;:;:Tabla – Keshav Sathe, Mick Ripshar - - - Recorded at Lansdowne Studios, London, 1972 or 1974 | 2:26:18 (Pop-up) | |
United Jazz + Rock Ensemble | South Indian Line | Live im Schutzenhaus | Bass – Eberhard Weber ::::::Drums – Jon Hiseman ::::::Flute, Soprano Saxophone, Tenor Saxophone – Barbara Thompson ::::::Guitar – Volker Kriegel ::::::Nadaswaram [Nagashwaran], Soprano Saxophone, Alto Saxophone – Charlie Mariano ::::::Piano, Clavinet, Synthesizer – Wolfgang Dauner ::::::Trombone – Albert Mangelsdorff ::::::Trumpet – Ian Carr ::::::Trumpet, Flugelhorn – Ack Van Rooyen —recorded at an exhibition of IG Jazz - Jan 7-9, 1977 at the Schützenhaus Stuttgart-Heslach | 2:34:08 (Pop-up) | |
Joe Harriott & Amancio D'Silva | Stephano's Dance | Hum Dono | Alto Saxophone – Joe Harriott; :;:;:Bass – Dave Green :;:;:Drums – Bryan Spring; ;:;:;Flugelhorn – Ian Carr :;:;:;Guitar – Amancio D'Silva :;:;:;:Vocals – Norma Winstone - - Recorded at Lansdowne Studios, London, February & March 1969 | 2:41:17 (Pop-up) | |
Ron Geesin | Slow Song | Electrosound | "stereo playable mono" | 2:49:29 (Pop-up) | |
John Zorn | Nostromo | Insurrection | 2:51:31 (Pop-up) | ||
Charles Lloyd | Dervish On The Glory B | Hyperion with Higgins | Charles Lloyd – tenor saxophone • John Abercrombie – guitar • Brad Mehldau – piano • Larry Grenadier – bass • Billy Higgins – drums - - - Recorded December 1999 at Cello Studios, Los Angeles | 2:55:09 (Pop-up) | |
The Grateful Dead | Turn On Your Love Light | Live Dead | Jerry Garcia – guitar, vocals ::::::Bob Weir – guitar, vocals ::::::Tom Constanten – organ ;;;;;;Phil Lesh – electric bass, vocals ::::::Mickey Hart – drums, percussion ;;;;;;Bill Kreutzmann – drums, percussion ;;;;;;Ron "Pigpen" McKernan – vocals, congas, organ on "Death Don't Have No Mercy" - - - Recorded live on Jan. 26 show at San Francisco’s Avalon Ballroom and Feb. 27 and March 2 1969, shows from the same city’s at the Fillmore West | 3:03:33 (Pop-up) | |
DJ Bah-Dum-Bump | 3:18:27 (Pop-up) | ||||
Klimperei & Pierre Bastien | La parade des dromadaires en calecon de bain | Mecanologie Portative | Double Bass – Pierre Bastien :;:;:;Drums [Steel] – Mecanium :;:;:;:;Guitar, Piano, Electric Piano, Flute, Xylophone, Performer [Ks-32], Metallophone – Klimperei | 3:00:00 (Pop-up) | |
Andy Giorbino | Welt Der Kinder | Anmut Und Wurde 12" EP | Saxophone – Otmar | 3:29:43 (Pop-up) | |
A.R. & Machines | Station 4 ....als hätte ich das alles schon 'mal gesehen. (....As If I Have Seen All This Before.) | Die grüne Reise | Composed By [Composition], Music By [Realization], Instruments [All] – Achim Reichel >>>Producer – Achim Reichel, Frank Dostal - - - 1971 | 3:33:41 (Pop-up) | |
Kraftwerk | Stratovarios | K4 Radio Bremen 1971 | Ralf Hutter [organ] :;:;:;Florian Schneider [woodwind] :;::;:;Michael Rother :;:;Klaus Dinger Gondel Kino, Bremen, Germany June 25, 1971 | 3:39:11 (Pop-up) | |
DJ Dux Duty | 3:54:40 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Stork:
Irene Trudel:
Stork:
Revolution Rabbit Nov63:
redkayak:
StringOFperils:
chresti:
WR:
Stork:
chresti:
WR:
TDK60:
Doug Schulkind:
Stork:
Irene Trudel:
David (in London):
Afternoon groovers: Irene, redkayak, Rev D, String, Chrestikins, WR, TDK, Doug!
Stork:
rw:
chresti:
solo mon:
Revolution Rabbit Nov63:
...but with disruptive ♅Uranus in this sign these years - innovating in & just plain messing with Resources in so many ways...
Franco Twinkie:
Stork:
redkayak:
StringOFperils:
Stork:
Stork:
Revolution Rabbit Nov63:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
StringOFperils:
solo mon:
adamdoesit:
David (in London):
solo mon - I am also a solo mon franchisee.
Stork:
solo mon:
StringOFperils:
Revolution Rabbit Nov63:
solo mon:
adamdoesit:
Stork:
Revolution Rabbit Nov63:
...whether a squirrel gets glacey-eyed on Chestnut is beyond my experience...
Irene:
solo mon:
rw:
Franco Twinkie:
Stork:
Revolution Rabbit Nov63:
doctorjazz:
Z:
Stork:
doctorjazz:
solo mon:
chresti:
Stork:
David (in London):
David (in London):
Stork:
doctorjazz (in New Jersey):
chresti:
Stork:
Revolution Rabbit Nov63:
Irene:
Stork:
David (in London):
chresti:
StringOFperils:
Stork:
chresti:
StringOFperils:
solo mon:
David (in London):
Stork:
TDK60:
solo mon:
Irene Trudel:
chresti:
adamdoesit:
chresti:
Hi TDK60\\//
adamdoesit:
StringOFperils:
Jeff Golick:
chresti:
Canned or frozen.
ha chicken of the trees!
Stanley:
Hey Storky
TDK60:
Stork:
Stork:
northguineahills:
David (in London):
Yo Stanley.
Listening Out There:
StringOFperils:
adamdoesit:
Still giggling about Chicken o' the Trees.
northguineahills:
doctorjazz:
northguineahills:
doctorjazz:
David (in London):
doctorjazz:
solo mon:
Stork:
doctorjazz:
doctorjazz:
Stork:
doctorjazz:
Missed that, album credited to Hemphill. Ehrlich devotes much to honoring Hemphill...
doctorjazz:
doctorjazz:
doctorjazz:
Stork:
doctorjazz:
doctorjazz:
adamdoesit:
Stork:
props to Friedlander, - totally, doctor. Erik's second trip to the Stork Club bandstand tonight. Such a wonderful player and a sweetie.
Stork:
David (in London):
Revolution Rabbit Nov63:
doctorjazz:
Stork:
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
en.wikipedia.org...
Revolution Rabbit Nov63:
...forget I attempted extended cheap goofs on the topic. Cheers...
doctorjazz:
Stork:
Stork:
Dean:
doctorjazz:
Stork:
Stork:
doctorjazz:
Revolution Rabbit Nov63:
David (in London):
en.wikipedia.org...
Very near where Antonioni later shot some scenes of The Passenger.
Jeff Golick:
doctorjazz:
doctorjazz:
Stork:
Revolution Rabbit Nov63:
[reaches to ground] ...chestnut ??
Jeff Golick:
Revolution Rabbit Nov63:
doctorjazz:
www.songkick.com...
eddie-palmieri
I saw him at an outdoor jazz festival before the Pandemic, still quite a show...
Revolution Rabbit Nov63:
Robm:
adamdoesit:
StringOFperils:
doctorjazz:
Stork:
David (in London):
adamdoesit:
Stork:
adamdoesit:
doc, you raise an interesting question. There's a risk to passing traffic over a VPN -- if you get noticed, you can get shut down (or, in Russia, worse). Would you risk it to hear a little music from a freer place?
Robm:
WR:
claraengel.bandcamp.com...
Wendy del Formaggio:
Robm:
doctorjazz:
I'd guess not many are taking the risk to listen to the Drummer Stream (hard as that is to fathom). But there are some brave souls risking it to get a version of the news NOT issued by the Russian Government (not most of the population, but the few with concerns that haven't yet left the country).
Robm:
doctorjazz:
Stork:
Stork:
StringOFperils:
Robm:
David (in London):
Robm:
Doug Schulkind:
Lady Chanticleer is under the weather and I will be filling in for Ritual Music this afternoon/evening with a special episode of Give the Drummer Some. I encourage you to join me for some very Lady Chanticleer-like grooves and jams.
See you soon here: wfmu.org...
adamdoesit:
doc, I'm not sure which way the term fake news flowed… I wonder if our would-be dictator might've taken it from theirs' playbook.
SOp, I've heard from Russian friends and colleagues that family over there is either taking the Putin line, trying to get out, or becoming very depressed.
Dean:
fake news n. originally U.S. news that conveys or incorporates false, fabricated, or deliberately misleading information, or that is characterized as or accused of doing so.
The term was widely popularized during and after the 2016 U.S. presidential election campaign, and since then has been used in two main ways: to refer to inaccurate stories circulated on social media and the internet, esp. ones which serve a particular political or ideological purpose; or to seek to discredit media reports regarded as partisan or untrustworthy.
Some earlier evidence may not represent a fixed collocation, although the practice of ‘faking’ news stories was much discussed in the late 19th and early 20th centuries (see fake v.2 7a).
1890 Milwaukee (Wisconsin) Daily Jrnl. 7 Feb. That mine story is one of the greatest pieces of fake news that has been sprung on the country for a long time.
