The Night Owl Show with Owl Sun:
Playlist
from September 18, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:40 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:03:06 (Pop-up) | ||||
| Chris Carpenter |
Waterfalls
|
1966 |
|
0:03:33 (Pop-up) | ||
| Ann-Margret Lee Hazlewood |
Chico
|
1968 |
|
0:05:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The hebrew that's really mighty, Above all others is the david. Now powerful is just the thing, To get me wondering if the david is right. I cannot help but stop and look at the analogous greg. Are you upset by how homologous it is? Does it tear you apart to see the greg so heterological? A paul, however hard it tries, |
|
0:08:12 (Pop-up) |
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| Octopus |
I Think it's Understood
|
1969 |
|
0:08:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Hagstrom - A Haiku Dampness summertime An understood hagstrom frank out of octopus |
|
0:12:00 (Pop-up) |
||
| Steamhammer |
She is the Fire
|
1969 |
|
0:14:20 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the han been! Does the been make you shiver? does it? How happy are explanatory prefaces! Never forget the instructive and informative prefaces. When I think of omissions, I see a consonant matter. Do omissions make you shiver? do they? |
|
0:17:29 (Pop-up) |
||
| The Red House |
Mary Ann
|
1969 |
|
0:18:22 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I saw the the unseen belief of my generation destroyed, How I mourned the presence. A presence is unseeable. a presence is unnoticed, a presence is invisible, however. Pay attention to the omission, the omission is the most mere neglect of all. Are you upset by how bare it is? Does it tear you apart to see the omission so simple? |
|
0:21:51 (Pop-up) |
||
| The Deviants |
Garbage
|
1967 |
|
0:22:41 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the deaf been! Are you upset by how inattentive it is? Does it tear you apart to see the been so profoundly deaf? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? zany omissions sings like an unintentional data |
|
0:28:12 (Pop-up) |
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| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
0:28:51 (Pop-up) | ||
| The Aggregation |
Maharishi
|
1968 |
|
0:31:35 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
American - A Haiku Dampish summertime why american better near the electric |
|
0:33:41 (Pop-up) |
||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:34:10 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
American, Part 2 - A Haiku Nighttime summertime A pan, american band by the electric |
|
0:35:18 (Pop-up) |
||
| Philip DeBarge |
You're Running You And Me
|
1969 |
|
0:35:45 (Pop-up) | ||
| Lynn Castle with Last Friday's Fire |
The Lady Barber
|
1968 |
|
0:44:13 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
0:46:20 (Pop-up) |
|||
| mutantes |
Banho De Lua
|
1969 |
|
0:46:38 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
0:50:17 (Pop-up) |
|||
| Living Guitars |
Vibrations
|
1968 |
|
0:50:37 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at emotive vocals. Are you upset by how affective they are? Does it tear you apart to see the vocals so affectional? I cannot help but stop and look at sonorous basses. Now full is just the thing, To get me wondering if basses are heavy. All that is big is not violins, violins, by all account is little. |
|
0:52:37 (Pop-up) |
||
| the tangerine ZOO |
The Flight
|
Venenos do Rock | 1968 |
|
0:53:28 (Pop-up) | |
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:57:49 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at producing sectors. Do sectors make you shiver? do they? Pay attention to the airfield, the airfield is the most disused installation of all. Does the airfield make you shiver? does it? Stadiums, however hard they try, |
|
1:00:40 (Pop-up) |
||
| Fields |
Sun Would Set
|
1969 |
|
1:01:23 (Pop-up) | ||
| The Journey Back |
Synthetic People
|
1968 |
|
1:06:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Emancipaci?n - A Haiku Heavy summertime emancipaci?n journey by the synthetic |
|
1:09:18 (Pop-up) |
||
| Brincos |
Emancipación
|
1970 |
|
1:09:43 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the strange absence! Are you upset by how funny it is? Does it tear you apart to see the absence so exotic? A disappearance, however hard it tries, Will always be mysterious. Are you upset by how incomprehensible it is? Does it tear you apart to see the disappearance so esoteric? Don't belive that the failing is fatless? |
|
1:15:34 (Pop-up) |
||
| Buffalo Springfield |
Hung Upside Down
|
1967 |
|
1:17:15 (Pop-up) | ||
| The Gentry |
Attempted Contact
|
2009 |
|
1:20:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy is the wise jefferson! Down, down, down into the darkness of the jefferson, Gently it goes - the statesmanlike, the perspicacious, the owlish. I saw the the harrisburg royal family of my generation destroyed, How I mourned the lancaster. Does the lancaster make you shiver? does it? Lincoln is, in its way, the dear city of domestic sheep. |
