View TomDash's profile |
DIY music for the spirit; bummer jams for happy people; terrestrial music for space travelers; punchy, post-punk jitters, synth drones for the mindful; fuzz-drenched, basement rock to sooth the soul...
<-- Previous playlist | Back to Tom Dash playlists | Next playlist -->
March 25, 2022: Big Big Thanks to you the listeners...you are Fantastique!
Listen to this show:
Pop-up player!
Artist | Track | Album | Label | Year | Format | Comments | Images | New | Approx. start time | |
---|---|---|---|---|---|---|---|---|---|---|
Les Rallizes Dénudés | Fantastique + Reapers of the Night | Double Heads 1980 - 1981: Maximum Psychedelic Blues Years | Les Rallizes Denudes | 2021 | LP box set | live recording from August, 1980 | 0:00:00 (Pop-up) | |||
Les Rallizes Dénudés | Vertigo otherwise My Conviction | The Oz Tapes | Temporal Drift | 2022 | first single from forthcoming OFFICIAL release! 1973 recordings | * | 0:20:24 (Pop-up) | |||
Mr. Pescado | Grateful Animal | Mr. Pescado | Fuzzy Warbles Cassettes | 2022 | Cassette | * | 0:40:21 (Pop-up) | |||
The Monsters | Tod | Du Hesch Cläss, Ig Bi Träsch | Slovenly Recordings | 2022 | LP | * | 0:42:12 (Pop-up) | |||
Mižerija | Crni Grad | Demo | Doomtown Records | 2021 | * | 0:46:15 (Pop-up) | ||||
Neutrals | Pressures of Life | Bus Stop Nights EP | Static Shock Records | 2022 | 7" | * | 0:48:40 (Pop-up) | |||
Hue Blanc's Joyless Ones | Black Charms | Hue Blanc's Joyless Ones | Bancroft | 2022 | LP | * | 0:51:44 (Pop-up) | |||
The Ex | Piecemeal | 27 Passports | Ex Records | 2018 | 0:55:08 (Pop-up) | |||||
Jerome | Life's Eye | LP2 | Maple Death Records | 2021 | LP | * | 1:02:04 (Pop-up) | |||
Vintage Crop | The Bloody War | Kibitzer | Upset The Rhythm! | 2022 | forthcoming | * | 1:05:32 (Pop-up) | |||
Crime of Passing | Midnight Underground | Crime of Passing | Feel It Records | 2022 | LP | new record coming this spring | * | 1:08:41 (Pop-up) | ||
Marbled Eye | Dirty Water | Hardly Art | 2022 | * | 1:11:28 (Pop-up) | |||||
1:14:28 (Pop-up) | ||||||||||
Fairfield Parlour | Sunnyside Circus | From Home To Home | Get Back | 2LP | orig 1970 | 1:22:35 (Pop-up) | ||||
Kevin Ayers | Lunatics Lament | Shooting at the Moon | 1:25:05 (Pop-up) | |||||||
Annette Peacock | Pony | I'm The One | RCA Victor | 1972 | 1:30:07 (Pop-up) | |||||
Robin Holcomb | When Was the Last Time | Rockabye | Elektra Records | 1992 | 1:35:39 (Pop-up) | |||||
Chad Fowler & Matthew Shipp | Chapter X | Odd Stories | Mahakala | 2022 | CD | * | 1:41:36 (Pop-up) | |||
Stefan Christensen | Luxury Is God | Ruby double 7" | Ever/Never | 2022 | * | 1:46:55 (Pop-up) | ||||
Paul Leary | Do You Like To Eat A Cow? | Born Stupid | Shimmy Disc | 2021 | 1:51:57 (Pop-up) | |||||
Gene Clark with the Gosdin Brothers | I Found You | Gene Clark With The Gosdin Brothers | 1:54:45 (Pop-up) | |||||||
Chrisma | Thank You | Chinese Restaurant | Polydor | 1977 | 2:03:56 (Pop-up) | |||||
Guerilla Toss | Wild Fantasy | Famously Alive | Sub Pop | 2022 | * | 2:08:11 (Pop-up) | ||||
Dame Area | Esto me pertenece | Esto me pertenece | BFE Records/Humo International | 2022 | * | 2:12:51 (Pop-up) | ||||
Société Étrange | Nute | Chance | Les Disques Bongo Joe | 2022 | * | 2:17:05 (Pop-up) | ||||
Tindersticks | Lady With the Braid | Distractions | City Slang | 2021 | 2:24:34 (Pop-up) | |||||
Tuxedo Moon | No Tears | RIP Michael Belfer | 2:31:45 (Pop-up) | |||||||
Alan Licht | Marsh Wheeling | DotDash Radio Presents - Guitar Works | WFMU | 2022 | THANK YOU for all who pledged to grab this comp...means a lot!!! | * | 2:41:39 (Pop-up) | |||
Mary Lattimore & Paul Sukeena | Altar of Tammy | West Kensington | Three Lobed Recordings | 2022 | forthcoming | * | 2:46:46 (Pop-up) | |||
Ted Curson | Pop Wine | Pop Wine | Souffle Continu Records | 2021 | orig 1971 | 2:54:45 (Pop-up) |
<-- Previous playlist | Back to Tom Dash playlists | Next playlist -->
RSS feeds for Tom Dash: Playlists feed | MP3 archives feed
| E-mail TomDash | Other WFMU Playlists | All artists played by Tom Dash |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for WFMU: Pop-up | 128k AAC | 128k MP3 | 32k MP3 (More streams: [+])
Listener comments!
HyperDose:
Listener Jonny in South Central... (Ohio):
Handy Haversack:
Listener Jonny in South Central... (Ohio):
Erin in TO:
lou in CO:
Marley P. Dogg:
Phillippe:
HyperDose:
TomDash:
Handy Haversack:
VincentNifigance:
Ken From Hyde Park:
Stanley:
karlward:
YETI BOB:
Creature Boy:
YETI BOB:
Brainiac from Neuron 3:
Wilson was an important producer (alongside his contemporaries Phil Spector, George Martin, Jimmy Miller, Brian Wilson, Quincy Jones, Tom Dowd, and Teo Macero) of the 1960s. He has been said to have had the skill of "putting the right people together for the right projects".
Erin in TO:
karlward:
TomDash:
MikeG:
YETI BOB:
Handy Haversack:
LastVisibleDog:
karlward:
YETI BOB:
karlward:
HyperDose:
karlward:
TomDash:
Stanley:
Ken From Hyde Park:
YETI BOB:
LesleyK:
Creature Boy:
Krys O.:
TomDash:
luka:
YETI BOB:
YETI BOB:
luka:
Threemoons 🌛🌕🌜:
YETI BOB:
TomDash:
Cat H:
TomDash:
luka:
YETI BOB:
evancuts:
Handy Haversack:
luka:
Polyus:
morphe':
Moriaki Wakabayashi
Japanese hijackers go home after 32 years on the run..
https://www.theguardian.com/world/2002/sep/09/japan.jonathanwatts1
YETI BOB:
TomDash:
YETI BOB:
Handy Haversack:
Handy Haversack:
TomDash:
Will:
HyperDose:
morphe':
A"bit" of bad planning = not realizing a plane of that size could not do a long haul to Cuba. There was a great Nat'l Lampoon issue of anti-terrorist full page glossy cartoons (late '70s?) one of which was a guy hijacking a bus in the us demanding that the bus go to Cuba....
TomDash:
morphe':
YETI BOB:
Susan:
iiibeat:
Enmeshed and ensconced in false equivalents . .
Wisdom is a vacuum fulfilled by an endless sequence of vacuums fulfilled.
A subtle movement by an insect antenna causes an avalanche of mind to cover over my mind.
Language dies at the Altar of Intention.
morphe':
TomDash:
YETI BOB:
courtneynoir:
TomDash:
BVP:
Nick K:
Nick K:
Handy Haversack:
Ryansterlingvirtue:
?:
HyperDose:
mndave:
Handy Haversack:
I *may* have solved it by turning off a bunch of stuff in the ClearURLs add-ons. I have successfully composed three e-mails, so for now I'm going to take the win.
Yaaaaaay, now I can work again. Yaaaaay.
TomDash:
mndave:
minkwest:
BLCKDGRD:
blucoffee:
evancuts:
woj:
TomDash:
evancuts:
woj:
minkwest:
greenlight:
evancuts:
Ms. Holcomb sat at a grand piano, her pale hair falling down her back, her hands sewing melodic phrases that were simple and homespun pure. Her voice was so fragile, you feared it might break; her performance had a devastatingly poetic quality, like a tune from a music box, or a moment of silence.
Ms. Holcomb's songs are enlarged moments. She repeats images again and again, until a line like "needle full of miracles" escalates to the grand proportion of worldly significance. Her lyrics are thoughts, stark yet vague, that beg to be filled in by the listener. "So Straight and Slow," a song from her 1990 debut album "Robin Holcomb" (Elektra Musician), begins with the words, "A deer struck down by a car brings two cows in trade," then unravels into a mysterious remembrance of a long day's drive. At the Knitting Factory she managed not to be precious by coloring her thoughts with rainy, gray accompaniment. The clarinetist Doug Wieselman played a counter-line that threaded her vocals, and her left hand would suddenly strike a minor chord that upset the delicate melodic balance.
Throughout the set, Ms. Holcomb's usually subtle arrangements -- bass, electric and acoustic guitar, brushed drums, saxophone -- would occasionally balloon into full-out adult rock, with screaming guitar leads and busy drum fills. But she was at her best when she was alone. The opening song, which began with the line "I want to tell the story," needed only soft chords played one after another with sonorous regularity; "Deliver Me," an encore, had a plaintive melody as immediately memorable as its reflection that "the light is only perfect for a very short time." Ms. Holcomb eschewed showy techniques and elaborations. Her music expressed a longing for a simplicity of life that is too quickly dissipating.
woj:
Alvy Singer:
HyperDose:
Handy Haversack:
Keep on Dashing, all!
ParUbi:
MD:
Polyus:
Chris Hiatt:
Chris Hiatt:
TomDash:
Carmichael:
Warwick joe:
Pale Son:
morphe':
joe mulligan:
courtneynoir:
Carmichael:
tim from washington:
Threemoons 🌛🌕🌜:
tim from washington:
coco:
dave wuz here:
courtneynoir:
Carmichael:
dave wuz here:
Doobois:
egould310:
TomDash:
rx scabin:
TomDash:
TomDash:
courtneynoir: