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Description: Exuberance/Ebullience, banter, possibly an interview, context and connection, the familiar, the strange.
Find: Symphonies of Treble, Words Of Expectation, stab, skronk, shimmer, sheen, The New Sound of Now, Ideas for Walls, pleasure, pith, Flutter and Wow, Motorik, cowbells, disco akimbo, at least one Cantankerous Singer, The German Language, shards of glass, Ethiopian Punk, organic, synthetic, sawtooths & squarewaves, Library Riffage, yesterday's recipes, the wrong speed, intentional static, floating, ethereal, time and timelessness.
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March 31, 2022: Electricities; Eccentricities; anything that powers the grid
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Artist | Track | Album | Label | Year | Comments | Images | New | Approx. start time |
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Sounds of the Ocean | Beach Sounds | Ocean Sounds | Sounds Of The Ocean | 2016 | 0:00:00 (Pop-up) | |||
Eccentronic Research Council ft Maxine Peake | Where have all the wayward pop art eccentrics gone | music merch community The Eccentronic Research Council presents: Wayward Freaks From A Synthetic Street Volume 1 | Desolate Spools | 2021 | "Desolate Spools - is the DIY record label of critically acclaimed pioneering electronic art collective the ECCENTRONIC RESEARCH COUNCIL from where they have released over the years bespoke limited edition vinyl & tapes direct to fans. Over the past few months ERC producers Dean Honer (all seeing I/I monster) & Adrian Flanagan (The Moonlandingz/ERC/Adult Entertainment) have invited a handful of new eccentric electronic pop artists to their analog lair in Sheffield to produce up some tracks for them - and to answer the question on every serious music fans lips - where have all the Pop art eccentrics gone?" eccentronicresearchcouncil.bandcamp.com | 0:00:21 (Pop-up) | ||
Wet Man | Take A Look At My Car | The Eccentronic Research Council presents: Wayward Freaks From A Synthetic Street Volume 1 | Desolate Spools | 2021 | Jack Clayton (the man behind Wet Man) is an exceptional songwriter and performer. Like a strange vocal mix of Mark E Smith, Jarvis Cocker and Stooges-era Iggy Pop, yet Wet Man is a truly unique with smart, funny lyrics and some filthy electronica. | 0:02:01 (Pop-up) | ||
Music behind DJ: Shit and Shine |
Malibu Liquor Store |
Malibu Liquor Store |
Rocket Recordings |
2020 |
Shit and Shine is an experimental music project based in Austin, Texas. Formed in 2004 by bandleader Craig Clouse, its percussion-driven sound mixes noise with electronics. Clouse is the only consistent member, with an ever-rotating line-up of musicians. |
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Blue Orchids | No Ghosts No Answers | Angus Tempus Memoir | 2022 | Released literally an hour before this show, this track is the first available from the forthcoming album "Angus Tempus Memoir" which releases on June 28. "Continuing the mystical thread and acid explorations which were a hallmark of The Fall's initial line-up, Martin Bramah has quietly crafted a trove of psychedelic visions unparalleled among musicians of his generation. Despite never quite cracking mainstream public consciousness, Blue Orchids endure as a living treasures of head music for post-punks, with a series of deeply-magical recordings." Blue Orchids: Angus Tempus Memoir (Bandcamp) | * | 0:11:33 (Pop-up) | ||
Mdou Moctar | Nakanegh Dich | Afrique Victime (Deluxe Edition) | Matador Records | 2022 | One of the bonus tracks from February's expanded version of this album. -- "Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar and have pushed him to the forefront of a crowded scene. Mdou shreds with a relentless and frenetic energy that puts his contemporaries to shame." Mdou Moctar (Bandcamp) | * | 0:14:34 (Pop-up) | |
Zea | Exploding Head Syndrome | The Swimming City | Makkum Records | 2014 | Arnold De Boer is currently the lead singer of one of our favourite bands, The Ex. His ongoing and prolific project Zea are described thusly: "minimal, full-on, electric, acoustic, eclectic, strange-edge. Deploying guitar and sampler for intense and high energy songs. Urgent lysrics in English and in Frisian (his first language). Sometimes intimate, heart felt, poetic, at other times driven on roughshod beats and grimy bass lines. Joyfully obstinate, wonderfully bonkers." Zea Music (Bandcamp) | 0:18:46 (Pop-up) | ||
The Nightingales | I ❤️ CCTV | I ❤️ CCTV . . . free digital single! | Tiny Global Productions / Fire Records | 2022 | Released yesterday! As implied, this 2 song single (this song the first) can be yours for $ zero. Released yesterday on Bandcamp. "CHECK OUT our April / May 2022 tour dates! With fantabulous guests TED CHIPPINGTON and RATS ON RAFTS. We'll be celebrating the release of the "King Rocker" soundtrack on LP / CD / DVD courtesy of Fire Records." The Nightingales I ❤️ CCTV . . . free digital single! (Bandcamp) | * | 0:23:04 (Pop-up) | |
TV Priest | One Easy Thing | One Easy Thing (Digital Single) | Sub Pop Records | 2022 | From their forthcoming album "My Other People" (out June 17) "Charlie says “Writing ‘One Easy Thing’ was key to unlocking a more direct and personal approach to our songwriting. It’s about dealing with the small things of everyday life; the anxiety, pressures, and battles inside your own headspace – and not being afraid to show this in our songs.”" | * | 0:27:11 (Pop-up) | |
Music behind DJ: The Brodie West Quintet |
Entertainment |
Meadow Of Dreams |
Ansible Editions / Astral Spirits |
2022 |
New release from Toronto's Brodie West. "Brodie West draws upon a vast array of experience to formulate his unique take on jazz. West was a member of Dutch avant-punks the Ex during their collaboration with Ethiopian saxophone legend Getatchew Mekurya, recording and touring worldwide. He's also worked extensively with drummer Han Bennink, appeared alongside the likes of Hamid Drake, Achim Kaufmann, and Sandro Perri while fronting the octet Eucalyptus and collaborating in the duo Ways with drummer Evan Cartwright (who's heard here on drum kit, vibraphone and acoustic guitar). The quintet's remaining members include pianist Tania Gill, Josh Cole on bass, and drummer Nick Fraser who weaves a rhythmic lattice with Cartwright." The Brodie West Quintet: Meadow Of Dreams (Bandcamp) |
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Music behind DJ: The Brodie West Quintet |
Fortress |
Meadow Of Dreams |
Ansible Editions / Astral Spirits |
2022 |
Evan Cartwright: drums, vibraphone and guitar. Josh Cole: bass. Nick Fraser: drums. Tania Gill: piano. Brodie West: alto saxophone. Recorded by Jeremy Darby and Julian Decorte at Canterbury Music Company on February 29, March 1 and March 2, 2020. Mixed by Matt Smith. Mastered by Jeff McMurrich. Produced by The Brodie West Quintet. Co-produced by Matt Smith. Photograph by Alex Durlak. All compositions © B. West. The Brodie West Quintet: Meadow Of Dreams (Bandcamp) |
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0:35:42 (Pop-up) |
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The Diagram Brothers | Bricks | Bricks 7" | New Hormones | 1981 | The Diagram Brothers were a post-punk band from Manchester, England active between 1979 and 1982. The band comprised Andy Diagram (bass guitar), Fraser Diagram (vocals, guitar), Lawrence Diagram (guitar), Jason Diagram (bass), and Simon Diagram (drums) (not actually brothers).[Andy Diagram was also a member of Dislocation Dance from 1978 to 1982, and in 1985, and was a member of The Pale Fountains and James. Andy Diagram explained the band's approach: "We called the music 'Discordo'. The music was made to a strict formula or set of rules. All the guitar chords were based on discordant notes, all the beats were very simple rock or disco, and all the words were very very straightforward and down to earth."Music journalist, Stuart Maconie, described them as "funny, slightly scary and like no one else in the world". The band's first release was a 7" EP on the Construct label in 1980. They were then signed by Buzzcocks' New Hormones label, who issued a single, "Bricks", an album, Some Marvels of Modern Science, and a 10" EP, Discordo, before the band split up. They have been compared to The Residents and XTC. | 0:40:00 (Pop-up) | ||