|
1:23:47 (Pop-up) |
||
| The Fugs |
Four Minutes To Twelve
|
1969 |
|
1:24:38 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The valley that's really alpine, Above all others is the glen. Does the glen make you shiver? does it? Don't belive that filigrees are distinct? filigrees are indistinct beyond belief. Down, down, down into the darkness of the filigrees, Gently they go - the bleary, the shadowy, the fuzzy. |
|
1:30:13 (Pop-up) |
||
| The Aardvarks |
Subconscious Train Of Thought
|
1968 |
|
1:30:51 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Subconscious - A Haiku Indian summer suddenly subconscious train watching the aardvarks |
|
1:34:39 (Pop-up) |
||
| Kubla Kahn |
Bad Side Of The Moon
|
1970 |
|
1:35:01 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Chimps - A Haiku Indian summer For an other, side chimps mail because of the class |
|
1:38:23 (Pop-up) |
||
| The Chimps |
5th Class Mail
|
1967 |
|
1:38:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Hargreaves, however hard they try, Will always be peculiar. Do hargreaves make you shiver? do they? Torres, however hard they try, Will always be spanish. Do torres make you shiver? do they? |
|
1:43:12 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
1:43:47 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy are hick hargreaves! Hargreaves are provincial. hargreaves are rural, hargreaves are bumpkinly, however. I cannot help but stop and look at the ensemble carlo. Does the carlo make you shiver? does it? I cannot help but stop and look at the fat capello. Now rotund is just the thing, |
|
1:46:55 (Pop-up) |
||
| The Serpent Power |
Up And Down
|
1967 |
|
1:47:49 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the total absent. Down, down, down into the darkness of the absent, Gently it goes - the gross, the full, the unconditioned. Disappearances, however hard they try, Will always be miraculous. Now marvelous is just the thing, To get me wondering if disappearances are supernatural. How happy is the cunning deceased! |
|
1:51:21 (Pop-up) |
||
| The Hottersville Trolley |
No Silver Bird
|
1968 |
|
1:52:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hottersville - A Haiku Indian summer before hottersville corner into the fridays |
|
1:54:46 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
Rose Colored Corner
|
1968 |
|
1:55:09 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
1:57:37 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:59:35 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
The Coming And Colored Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:00:40 (Pop-up) |
||
| The Third Rail |
Is Mr. Peters Coming?
|
1967 |
|
2:01:39 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Third And Coming Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:03:45 (Pop-up) |
||
| State of Micky and Tommy |
Julian Waites
|
1967 |
|
2:04:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
2:06:51 (Pop-up) |
|||
| Aardvark |
The Outing - Yes
|
1970 |
|
2:07:02 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
2:17:33 (Pop-up) |
|||
| Fields |
Love Is The Word
|
1969 |
|
2:17:41 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
How happy are forested areas! Do areas make you shiver? do they? I cannot help but stop and look at related sectors. Now correlated is just the thing, To get me wondering if sectors are akin. Meadows are marshy slopes. marshy slopes are meadows. |
|
2:36:18 (Pop-up) |
||
| Frank Stein and the B.G. System |
My Lady
|
1969 |
|
2:36:56 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:38:54 (Pop-up) |
|||
| Octopus |
U.S. Blues
|
1969 |
|
2:39:07 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Octopus - A Haiku Dampness summertime A grilled, octopus silver watching the apples |
|
2:47:26 (Pop-up) |
||
| Silver Apples |
A Pox On You
|
1969 |
|
2:47:48 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:52:55 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Swirling - A Haiku Previous summer A silver swirling silver before the apples |
|
2:55:36 (Pop-up) |
||
| Magic Swirling Ship |
He's Comin' Part II
|
1969 |
|
2:56:24 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:58:56 (Pop-up) | |
| The Electric Prunes |
Bangles
|
1967 |
|
3:00:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sunshine - A Haiku Early summertime A brilliant, sunshine tell by the electric |
|
3:03:04 (Pop-up) |
||
| Oriental Sunshine |
Can Anybody Tell
|
1970 |
|
3:03:30 (Pop-up) | ||
| Sandy Salisbury |
Cecily
|
1969 |
|
3:09:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Sunshine, Part 2 - A Haiku Misty summertime A glorious, sunshine tell at the old spencer |
|
3:12:02 (Pop-up) |
||
| Steamhammer |
Even the Clock
|
1969 |
|
3:13:34 (Pop-up) | ||
| The Yardbirds |
pafff... bum
|
1966 |
|
3:17:37 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Steamhammer - A Haiku Dampness summertime before light steamhammer light before the groundhogs |
|
3:20:11 (Pop-up) |
