The Night Owl Show with Owl Sun:
Playlist
from August 29, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:27 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:53 (Pop-up) | ||||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
0:03:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Accompaniment - A Haiku Dampish summertime why accompaniment double near the reginald |
|
0:05:50 (Pop-up) |
||
| Traffic |
Coloured Rain
|
1967 |
|
0:06:35 (Pop-up) | ||
| Musique De William Sheller |
Generissimo
|
1969 |
|
0:09:09 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Hagstrom - A Haiku Heavy summertime before coloured hagstrom frank into the traffic |
|
0:10:50 (Pop-up) |
||
| Sagittarius |
I Guess The Lord Must Be In New York City
|
1969 |
|
0:13:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Sagittarius - A Haiku Smoggy summertime when sagittarius black despite the farlowe |
|
0:15:34 (Pop-up) |
||
| Chris Farlowe |
Paint It Black
|
1968 |
|
0:16:00 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The doug is not gradual! the doug is exceptionally explosive. Down, down, down into the darkness of the doug, Gently it goes - the abrupt, the explosive, the gradual. I cannot help but stop and look at the sine gordon. Does the gordon make you shiver? does it? When I think of the dave, I see an and half. |
|
0:19:28 (Pop-up) |
||
| The Bonzo Dog Doo Dah Band |
Button Up Your Overcoat
|
1966 |
|
0:20:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:23:13 (Pop-up) |
|||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
0:23:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
0:27:53 (Pop-up) |
|||
| Mile Ends |
Bottle Up And Go
|
1966 |
|
0:28:07 (Pop-up) | ||
| The Sons Of Adam |
Baby Show The World
|
1966 |
|
0:30:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the nasser tito. Does the tito make you shiver? does it? All that is liberal is not marquez, marquez, by all account is conservative. Now right is just the thing, To get me wondering if the marquez is nonprogressive. The ritchie is not large! |
|
0:32:59 (Pop-up) |
||
| Pink Floyd |
Julia Dream
|
1968 |
|
0:33:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Don't belive that thats are near? thats are far beyond belief. Never forget the farthermost and immoderate thats. How happy is the male zab! Now manful is just the thing, To get me wondering if the zab is manly. Just like a satsuma yamazaki, is the imo. Now life-size is just the thing, |
|
0:37:13 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
0:38:01 (Pop-up) | ||
| Pulse |
My Old Boy
|
1969 |
|
0:42:24 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:44:46 (Pop-up) |
|||
| The 13th Floor Elevators |
Earthquake
|
1967 |
|
0:45:02 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy are floor balconies! Do balconies make you shiver? do they? How happy are circular stairs! Are you upset by how throwaway they are? Does it tear you apart to see the stairs so annulate? Just like electric buildings, is stairways. Never forget the soft and muddled stairways. |
|
0:49:47 (Pop-up) |
||
| The Wizards from Kansas |
Flyaway Days
|
1970 |
|
0:50:25 (Pop-up) | ||
| Aphrodite's Child |
Rain And Tears
|
1968 |
|
0:54:26 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:57:32 (Pop-up) | |
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
0:59:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Fairies, however hard they try, Will always be golden. Down, down, down into the darkness of the fairies, Gently they go - the euphonous, the fortunate, the metallic. I cannot help but stop and look at corny pixies. Now platitudinous is just the thing, To get me wondering if pixies are bromidic. All that is large is not elves, |
|
1:00:28 (Pop-up) |
||
| Screamin' Jay Hawkins |
Thing Called Woman
|
1970 |
|
1:01:35 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:04:04 (Pop-up) |
|||
| William Sheller |
Adieu Kathy
|
1969 |
|
1:04:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:06:27 (Pop-up) |
|||
| The Velvet Underground & Nico |
Femme Fatale
|
1966 |
|
1:06:52 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Underground - A Haiku Indian summer A nazi, underground lime under the procol |
|
1:10:53 (Pop-up) |
||
| Procol Harum |
Lime Street Blues
|
1967 |
|
1:11:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Procol - A Haiku Sunless summertime suddenly sweet procol sight whilst watching the street |
|
1:14:15 (Pop-up) |
||
| The Bit' A Sweet |
Out Of Sight, Out Of Mind
|
1967 |
|
1:14:36 (Pop-up) | ||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
1:17:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
One afternoon I said to myself, "Why isn't the void more nice?" Does the void make you shiver? does it? I cannot help but stop and look at the resulting dearth. A dearth is resultant. a dearth is sequent, a dearth is ensuant, however. Lack is, in its way, the obvious figure of demand. |
|
1:20:02 (Pop-up) |
||
| The Ceylibe People |
Ceyladd Beyta
|
1968 |
|
1:20:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:23:13 (Pop-up) |
|||
| London Phogg |
The Times To Come
|
1969 |
|
1:23:33 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
1:26:20 (Pop-up) |
|||
| The Family |
San Francisco Waits
|
1968 |
|
1:26:33 (Pop-up) | ||
| electric banana |
Vocal Version with Accompaniment: A Thousand Ages From The Sun
|
1968 |
|
1:29:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:31:46 (Pop-up) |
|||
| The United States Of America |
The Garden Of Earthly Delights
|
1968 |
|
1:33:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Delicacies, however hard they try, Will always be untasted. Never forget the untouched and full delicacies. A delightful, however hard it tries, Will always be wise. Now prudent is just the thing, To get me wondering if the delightful is perspicacious. zany pleasures sings like licentious habits |
|
1:35:55 (Pop-up) |
||
| Los Canarios |
Trying So Hard
|
1968 |
|
1:36:44 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:39:11 (Pop-up) |
|||
| The Velvet Underground |
Here She Comes Now
|
1967 |
|
1:39:23 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at the 15th int. Does the int make you shiver? does it? I cannot help but stop and look at the clever dev. Now cunning is just the thing, To get me wondering if the dev is cagy. Just like a get system, is the addr. Now huge is just the thing, |
|
1:41:22 (Pop-up) |
||
| SRC |
Checkmate
|
1969 |
|
1:42:13 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
How happy is the other stolen! Now early is just the thing, To get me wondering if the stolen is extra. I saw the the beloved go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? I cannot help but stop and look at the wooly disappearance. |
|
1:45:55 (Pop-up) |
||
| Kim Fowley |
I'm Not Young Anymore
|
1969 |
|
1:46:31 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Beefheart - A Haiku Wicked summertime A magic beefheart captain above the captain |
|
1:50:47 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Frying Pan
|
1966 |
|
1:51:09 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Beefheart, Part 2 - A Haiku Dampness summertime A magic beefheart captain after the hendrix |
|
1:53:06 (Pop-up) |
||
| Unity |
Jimi (En Hommage A Jimi Hendrix)
|
1970 |
|
1:53:25 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
1:56:48 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
1:59:12 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Electric - A Haiku Dampness summertime A hydro, electric dance watching the hendrix |
|
2:00:27 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): Eagle's Son (Strong melodic dance music)
|
1969 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Tomorrow - A Haiku Dampness summertime A brighter, tomorrow dance on the electric |
|
2:04:19 (Pop-up) |
||
| Tomorrow |
Colonel Brown
|
1968 |
|
2:05:02 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Tomorrow, Part 2 - A Haiku Foggy summertime A good, tomorrow rapture into the rapture |
|
2:07:51 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Rapture
|
1969 |
|
2:08:12 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
whereabouts are not sealed! whereabouts are exceptionally dubious. Down, down, down into the darkness of the whereabouts, Gently they go - the flukey, the dubious, the chancy. disappearances are not familiar! disappearances are exceptionally other. Never forget the exotic and other disappearances. Don't belive that the gone is lean? |
|
2:12:10 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
The Blimp (mousetrapreplica)
|
1970 |
|
2:14:47 (Pop-up) | ||
| The Naturals |
Say Hay Ha Ha
|
1967 |
|
2:16:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Daughters - A Haiku Smoggy summertime A magic daughters captain despite the beefheart |
|
2:19:23 (Pop-up) |
||
| Daughters Of Albion |
Story Of Sad
|
1968 |
|
2:20:09 (Pop-up) | ||
| Blossom Toes |
What's If For
|
1967 |
|
2:22:55 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:25:49 (Pop-up) |
|||
| The Bethlehem Exit |
Walk Me Out
|
1966 |
|
2:25:59 (Pop-up) | ||
| The Tiffany Shade |
Would You Take My Mind Out for a Walk?
|
1968 |
|
2:28:28 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:30:42 (Pop-up) |
|||
| The Millennium |
It's You
|
1968 |
|
2:31:15 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:35:06 (Pop-up) |
|||
| Blonde on Blonde |
Jeanette Isabella
|
1969 |
|
2:35:18 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
2:39:02 (Pop-up) |
|||
| The Nice |
Azrial (angel of death)
|
1967 |
|
2:39:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
2:42:54 (Pop-up) |
|||
| Gandalf |
Nature Boy
|
1969 |
|
2:43:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I saw the the final space of my generation destroyed, How I mourned the void. Never forget the net and terminal void. Pay attention to the presence, the presence is the most physical attendance of all. Now sensual is just the thing, To get me wondering if the presence is corporeal. A dearth, however hard it tries, |
|
2:46:10 (Pop-up) |
||
| The Serpent Power |
Endless Tunnel
|
1967 |
|
2:46:49 (Pop-up) | ||
| Mad River |
Merciful Monks
|
1968 |
|
2:59:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy are political informers! Are you upset by how nonpolitical they are? Does it tear you apart to see the informers so governmental? How happy are nerve axils! Do axils make you shiver? do they? How happy are little foxtails! Are you upset by how smallish they are? |
|
3:03:27 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
|
3:04:08 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
3:06:49 (Pop-up) |
|||
| Moby Grape |
He
|
1967 |
|
3:06:59 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:10:30 (Pop-up) |
|||
| Fifty Foot Hose....... |
Cauldron
|
1968 |
|
3:10:42 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the phonological revised. Pause to submit, like the revised does. I saw the the sweet go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? How happy is the little neglected! Now minuscule is just the thing, |
|
3:15:31 (Pop-up) |
||
| Lothar and the Hand People |
Milkweed Love
|
1968 |
|
3:17:08 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:20:03 (Pop-up) |
|||
| The Raves |
Don't Chop Down My Tree
|
1967 |
|
3:20:18 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the last been. Never forget the final and first been. How happy are commendatory prefaces! Do prefaces make you shiver? do they? Just like an unintentional fact, is the omission. Never forget the knavish and dodgy omission. Refresh until you're happy with your poem. |
|
3:22:49 (Pop-up) |
||
| Aorta |
Sleep Tight
|
1969 |
|
3:23:32 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Glitterhouse - A Haiku Indian summer A vocal glitterhouse love the generation |
|
3:28:15 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
3:28:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Glitterhouse, Part 2 - A Haiku Darkness summertime A vocal glitterhouse love the generation |
|
3:32:16 (Pop-up) |
||
| The Roosters |
One Of These Days
|
1966 |
|
3:32:42 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
3:35:24 (Pop-up) |
|||
| dave grusin |
Ascension To Virginity
|
1968 |
|
3:35:34 (Pop-up) | ||
| The Byrds |
Artificial Energy
|
The Notorious Byrd Brothers |
|
3:40:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Yardbirds - A Haiku Previous summer A drinking yardbirds water a virginity |
|
3:43:50 (Pop-up) |
||
| The Yardbirds |
Drinking Muddy Water
|
1967 |
|
3:44:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Yardbirds, Part 2 - A Haiku Turbid summertime A drinking yardbirds woman watching the drinking |
|
3:47:19 (Pop-up) |
||
| The Rising Sons |
Devil's Got My Woman
|
1966 |
|
3:47:45 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Rising - A Haiku Early summertime A rising rising woman beyond the devils |
|
3:50:46 (Pop-up) |
||
| Blue Cheer |
Feathers From Your Tree
|
1968 |
|
3:51:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Dimension - A Haiku Previous summer A social, blue dimension into the thousand |
|
3:54:46 (Pop-up) |
||
| Electrified People |
One Thousand Dimension In Blue
|
1971 |
|
3:55:23 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
3:58:02 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Going And Weird Salesman Whose salesman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her salesman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:04:14 (Pop-up) |
||
| Alice Cooper |
Shoe Salesman
|
1970 |
|
4:05:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I saw the the temporary scarceness of my generation destroyed, How I mourned the dearth. Now evanescent is just the thing, To get me wondering if the dearth is interim. I cannot help but stop and look at the characteristic paucity. Now uncharacteristic of is just the thing, To get me wondering if the paucity is uncharacteristic. Pay attention to the absent, |
|
4:07:30 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: You Can't Ever Come Down
|
1969 |
|
4:08:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Sagittarius - A Haiku Indian summer when sagittarius still a subsylvian |
|
4:11:48 (Pop-up) |
||
| Sagittarius |
I Still Can See Your Face
|
1969 |
|
4:12:17 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Sagittarius, Part 2 - A Haiku Early summertime why sagittarius still because of the still |
|
4:15:10 (Pop-up) |
||
| The Open Mind |
Girl I'm So Alone
|
1969 |
|
4:15:49 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Entracte - A Haiku Dampen summertime An open entracte mind into the dancer |
|
4:19:05 (Pop-up) |
||
| Ars Nova |
And How Am I To Know Entracte: Dancer
|
4:19:27 (Pop-up) | ||||
| Tim Buckley |
No Man Can Find The War
|
1967 |
|
4:24:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
4:27:29 (Pop-up) |
|||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
4:28:08 (Pop-up) | ||
| The Sons Of Adam |
Baby Show The World
|
1966 |
|
4:32:34 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are available kits! Kits are purchasable. kits are procurable, kits are unavailable, however. All that is cauline is not pyrolysis, pyrolysis, by all account is radical. Now basal is just the thing, To get me wondering if pyrolysis are cauline. Pay attention to the mechanics, |
|
4:35:16 (Pop-up) |
||
| Bonzo Dog Band |
Quiet Talks And Summer Walks
|
1969 |
|
4:36:05 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
All that is unpeaceful is not parleys, parleys, by all account is peaceful. Do parleys make you shiver? do they? The deal is not cooked! the deal is exceptionally cutting. Never forget the unfair and cutting deal. cunning negotiators sings like foreign crisis |
|
4:39:27 (Pop-up) |
||
| Kevin Ayers |
Town Feeling
|
1969 |
|
4:41:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Feeling - A Haiku Misty summertime A strange, feeling feeling ace before the ayers |
|
4:45:47 (Pop-up) |
||
| Ace of Cups |
Glue
|
2004 |
|
4:46:16 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:51 (Pop-up) | ||||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
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