Workfriends | Stunt Doubles | Stunt Doubles Single | Workfriends | 2021 | Sheffield's workfriends emerged last year at the start of lockdown with their excellent single 'Man On The Run' and then promptly disappeared for the rest of the year. Before you could say the words 'one off wonder' though, they appeared again in February of this year with another belter in 'Sick And Tired' and then to top it all, released 'Stunt Doubles' last month, an absolute TUNE. "The reasoning behind the name ‘workfriends’ is now a bit of a mystery; some of us think that we chose it simply because it’s easy to say and remember, but some of us think that we chose it because we wanted to take something that most people encounter everyday and transform it so that every time people met or thought about their real life work friends they would subliminally think about us too. This way we would stay in the heads of people constantly." | 0:42:42 (Pop-up) | ||
Snõõper | Powerball | Powerball Single | Electric Outlet | 2022 | Blair Tramel and Connor Cummins (of Spodee Boy) are the tape and glue that make up the auditory collage and Nashville band, Snooper. Unrestrained by the flatness that sound alone can sometimes pose Blair uses her handmade props and visual animations as propulsion for the songwriting process. It’s an experiment gone right as much as it a song. There’s a lived-in sort of feeling to the sound of the songs. Smudges on the walls from the people living within them, salt on the counter where dinner was made. Tape hisses, songs start and stop when they want them to, and each song lives in its own world of audio production. Drums sound roomy and a bit far off. Vocals undulate beautiful and pissed patterns. Extra bits of sound sizzle in one ear and out the other. Then the song’s over. | * | 0:45:30 (Pop-up) | |
The Mystery Lights | I'm So Tired (Of Living In The City) | Too Much Tension! | Wick Records | 2019 | The Mystery Lights's sophomore album on Daptone's rock subsidiary, Wick Records, finds the group digging deeper into their well of eclectic influences, enriching their sound without echoing the past. It mixes the eerie, insistent synth sounds of groups like The Normal and Suicide, the energy and swagger of punk’s golden age, the pop sensibility of The Kinks, and the stark, deliberate execution of Television. The Mystery Lights are taking their idiosyncratic brand of rock and roll to dizzying new heights... | 0:46:50 (Pop-up) | ||
Majid Soula | Win Terram | Massinissa | Majid Soula | 1982 | Majid Soula is an Amazigh artist, singer, and activist who has lived in Paris since the 1990s. Emblematic of a new wave of Algerian artists emerging in the 1980s, he brings together the best of Arab-disco, highlife, and funk in his captivating productions. Born in Algeria, in the Kabylie region – an anchorage that has remained fundamental throughout his career – Soula is a self taught musician. He began his career in the early 1970s in Algiers, where he made a name for himself with his synthesizers, drum beats, guitar, and powerful lyrics. However, it soon became clear to him that staying in Algeria would not only limit his development as an artist, but would also mean a real risk of being prosecuted for his political views. Thus, around 1978 or 1979, Majid decided to move to Paris. It was in France that Majid Soula published half a dozen albums in the 1980s, most of them entirely self-produced and self-published. The artist considers himself a true activist, a “committed singer”, as he says himself: “I am not a politician. I am above all an artist whose main concern is to present quality work, to contribute modestly to the development and enrichment of our Amazigh cultural heritage. I am inspired by the daily life of my people and I share their aspirations, mainly the recognition of Tamazight as an official language, a real culture and an identity as such”. | 0:49:24 (Pop-up) | ||
Slow Children | Spring In Fialta | Slow Children | Ensign Records | 1981 | Slow Children was a New Wave band from the early 1980's. Their three most popular songs were "President Am I", "Spring in Fialta" and "Vanessa Vacillating". The two primary performers were Pal Shazar and Andrew Chinich. They released two albums on Ensign Records: "Slow Children" (1981) & "Mad About Town" (1982). Pal Shazar went on to a solo recording career and has released nine CDs between 1991 & 2006. There was a release in the U.K with an album cover art concept that was adapted from Jean Cocteau's "The Blood of a Poet". There was also a U.S. release with a different cover featuring photos by Robert Mapplethorpe and a different track listing. The track "Staring At The Ceiling" was released as a single in the UK the same year, but didn't chart. | 0:53:26 (Pop-up) | ||
Music behind DJ: Animal Magic |
Get It Right |
Animal Magic |
Recreational Records |
1982 |
I saw ANIMAL MAGIC play a number of times around the end of 1981 start of 1982. They were much of the post POP GROUP put the funk back into punk variety. I liked the singer’s desperate squeal, which was very much a la POP GROUP. They had a girl trumpet player that looked everything like the librarian lost when wandering on to the stage but her cheeks would puff up dizzily-gillepsie like when the band started bouncing around the stage. I had a friend at Bristol University. I went to visit him as THE FALL were playing at the Uni. I remember nearly breaking my neck hacking down 3 flights of stairs to go from ANIMAL MAGIC to THE FALL.. Only to repeat the exercise 35 minutes later hacking up the stairs to catch BLACK ROOTS & THE THOMPSON TWINS (from the music blog "Fruitier Than Thou" |
0:56:56 (Pop-up) |
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Music behind DJ: Ghost Power |
Asteroid Witch |
Asteroid Witch |
Duophonic Super 45s |
2020 |
Jeremy Novak (Dymaxion) and Timothy Gane (Stereolab) are Ghost Power. Their debut full length release is promised as soon as...next week? |
1:01:39 (Pop-up) |
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MISZCZYK | The Leaves (feat. Marker Starling) | Chandra Mixtape Vol. 2 by We Are Time | We Are Time | 2022 | "Last year, legendary downtown New York musician and artist Chandra Oppenheim joined Vancouver, BC-based musician and journalist Jesse Locke to give a home to some of their favorite noisemakers with their collaborative record label, We Are Time. To introduce their roster to the world, they released the playful and adventurous Chandra Mixtape Vol. 1. This sampler featured projects from members of the CHANDRA band including Motorists, New Chance, Body Breaks, Blonde Elvis and Chandra’s dub-influenced electronic project GNDN..." [To follow up] We Are Time released the Chandra Mixtape Vol. 2. on March 4th. "...The new nine-song mixtape collects unreleased collaborations, remixes and hard to find nuggets from the extended Chandra-verse. The release will be available digitally and as a limited edition cassette and will feature contributions by bedroom freak folk hero Chad VanGaalen in collaboration with UncleBibby, a remix of New Chance by the minimalist techno party-starters Pelada, and so much more." <- Write up from Ears To Feed... Check out the article/premier on their site: earstofeed.com - Premier Miszyck: The Leaves ft. Marker Starling | * | 1:06:32 (Pop-up) | |
Body Double | Dot Dot Dot | Chandra Mixtape Vol. 2 by We Are Time | We Are Time | 2022 | "We Are Time is an artist-focused initiative from Jesse Locke and Chandra Oppenheim, documenting contemporary music with an emphasis on intergenerational collaboration... ...The mixtape begins on a mesmerizing note with MISZCZYK’s collaboration with Marker Starling. Other team-ups include Pelada’s radical New Chance remix, Chad VanGaalen joined by electronic artist UncleBibby, and Bile Sister featuring Chandra Oppenheim. Jangular power-pop trio Motorists and microtonal indie-rock duo Body Breaks return with unreleased material, alongside the debut of Body Double, a new project from New Chance and Bile Sister. Side two concludes with the dreamy flute-folk of Catholic Wilt and the icy trip-hop experiments of GNDN. Chandra Mixtape Vol. 2 by We Are Time | * | 1:08:35 (Pop-up) | |
CHANDRA | Kate | Part Time Punks Session | Newly released early in March 2022, it is a recording from 2019 of a 1980 song Chandra Oppenheim (also co-partner in the "We Are Time" label) released in her band "Chandra" when she was 12. This version includes some Toronto collaborators. "In June 2019, the CHANDRA band traveled to Los Angeles for a performance at the long-running Part Time Punks club night series. As part of our trip, the wonderful DJ and promoter Michael Stock invited the band to record four of our classic songs from the early 1980s. This session marks guitarist Penny Clark's final recorded performance with CHANDRA, and Issa Oppenheim-Pressman's recorded debut with the band." Chandra Oppenheim - Vocals/Melodica -- Victoria Cheong - Vocals/Melodica -- Julie Reich - Vocals/Melodica -- Penny Clark - Guitar -- Kristina Koski - Keyboard More background - "Born in 1968, Chandra Oppenheim grew up in New York City with parents actively involved in the arts." "Her father was conceptual artist, Dennis Oppenheim, who caroused with the artists and musicians of the late '70s Lower East Side. Dennis was friends with Eugenie Diserio and Steven Alexander, who had been playing the NYC post-punk circuit with the Model Citizens." "Early exposure to experimental sounds and conceptual art came with Talking Heads and Patti Smith records playing around the house, and parties and events that included artists, musicians and other players in a vibrant creative scene. By age seven, Chandra was creating her own performance art pieces, and graduated to music when friends of her father (and members of no wave group the Dance), Eugenie Diserio and Steven Alexander, approached her about starting a new project. Taking the name Chandra, the new group grew around Oppenheim's otherworldly lyrics and vocals, with Diserio and Alexander providing guitar and bass and Fred Maher playing drums. The band played around noted '70s NYC punk hubs like Mudd Club and CBGB's, and in 1980 they the recorded four-song 12" Transportation." Chandra Bandcamp | 1:11:51 (Pop-up) | ||||
Bauhaus | Drink The New Wine | Drink The New Wine (digital single) | Digital Single | 2022 | 2022 means new... Bauhaus? Yes, it does. "Recorded during lockdown, Bauhaus used the Surrealists’ “exquisite corpse” method to create the song, with each member coming up with a section without seeing what the other’s had done. The band set up some additional rules: Each member was given only one minute to fill, and only eight tracks to lay down whatever instrumentals and vocals they wanted; the band also allotted themselves a shared 60 seconds to create a composite at the end. In a statement, Bauhaus noted that they’ve used the “exquisite corpse” technique in the past, and that the title of their new song, “Drink the New Wine,” takes its title from a phrase that came out of the first time Surrealist artists André Breton, Marcel Duchamp, Jacques Prévert, and Yves Tanguy combined for a “Cadavre exquis“: “[It] included words which when strung together make up the sentence, ‘Le cadaver exquisite boar le vin nouveau’ (‘The exquisite corpse will drink the new wine’),” the band said." | * | 1:17:37 (Pop-up) | |
Music behind DJ: The Brodie West Quintet |
Inhabit I |
Meadow Of Dreams |
Ansible Editions / Astral Spirits |
2022 |
Alto saxophonist Brodie West of Eucalyptus, Ways, The Brodie West Quintet, The Ex and Getatchew Mekuria, The Lina Allemano 4 and The Ryan Driver Sextet. West studied composition in Amsterdam with Misha Mengelberg. The Brodie West Quintet: Meadow Of Dreams (Bandcamp) |
* |
1:22:26 (Pop-up) |
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Music behind DJ: The Brodie West Quintet |
Grotto |
Meadow Of Dreams |
Ansible Editions / Astral Spirits |
2022 |
Originally hailing from Nanaimo, British Columbia, jazz studies at Humber College brought Brodie to Toronto. Emerging as a member of Zebradonk, Deep Dark United and Drumheller, he was soon in demand as a featured guest, adding his spirit to recordings ranging from Broken Social Scene's seminal You Forgot It in People to more recent appearances with Jennifer Castle, Snowblink and Tasseomancy. Studies at the Amsterdam Music Conservatory with Misha Mengelberg lead to musical encounters with percussionist Han Bennink as well as The Ex, culminating in two tours to Ethiopia and the group's collaborative recordings with Getatchew Mekuria. The Brodie West Quintet: Meadow Of Dreams (Bandcamp) |
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1:26:42 (Pop-up) |
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Ibibio Sound Machine | Protection From Evil | 17 18 19 | Merge Records | 2022 | From a newly minted album "17 18 19" --- "Ibibio Sound Machine’s new single “Protection From Evil” has frontwoman Eno Williams wielding a massive synth line from Hot Chip’s Al Doyle like a spiritual shield against unspecified, malign forces—unspecified because Williams is speaking in tongues. Her lyrics are onomatopoeic, their meaning defined in her energetic delivery. The explosive track opens the London group’s fourth and most progressive album Electricity, produced by Hot Chip" | * | 1:29:09 (Pop-up) | |
Mhaol | No One Ever Talks To Us | No One Ever Talks To Us | Tulle | 2021 | Taken from the band’s debut EP ‘Gender Studies’, set to drop this Friday (29th October), the track addresses the value of being in a mainly female band in a genre known for bands made up of mainly men. Singer Róisín Nic Ghearailt explains: “’No One Ever Talks To Us’ is an amalgamation of our own personal experiences of being in a predominantly female band in a predominantly male genre, but also a synthesis of the autobiographical experiences of Carrie Brownstein, Kim Gordon, Kathleen Hanna etc, and how so often your value in this industry is based on whether the (men) around you find you attractive. I wanted the vocals to sound in parts like I was bored, which is true. We’ve been having this conversation for decades. It’s time to move it on.” | 1:33:44 (Pop-up) | ||
Music behind DJ: Claude Dupras |
The Spring |
Interface Yamaha FX-1 |
Yamaha Canada Music |
1983 |
Also talk to Stevie Wonder, because he appparently owned one. |
1:36:20 (Pop-up) |
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Music behind DJ: Claude Dupras |
endless love |
Interface Yamaha FX-1 |
Yamaha Canada Music |
1983 |
The FX1 was a three manual FM based synthesizer under the Electone organ moniker, similar in look but not synthesis as the coveted analog GX1. GX1, FX1 From the SOS article: "Lest you think that (other than the DX1) all FM synthesizers were small, neat affairs, let me tell you about the FX1. This was a huge three-manual beast very much in the mould of the GX1, but based entirely on FM synthesis. If you've never heard of it, I'm not surprised. Costing £36,000 in 1986, there's only one working example in the UK, and not many more elsewhere." One of the contributing factors is that There was a train wreck where all but a couple of them were destroyed. It was shipping organs from California to New York. |
1:39:55 (Pop-up) |
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Madeleine Chartrand | Ani-Kuni - 45 version | Ani Kuni 7" | Extra | 1973 | Despite the attitude in its title, Madeleine Chartrand's first record, 1971's 'Ah! Comme on s'ennuie', was a rather feeble attempt at chanson that ended up sounding more boring than bored. But Quebec pop svengali Tony Roman, the man behind it, had a few more ideas up his sleeve. Roman dressed up Chartrand, the daughter of the firebrand union activist Michel Chartrand, in pig-tails and native gear, and recorded her anthemic take on the Iroquoian folk song 'Ani Couni Chaouani', a children's sing-along more associated with camp counsellors and kindergarten teachers than pounding glam-rock and electric sitar. This requires conirmation but it's believed the song's origing is also a song of lament sung when Indigenous Iroquois were relocated from their lands. That 'Ani-Kuni' was such a hit in the summer of 1973 should come as no surprise in a province so enamoured of prog and disco. But credit also has to go to producer/arranger Roman, whose decision to unlock the potent intensity of First Nations music was a brilliant one. As for Chartrand, a string of forty-fives on the Deram label failed to repeat the success of 'Ani-Kuni, and by 1980 she had more or less called it a career. | 1:40:23 (Pop-up) | ||