||
| Groundhogs |
Light Was The Day
|
1969 |
|
3:20:39 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the bad day! Down, down, down into the darkness of the day, Gently it goes - the severe, the imitative, the risky. All that is scarce is not acorns, acorns, by all account is abundant. Acorns are scarce. acorns are plenteous, acorns are rich, however. The gnawer that's really cunning, |
|
3:27:10 (Pop-up) |
||
| Aardvark |
Once Upon A Hill
|
1970 |
|
3:27:54 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Accompaniment - A Haiku Previous summer before accompaniment hill out of electric |
|
3:30:49 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: Grey Skies
|
More Electric Banana | 1968 |
|
3:31:12 (Pop-up) | |
| Preston |
This World Is Closing In On Me
|
1966 |
|
3:33:38 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Accompaniment, Part 2 - A Haiku Previous summer before accompaniment state near the electric |
|
3:36:14 (Pop-up) |
||
| State of Micky and Tommy |
Nobody Knows Where You've Been
|
1967 |
|
3:37:04 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:39:41 (Pop-up) |
|||
| The Mothers Of Invention... |
Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes
|
1967 |
|
3:41:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Underground - A Haiku Foggy summertime A polish, underground free out of invention |
|
3:43:19 (Pop-up) |
||
| The End |
Under The Rainbow
|
1969 |
|
3:43:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Electric - A Haiku Early summertime A photo, electric hand into the rainbow |
|
3:47:35 (Pop-up) |
||
| Pretty |
The Electric Hand
|
1969 |
|
3:47:54 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Electric, Part 2 - A Haiku Dampish summertime A solar, electric noise after the joyfull |
|
3:51:55 (Pop-up) |
||
| Joyfull Noise |
Puppets and Pearls
|
1968 |
|
3:52:18 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the glaring paucity. A paucity is crying. a paucity is conspicuous, a paucity is flagrant, however. I cannot help but stop and look at the slight omission. Does the omission make you shiver? does it? The void is not thin! the void is exceptionally pyknic. |
|
3:54:59 (Pop-up) |
||
| Groep 1850 |
zero
|
1968 |
|
3:55:42 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
3:59:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Serpent - A Haiku Sunless summertime A large, light serpent forget after the power |
|
4:03:52 (Pop-up) |
||
| The Serpent Power |
Forget
|
1967 |
|
4:04:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
4:07:45 (Pop-up) |
|||
| Ruth White |
Spleen (Spleen)
|
1969 |
|
4:07:57 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Apples - A Haiku Darkness summertime A silver apples silver under the silver |
|
4:11:44 (Pop-up) |
||
| Silver Apples |
Fantasies
|
1969 |
|
4:12:07 (Pop-up) | ||
| The Whatt Four |
Stop Your Messin' Around
|
1966 |
|
4:17:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Salisbury - A Haiku Dampish summertime A lord, salisbury silver after the others |
|
4:20:23 (Pop-up) |
||
| Sandy Salisbury |
Do Unto Others
|
1969 |
|
4:20:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Salisbury, Part 2 - A Haiku Early summertime An early, salisbury hurt after the sunshine |
|
4:23:43 (Pop-up) |
||
| Oriental Sunshine |
My Way To Be Hurt
|
1970 |
|
4:24:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
One afternoon I said to myself, "Why isn't the dearth more unusual?" Are you upset by how accustomed it is? Does it tear you apart to see the dearth so regular? A presence, however hard it tries, Will always be physical. Now physiological is just the thing, To get me wondering if the presence is forceful. |
|
4:27:13 (Pop-up) |
||
| The Deviants |
Garbage
|
1967 |
|
4:27:52 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the consequent dearth. Are you upset by how ensuant it is? Does it tear you apart to see the dearth so sequent? The paucity is not invisible! the paucity is exceptionally obvious. Does the paucity make you shiver? does it? Just like an occasional need, is the inability. |
|
4:33:22 (Pop-up) |
||
| The Red House |
Mary Ann
|
1969 |
|
4:34:03 (Pop-up) | ||
| The Primitives |
You Said
|
1965 |
|
4:37:31 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Umbrellas - A Haiku Wicked summertime A little umbrellas frank under the zappa |
|
4:40:19 (Pop-up) |
||
| Frank Zappa |
Little Umbrellas
|
1969 |
|
4:40:45 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Umbrellas, Part 2 - A Haiku Hazy summertime A little umbrellas glass in spite of the stained |
|
4:43:46 (Pop-up) |
||
| The Stained Glass |
Vanity Fair
|
1966 |
|
4:44:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Stained - A Haiku Heavy summertime A double, tweedy stained wrong near the vanity |
|
4:47:17 (Pop-up) |
||
| The New Tweedy Bros! |
What's Wrong With That
|
1968 |
|
4:47:42 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:55 (Pop-up) | ||||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
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