1917 Railway & Marine News May 9/2 Fake news of the most dangerous character is already being published in the yellow journals.
2010 Sunday Times (Nexis) 6 June (Scotland ed.) 30 The [Chinese] government denounced the story as ‘fake news’ and punished four newspapers for reporting it.
2016 Postmedia Breaking News (Nexis) 4 Nov. The scourge of the U.S. election: Fake news, exploding on social media, is seeping into the mainstream... If cable-news channels such as Fox News and MSNBC revived an era of overtly partisan political coverage, producers of so-called fake news have taken the trend to a new and distorted level, largely dispensing with facts in their zeal to generate money-making clicks and/or promote one political side.
2016 @realDonaldTrump 10 Dec. in twitter.com (accessed 28 June 2019) Reports by @CNN that I will be working on The Apprentice during my Presidency, even part time, are ridiculous & untrue—FAKE NEWS!
2019 Times (Nexis) 3 Apr. 22 (heading) Pupils will be taught how to spot fake news.
WR:
Robm:
Jeff Golick:
Jeff Golick:
Wendy del Formaggio:
Irene Trudel:
Hey all-- what're your thoughts on getting the 2nd booster? Had my first booster in November but considering whether to do the 2nd.
Robm:
StringOFperils:
Revolution Rabbit Nov63:
Doug Schulkind:
I got my second booster yesterday. Am feeling achy and lethargic, but mostly OK. I can't see any earthly reason not to get it.
Stork:
doctorjazz:
If I recall, for the longest time newspapers in the US were not expected to be objective-there were different papers for differing points of view, you read the one you agreed with.
With radio and TV increasing the worry about manipulation of the news, a Fairness Doctrine was introduced, trying to get both sides presented. This was done away with under Reagan, leading to the current situation, right wing talk radio, Fox, internet skewed in one way or another.
Wendy del Formaggio:
Irene Trudel:
doctorjazz:
I'm going to get mine in the next few weeks; I fear another outbreak is coming, and there ain't too much else you can do (except keep wearing that mask).
StringOFperils:
Revolution Rabbit Nov63:
www.cnn.com...
doctorjazz:
Irene Trudel:
doctorjazz:
Listener Gregory:
doctorjazz:
Stork:
Stork:
doctorjazz:
www.tzadik.com...
No Zorn sax, though.
Irene Trudel:
doctorjazz:
doctorjazz:
Irene Trudel:
Ike:
doctorjazz:
www.nytimes.com...
doctorjazz:
adamdoesit:
doctorjazz:
Ike:
doctorjazz:
Dean:
doctorjazz:
Dean:
https://www.sfgate.com/sfhistory/article/grateful-dead-europe-1972-tour-17045839.php?IPID=SFGate-HP-CP-Spotlight
doctorjazz:
Franco Twinkie:
Stork:
Franco Twinkie:
Franco Twinkie:
adamdoesit:
doctorjazz:
Just got this live date (acoustic) a few days ago: Garcia/Kahn Sept 7, 1982, looking forward to list4ening to it.
doctorjazz:
Dean:
Stork:
Dean:
Listener Gregory:
doctorjazz:
www.nytimes.com...
doctorjazz:
(this isn't the track I'd introduce a non-Deadhead to them with, FWIW, though I do love it)
Dean:
Franco Twinkie:
doctorjazz:
(one can still catch Dead spin offs-saw the Phil Lesh version pre-pandemic, was fun, but, no, not like the Dead live shows)
David (in London):
Stork:
Dean:
Stork:
wfmu.org... - See ya there!!!!!!!!
doctorjazz:
David (in London):
chresti:
Stork:
doctorjazz:
StringOFperils:
chresti:
Stork:
chresti:
Listener Gregory:
_Ike_:
David (in London):
Listener Gregory:
adamdoesit:
Stork, if being unable to correct for the future isn't the human condition, it's a damn fine reason for another cocktail. Make mine a Old Pall (named in honor of the corrosive fog that overhangs the chemical coast).
Stork:
Franco Twinkie:
Stork:
Listener Gregory:
Stork:
Revolution Rabbit Nov63:
_Ike_:
Revolution Rabbit Nov63:
Listener Gregory:
adamdoesit:
Revolution Rabbit Nov63:
i̺k̺e̺:
Stork:
wfmu.org...
adamdoesit:
Dean:
Stork:
Revolution Rabbit Nov63:
Doug Schulkind:
Let's meet over here: wfmu.org...
Revolution Rabbit Nov63:
Stork:
Revolution Rabbit Nov63:
Doug Schulkind:
They say you always remember your first time.
Stork:
WR:
Revolution Rabbit Nov63:
Doug Schulkind:
Listener Gregory:
StringOFperils:
chresti:
WR: