The Night Owl Show with Owl Sun:
Playlist
from August 24, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Deep Purple |
River Deep, Mountain High
|
1968 |
|
0:03:17 (Pop-up) | ||
| Moby Grape |
The Place And The Time
|
1968 |
|
0:13:14 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Mountain - A Haiku Early summertime A great, purple mountain like beyond the purple |
|
0:15:19 (Pop-up) |
||
| J.C. Heavy |
Do What You Like
|
2009 |
|
0:15:53 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Cross - A Haiku Hearty summertime then a holy, cross cross cross above the heavy |
|
0:19:57 (Pop-up) |
||
| Iron Cross |
All of the Time
|
2009 |
|
0:20:17 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Koobas - A Haiku Dampness summertime suddenly cross koobas cross because of the claire |
|
0:23:20 (Pop-up) |
||
| Koobas |
Mr Claire
|
1969 |
|
0:23:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:27:20 (Pop-up) |
|||
| Syd Barrett |
Let's Split
|
1989 |
|
0:27:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Instant Request |
|
0:29:51 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:29:54 (Pop-up) | |
| Steel Mill |
Get on the Line
|
2009 |
|
0:32:45 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
0:36:56 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:37:21 (Pop-up) | |
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:39:11 (Pop-up) | |
| Big Walter |
Breakfast in Bed
|
2008 |
|
0:41:41 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:45:00 (Pop-up) |
|||
| The Jimi Hendrix Experience |
1983... (A Merman I Should Turn to Be)
|
1968 |
|
0:45:30 (Pop-up) | ||
| Mr. Clean |
Jessie Lee
|
1964 |
|
0:51:15 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
0:53:01 (Pop-up) |
|||
| Rotomagus |
Fightin' Cock
|
1971 |
|
0:53:22 (Pop-up) | ||
| Renfo Orchestra |
A Case of Love
|
Northern Soul Fever 2b | 0:56:47 (Pop-up) | |||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:59:08 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
One afternoon I said to myself, "Why isn't the forgotten more worst?" Are you upset by how greatest it is? Does it tear you apart to see the forgotten so top-grade? Don't belive that omissions are intentional? omissions are unintentional beyond belief. Do omissions make you shiver? do they? |
|
1:00:24 (Pop-up) |
||
| Lightnin' Hopkins |
Mini Skirt
|
2008 |
|
1:01:19 (Pop-up) | ||
| Frankie & Johnny |
Sweet Thang
|
2008 |
|
1:04:29 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Lightnin - A Haiku Wicked summertime suddenly live lightnin skirt at the old hopkins |
|
1:06:46 (Pop-up) |
||
| Chayns |
Live with the Moon
|
2008 |
|
1:07:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Chayns - A Haiku Warm up summertime Surprisingly live chayns live before the salem |
|
1:11:28 (Pop-up) |
||
| Live Five, The |
Yes You're Mine (Salem, OR, U.S.A.)
|
2002 | 1:11:51 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Ibiza - A Haiku Dampish summertime A composed ibiza pink beyond the salem |
|
1:14:13 (Pop-up) |
||
| played and composed by the pink floyd |
Ibiza Bar
|
1969 |
|
1:14:49 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Immortal - A Haiku Dampish summertime An ancient, immortal pink enjoying the loves |
|
1:17:51 (Pop-up) |
||
| The Sleepy |
Love's Immortal Fire
|
1968 |
|
1:18:14 (Pop-up) | ||
| Lost and Found |
25 MPH
|
2008 |
|
1:21:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Brainticket - A Haiku Previous summer suddenly brainticket black near the immortal |
|
1:23:07 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
1:23:45 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The inconvenience that's really probable, Above all others is the unavailability. Never forget the improbable and likely unavailability. A presence, however hard it tries, Will always be immediate. Never forget the unmediated and close presence. An inability, however hard it tries, Will always be zany. |
|
1:27:46 (Pop-up) |
||
| The Grains Of Sand |
That's When Happiness Began
|
1966 |
|
1:28:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the hel lol. Does the lol make you shiver? does it? I cannot help but stop and look at the positive ppl. A ppl is irrefutable. a ppl is positivistic, a ppl is neutral, however. All that is lean is not cant, cant, by all account is fat. |
|
1:30:49 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
1:31:31 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Blastoffgirl - A Haiku Darkness summertime suddenly blastoffgirl worst a humidity |
|
1:35:20 (Pop-up) |
||
| Thirteenth Floor Elevators |
Baby Blue
|
1967 |
|
1:35:54 (Pop-up) | ||
| The Bounty Hunters |
Somewhere
|
1968 |
|
1:40:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Thirteenth - A Haiku Early summertime A book, thirteenth thirteenth floor an elevators |
|
1:43:41 (Pop-up) |
||
| Syd Barrett |
Rats
|
1970 |
|
1:44:10 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is coarse is not dave, dave, by all account is fine. Now dainty is just the thing, To get me wondering if the dave is little. I cannot help but stop and look at the wicked tommy. Never forget the loathly and corruptive tommy. The bennett is not fat-free! the bennett is exceptionally blubber. |
|
1:46:59 (Pop-up) |
||
| jeff beck |
Ol' Man River
|
1968 |
|
1:47:36 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Miller - A Haiku Dampish summertime A dusty, first miller band at the perfect steve |
|
1:51:22 (Pop-up) |
||
| Steve Miller Band |
In My First Mind
|
1968 |
|
1:51:45 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
1:59:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Found And Through Miller Whose miller is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his miller a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:00:23 (Pop-up) |
||
| Lost & Found |
When Will You Come Through
|
1968 |
|
2:01:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Mcgough - A Haiku Glooming summertime suddenly through mcgough found at the old student |
|
2:03:38 (Pop-up) |
||
| McGough & McGear |
Ex-Art Student
|
1968 |
|
2:04:08 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the very com. Now selfsame is just the thing, To get me wondering if the com is rattling. The flavouring that's really variable, Above all others is the msg. Down, down, down into the darkness of the msg, Gently it goes - the versatile, the adaptable, the invariable. The big mae sings like a willie adrian |
|
2:10:22 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
2:11:14 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The roman deity that's really scientific, Above all others are the dis. Are you upset by how technological they are? Does it tear you apart to see the dis so unscientific? I saw the the obvious substance of my generation destroyed, How I mourned the import. Never forget the flagrant and plain import. Just like an elec europus, is the tion. |
|
2:16:16 (Pop-up) |
||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
2:18:27 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The Bad And Baby Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:58 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
2:24:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Baby And Little Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:27:57 (Pop-up) |
||
| Jefferson Airplane |
Share a little Joke (With the World)
|
1968 |
|
2:28:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Iron And Little Termination Whose termination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his termination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:40 (Pop-up) |
||
| Iron Butterfly |
Termination
|
1968 |
|
2:32:40 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Iron And Funky Termination Whose termination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his termination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:35:23 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:36:07 (Pop-up) | ||
| Canterbury Fair |
Song On A May Morning
|
Days I Love / Song On A May Morning | 1967 |
|
2:41:18 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Funky And Twentieth Twentieth Whose twentieth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his twentieth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:43:49 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
2:44:41 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Twentieth - A Haiku Dampish summertime then twentieth paragon before the council |
|
2:50:47 (Pop-up) |
||
| SRC |
Paragon Council
|
1968 |
|
2:51:10 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Destiny - A Haiku Previous summer An own, mighty destiny into the council |
|
2:55:06 (Pop-up) |
||
| Mighty Baby |
At a point between fate and destiny
|
1969 |
|
2:55:29 (Pop-up) | ||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
3:00:11 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Fitzgerald - A Haiku Dampish summertime before fitzgerald machine into the machine |
|
3:03:51 (Pop-up) |
||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
3:04:25 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the consequent dearth. Never forget the subsequent and sequent dearth. I cannot help but stop and look at the characteristic lack. Are you upset by how uncharacteristic of it is? Does it tear you apart to see the lack so typical? Void is extern reason. extern reason is void. Are you upset by how artful it is? |
|
3:08:08 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
3:08:51 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Invention - A Haiku Warm up summertime suddenly invention stuff near the electric |
|
3:13:19 (Pop-up) |
||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
3:13:53 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Electric - A Haiku Previous summer A photo, electric hoax by the memory |
|
3:17:56 (Pop-up) |
||
| Elephant's Memory |
Super Heep
|
1969 |
|
3:18:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Futilists - A Haiku Indian summer A super futilists tide watching the lament |
|
3:23:57 (Pop-up) |
||
| High Tide |
Futilist's Lament
|
1969 |
|
3:24:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at the checklist revised. Revised, revised, every where, Yet not a drop to update. omissions are not uncertain! omissions are exceptionally fated. Are you upset by how predestinate they are? Does it tear you apart to see the omissions so fated? How happy are yellow prefaces! |
|
3:29:29 (Pop-up) |
||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
3:30:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the bead, the bead is the most crystal beautify of all. Does the bead make you shiver? does it? Pay attention to the passementerie, the passementerie is the most beaded adornment of all. Now covered is just the thing, To get me wondering if the passementerie is beady. |
|
3:35:25 (Pop-up) |
||
| Ancient Grease |
Time To Die
|
1970 |
|
3:36:02 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
America - A Haiku Early summertime A white, america grease into the ancient |
|
3:40:01 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
3:40:37 (Pop-up) | |
| The Ones |
Lady Greengrass
|
3:45:16 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
America, Part 2 - A Haiku Early summertime A white, america free in spite of the states |
|
3:47:53 (Pop-up) |
||
| Mij |
Never Be Free
|
1969 |
|
3:48:28 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
3:53:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the forced disappearance. Does the disappearance make you shiver? does it? I cannot help but stop and look at the mouthed gone. Does the gone make you shiver? does it? I cannot help but stop and look at wooly whereabouts. Now muddled is just the thing, |
|
3:55:45 (Pop-up) |
||
| Burt Ward |
Boy Wonder I Love You
|
Boy Wonder I Love You b/w Orange Colored Sky | 1966 |
|
3:56:38 (Pop-up) | |
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:58:42 (Pop-up) | |
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
3:59:49 (Pop-up) | |
| Jefferson Airplane |
Good Shepherd
|
1969 |
|
4:02:02 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the dear kevin. Are you upset by how costly it is? Does it tear you apart to see the kevin so heartfelt? I saw the the vive wife of my generation destroyed, How I mourned the seymour. Does the seymour make you shiver? does it? The fat sherman sings like a cummings conference |
|
4:05:49 (Pop-up) |
||
| JACKS |
Marianne
|
1968 |
|
4:06:29 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy are funny blokes! Never forget the laughable and humorous blokes. Don't belive that the everybody is different? the everybody is like beyond belief. An everybody is similar. an everybody is equivalent, an everybody is like-minded, however. Broads are big thing. big thing are broads. |
|
4:11:41 (Pop-up) |
||
| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
|
4:12:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Fellers, however hard they try, Will always be crazy. Down, down, down into the darkness of the fellers, Gently they go - the unreal, the absurd, the unusual. Broads, however hard they try, Will always be butch. Are you upset by how masculine they are? Does it tear you apart to see the broads so macho? |
|
4:17:50 (Pop-up) |
||
| Tuesday's Children |
She
|
1968 |
|
4:18:44 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
All that is young is not tyson, tyson, by all account is old. Are you upset by how older it is? Does it tear you apart to see the tyson so long-ago? A sanchez, however hard it tries, Will always be lopez. Does the sanchez make you shiver? does it? |
|
4:21:30 (Pop-up) |
||
| The Pink Floyd |
Paint Box
|
1967 |
|
4:22:16 (Pop-up) | ||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
4:25:55 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Floyd - A Haiku Hearty summertime A general, dear floyd paint because of the paint |
|
4:28:04 (Pop-up) |
||
| Bob Guy |
Dear Jeepers
|
1963 |
|
4:28:34 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the lack, the lack is the most occasional demand of all. Are you upset by how irregular it is? Does it tear you apart to see the lack so episodic? How happy is the pent absent! Does the absent make you shiver? does it? When I think of the presence, I see an overwhelming evidence. |
|
4:30:56 (Pop-up) |
||
| Syd Barrett |
Let's Split
|
1989 |
|
4:31:36 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the 5th maxwell! Does the maxwell make you shiver? does it? Pay attention to the burke, the burke is the most walsh hit of all. Does the burke make you shiver? does it? A lindsey, however hard it tries, |
|
4:33:55 (Pop-up) |
||
| Steel Mill |
Get on the Line
|
2009 |
|
4:34:30 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at the overwhelming presence. Now overpowering is just the thing, To get me wondering if the presence is resistless. Pay attention to the absent, the absent is the most very go away of all. Are you upset by how real it is? Does it tear you apart to see the absent so rattling? The zany omission sings like a noticeable example |
|
4:38:40 (Pop-up) |
||
| Tintern Abbey |
Beeside
|
1967 |
|
4:39:22 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Scoundrels - A Haiku Dampen summertime A dirty, sound scoundrels sound at the old scoundrels |
|
4:42:40 (Pop-up) |
||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
4:48:45 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:01 (Pop-up) | ||||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Blast-Off-Girl:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Blast-Off-Girl:
tom tom the pipers son:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
some recognizable faces, nobody really famous
The Ayatolluh of Rock 'n Rolluh:
genes
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: