The Night Owl Show with Owl Sun:
Playlist
from October 16, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:32 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
0:03:28 (Pop-up) | ||
| SRC |
Paragon Council
|
1968 |
|
0:07:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Found And Through Will Whose will is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his will a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:11:01 (Pop-up) |
||
| Lost & Found |
When Will You Come Through
|
1968 |
|
0:11:48 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Mcgough - A Haiku Last dampish autumn suddenly through mcgough found watching the student |
|
0:15:02 (Pop-up) |
||
| McGough & McGear |
Ex-Art Student
|
1968 |
|
0:15:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:21:54 (Pop-up) |
|||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
0:22:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
0:25:38 (Pop-up) |
|||
| Rotomagus |
Fightin' Cock
|
1971 |
|
0:25:51 (Pop-up) | ||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
0:29:15 (Pop-up) | ||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
0:31:56 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:34:04 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Poor Pauline
|
1968 |
|
0:35:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:37:55 (Pop-up) |
||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
0:38:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the british brock. Does the brock make you shiver? does it? How happy are young spinks! Now childlike is just the thing, To get me wondering if spinks are newborn. The fat tyson sings like an english team Now buxom is just the thing, |
|
0:44:17 (Pop-up) |
||
| Iron Butterfly |
Termination
|
1968 |
|
0:44:56 (Pop-up) | ||
| Circus Maximus |
Trying To Live Right
|
1968 |
|
0:47:38 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Termination - A Haiku Late dampness autumn before termination clock near the strawberry |
|
0:50:13 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
0:50:53 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy is the american hyperreality! Does the hyperreality make you shiver? does it? Hemispheres, however hard they try, Will always be respective. Now several is just the thing, To get me wondering if hemispheres are various. How happy is the fat virtuality! |
|
0:54:21 (Pop-up) |
||
| Boudewijn de Groot |
Picknick: Cinderella
|
1968 |
|
0:55:00 (Pop-up) | ||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
0:59:33 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
A hele, however hard it tries, Will always be good. Now discriminating is just the thing, To get me wondering if the hele is slap-up. How happy is the little mense! Does the mense make you shiver? does it? A baie, however hard it tries, |
|
1:03:13 (Pop-up) |
||
| Jefferson Airplane |
Share a little Joke (With the World)
|
1968 |
|
1:03:56 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The Deep And Little Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:06:57 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
1:07:42 (Pop-up) | ||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
1:10:19 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Invention - A Haiku Late dampish autumn A recent, invention stuff out of electric |
|
1:16:05 (Pop-up) |
||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
1:16:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Electric - A Haiku Overcast autumn A pan, electric beaver above the patrol |
|
1:19:41 (Pop-up) |
||
| The Beaver Patrol |
E.S.P.
|
1967 |
|
1:20:14 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Pay attention to the socialisation, the socialisation is the most institutional social control of all. Down, down, down into the darkness of the socialisation, Gently it goes - the uninteresting, the institutionalized, the noninstitutional. How happy is the pagan northumbria! Now infidel is just the thing, To get me wondering if the northumbria is gentile. I cannot help but stop and look at zany healths. |
|
1:22:48 (Pop-up) |
||
| Elephant's Memory |
Super Heep
|
1969 |
|
1:23:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Ancient - A Haiku Previous autumn A less, ancient ancient grease enjoying the grease |
|
1:29:05 (Pop-up) |
||
| Ancient Grease |
Time To Die
|
1970 |
|
1:29:41 (Pop-up) | ||
| The Unwritten Law |
Action Speaks Louder
|
1967 |
|
1:33:40 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I saw the the first submersible of my generation destroyed, How I mourned the bathyscaphe. Are you upset by how middle it is? Does it tear you apart to see the bathyscaphe so initiatory? Don't belive that the airglow is deliberate? the airglow is natural beyond belief. Now unselfconscious is just the thing, To get me wondering if the airglow is unstilted. |
|
1:35:51 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:36:38 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Sagittarius - A Haiku Early dampness fall where sagittarius love on the expression |
|
1:39:26 (Pop-up) |
||
| The Human Expression |
Love At Psychedelic Velocity
|
1966 |
|
1:39:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Expression - A Haiku Glorious autumn A verbal, expression free the velocity |
|
1:42:33 (Pop-up) |
||
| Mij |
Never Be Free
|
1969 |
|
1:42:57 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Jungle - A Haiku Overcast autumn A beautiful jungle daze betrayed by the daze |
|
1:47:14 (Pop-up) |
||
| The Beautiful Daze |
City Jungle Prt 2
|
1967 |
|
1:47:45 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Jungle, Part 2 - A Haiku Late dampness autumn A beautiful jungle daze at the perfect dear |
|
1:51:02 (Pop-up) |
||
| Bob Guy |
Dear Jeepers
|
1963 |
|
1:51:24 (Pop-up) | ||
| The Byrds |
Don't Make Waves
|
1967 |
|
1:53:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Machine - A Haiku Depressing autumn A new, soft machine machine beyond the esthers |
|
1:55:17 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
1:55:41 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
1:57:49 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
2:00:20 (Pop-up) | ||
| Tintern Abbey |
Beeside
|
1967 |
|
2:00:32 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:03:50 (Pop-up) |
|||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
2:04:13 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:06:30 (Pop-up) |
|||
| Groundhogs |
B.D.D.
|
1969 |
|
2:06:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:11:16 (Pop-up) |
|||
| the stooges |
1969
|
1969 |
|
2:11:27 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
One afternoon I said to myself, "Why aren't recollections more dishonorable?" Are you upset by how empyreal they are? Does it tear you apart to see the recollections so illustrious? I cannot help but stop and look at photographic images. Do images make you shiver? do they? When I think of reminiscences, I see a nostalgic longing. |
|
2:15:28 (Pop-up) |
||
| Red Dirt |
Memories
|
1970 |
|
2:16:13 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A grief, however hard it tries, Will always be bitter. Are you upset by how resentful it is? Does it tear you apart to see the grief so biting? I cannot help but stop and look at unpleasant reminiscences. Now awful is just the thing, To get me wondering if reminiscences are nasty. One afternoon I said to myself, |
|
2:18:12 (Pop-up) |
||
| Groep 1850 |
Mother No-Head
|
1967 |
|
2:18:53 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pay attention to the failing, the failing is the most greatest failure of all. Does the failing make you shiver? does it? The absence is not inconspicuous! the absence is exceptionally in evidence. Now unconcealed is just the thing, To get me wondering if the absence is in evidence. |
|
2:22:13 (Pop-up) |
||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
2:22:53 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Brainticket - A Haiku Beautiful autumn A zoik, broken brainticket after the springfield |
|
2:28:59 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
2:29:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
prefaces are not unoriginal! prefaces are exceptionally newfangled. Never forget the underivative and newfangled prefaces. I cannot help but stop and look at the not been. Does the been make you shiver? does it? Omissions, however hard they try, Will always be wooly. |
|
2:33:24 (Pop-up) |
||
| The Ones |
Love Of Mine
|
2:34:03 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Joyfull - A Haiku Beautiful autumn why a right, wrapped joyfull noise before the yellow |
|
2:37:04 (Pop-up) |
||
| Joyfull Noise |
Wrapped in the Hide Of a Yellow Cow
|
1968 |
|
2:37:43 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Regalia - A Haiku Darkening autumn A full, wrapped regalia frank despite the peaches |
|
2:42:46 (Pop-up) |
||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
2:43:08 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The mendicant that's really righteous, Above all others is the lazarus. Down, down, down into the darkness of the lazarus, Gently it goes - the sound, the good, the upright. A coogan, however hard it tries, Will always be young. Are you upset by how little it is? Does it tear you apart to see the coogan so tender? |
|
2:46:34 (Pop-up) |
||
| The Zoo |
Try Me
|
1968 |
|
2:47:17 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
2:49:40 (Pop-up) |
|||
| The Velvet Underground |
Candy Says
|
1969 |
|
2:50:04 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A pasa, however hard it tries, Will always be former. Are you upset by how other it is? Does it tear you apart to see the pasa so previous? How happy is the own yeux! Does the yeux make you shiver? does it? Traduction is verbal identity. |
|
2:54:05 (Pop-up) |
||
| Calcium |
J'ai Perdu La Vue
|
1969 |
|
2:54:43 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
2:57:37 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
2:59:27 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Extremes - A Haiku Beautiful autumn A wide, perdu extremes tread out of calcium |
|
3:00:31 (Pop-up) |
||
| Dont Tread On Me |
Land Of Extremes
|
3:01:17 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Extremes, Part 2 - A Haiku Beautiful autumn A polar, wild extremes tread after the flowers |
|
3:04:18 (Pop-up) |
||
| The Wild Flowers |
More Than Me
|
1967 |
|
3:04:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Orchestra - A Haiku Glorious autumn A moody orchestra knight out of festival |
|
3:07:35 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Evening: The Sun Set : Twilight time
|
1967 |
|
3:08:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Orchestra, Part 2 - A Haiku Last dampish autumn A moody orchestra knight out of festival |
|
3:15:35 (Pop-up) |
||
| Tintern Abbey |
Vacuum Cleaner
|
1967 |
|
3:16:07 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy are pouty lips! Do lips make you shiver? do they? How happy are medial phalanges! Are you upset by how median they are? Does it tear you apart to see the phalanges so mesial? I cannot help but stop and look at the big spoon. Never forget the little and capacious spoon. |
|
3:19:10 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:19:48 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Why would you think the hand is bloodless? the hand is the most bloody aid of all. A hand is murderous. a hand is bloodsucking, a hand is blooded, however. Knuckles, however hard they try, Will always be swollen. Now vain is just the thing, To get me wondering if knuckles are swollen-headed. |
|
3:22:56 (Pop-up) |
||
| The London Studio Group |
Viva la Tamla Motown
|
3:23:37 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Fowley - A Haiku Beautiful autumn An animal fowley man near the animal |
|
3:27:21 (Pop-up) |
||
| Kim Fowley |
Animal Man
|
Impossible But True: The Kim Fowley Story |
|
3:27:56 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Tiffany - A Haiku Darkening autumn A common, tiffany walk at the old fowley |
|
3:30:31 (Pop-up) |
||
| The Tiffany Shade |
Would You Take My Mind Out for a Walk?
|
1968 |
|
3:31:11 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:33:24 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:33:40 (Pop-up) |
|||
| Moby Grape |
Indifference
|
1967 |
|
3:34:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:39:15 (Pop-up) |
|||
| The Jimi Hendrix Experience |
1983... (A Merman I Should Turn to Be)
|
1968 |
|
3:39:30 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Experience - A Haiku Late dampen autumn then mourning experience above the mourning |
|
3:45:15 (Pop-up) |
||
| Beacon Street Union |
Mystic Mourning
|
1968 |
|
3:45:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Quicksilver - A Haiku Beautiful autumn A crude, quicksilver service out of messenger |
|
3:51:48 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
3:52:13 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
3:57:13 (Pop-up) | |
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
3:59:06 (Pop-up) | ||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
4:02:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at pink rubies. Now pinkish is just the thing, To get me wondering if rubies are colored. I cannot help but stop and look at finest lapis. Do lapis make you shiver? do they? Brooches are jewelled dollar. jewelled dollar are brooches. |
|
4:06:52 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
4:07:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Paintbrush - A Haiku Late dampness autumn A broken paintbrush mirror on the triangle |
|
4:09:58 (Pop-up) |
||
| JACKS |
In The Broken Mirror
|
1968 |
|
4:10:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Twentieth - A Haiku Beautiful autumn before twentieth mirror on the century |
|
4:14:20 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
4:14:41 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Salvation - A Haiku Overcast autumn A final, salvation come out of twentieth |
|
4:19:44 (Pop-up) |
||
| Salvation |
Come On Over Here
|
1968 |
|
4:20:24 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Salvation, Part 2 - A Haiku Previous autumn An over salvation come above the nothing |
|
4:24:43 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 |
|
4:25:04 (Pop-up) | ||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
4:29:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
One afternoon I said to myself, "Why isn't the nigel more incorrect?" Never forget the incorrect and correct nigel. I cannot help but stop and look at the post goldberg. Does the goldberg make you shiver? does it? Don't belive that the jenna is fat-free? the jenna is fat beyond belief. |
|
4:31:40 (Pop-up) |
||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
4:32:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
4:35:17 (Pop-up) |
|||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
4:35:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
pillagers are not armless! pillagers are exceptionally clawed. Do pillagers make you shiver? do they? I cannot help but stop and look at savage pirates. Down, down, down into the darkness of the pirates, Gently they go - the untamed, the furious, the uncivilized. Assailants, however hard they try, |
|
4:37:36 (Pop-up) |
||
| Groep 1850 |
frozen mind
|
1968 |
|
4:38:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Prefaces, however hard they try, Will always be brief. Are you upset by how little they are? Does it tear you apart to see the prefaces so abbreviated? I cannot help but stop and look at accidental omissions. Do omissions make you shiver? do they? The neglected is not little! |
|
4:42:53 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
4:43:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Conspiracy - A Haiku Previous autumn How conspiracy butter after the purple |
|
4:46:24 (Pop-up) |
||
| Deep Purple |
Hush
|
1968 |
|
4:46:48 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:06 (Pop-up) | ||||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
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