Meridian Brothers | Cumbia De La Fuente | Cumbia Siglo XXI | Les Disques Bongo Joe | 2020 | Meridian Brothers evolved from a conceptual band where Eblis Alvarez, one of Colombia's most innovative experimental musicians, played all the instruments. A classical and jazz guitarist and graduate in composition from the Royal Danish Academy of Music in Copenhagen, Alvarez had moved on to explore tropical sounds in an electronic context at a time when he was also being influenced by artists such as Björk, Kraftwerk and Radiohead. | 1:43:49 (Pop-up) | ||
Topo | Ba Ba Go, Go | Ba Ba Go, Go | Topo | 1983 | This 100 BPM banger melts faces as the sun comes up over Argentine disco floors. This was Topo the robot's side project before he hooked up with Roby. ‘Ba Ba Go Go’ is. an incredibly rare early 80’s italo electro cut. This was Topo’s first and seemingly last output on DR records, a division of Il Discotto in 1983. You’ll be hard pushed to hear anything like this ever again… truly capturing the times, this is an epic out there crisp electronic production that’s one of a kind. In the same vibe (and era) as the great early works of Alexander Robotnick. | 1:48:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Up Tight |
Wade In The Water |
Cadet |
1966 |
By 1966, Lewis was one of the nation's most successful jazz pianists, topping the charts with "The In Crowd", "Hang On Sloopy", and "Wade in the Water". All three singles each sold over one million copies and were awarded gold discs.[5] Many of his recordings attracted a large non-jazz audience. In the 1970s, Lewis often played electric piano, although by later in the decade he was sticking to acoustic and using an additional keyboardist in his groups. |
1:53:09 (Pop-up) |
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Mira Calix | The Abandoned Colony Collapsed My World | a̶b̶s̶e̶n̶t̶ origin | Warp Records | 2021 | Sadly, Mira Calix (born Chantal Passamonte in Durban in South Africa) passed away on Monday. We had played the opening track from her most recent album as soon as it was available, & se messaged us once we tagged her. She was the first female artist signed to Warp Records, and they wrote of her: "Mira was not only a hugely talented artist and composer, she was also a beautiful, caring human who touched the lives of everyone who had the honour of working with her.... ...[she] pushed the boundaries between electronic music, classical music and art in a truly unique way. We are so proud of her immense creative output; her artwork, videos, and music were a true reflection of what an innovative, pioneering, and wonderful soul she was... She will be terribly missed by everyone at the label, staff and artists alike.” She touched our lives, too, in the all too brief moments we got to message w/ her. May she rest in peace. |
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"I love what you eat
You want yogurt? you got yogurt!
Papaya? it's yours!"
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george westerholm:
DJ Babs:
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george westerholm:
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laurapanic:
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Your Pretend Boyfriend:
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Derek Westerholm:
laurapanic:
Derek Westerholm:
Scott67:
Sorry I'm late, got a phone call from Mum which threw my timing out.
👍😎☎🎶📻🌞🌏🍁❤❤
DJ Babs:
Sonderangebot:
Otis Fodder:
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shellioh:
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shellioh:
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✌😎🌊🍁❤❤🌻
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?:
Derek Westerholm:
DJ Babs:
DJ Babs: