View Devon E. Levins's profile |
Soundtrack music from the first silent forward. If it was written for the moving image, we'll play it. Library music included; popcorn optional.
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Artist | Track | Album | Label | Images | Approx. start time |
---|---|---|---|---|---|
Piero Piccioni | Funky Lovers | Camille 2000 | Easy Tempo | ||
Michel Legrand | 14 Juillet 70 | La Dame Dans L' Auto | Disques Vogue | 0:02:51 (Pop-up) | |
Nora Orlandi | Blade of the Ripper Seq. 10 | Lo Strano Vizio Della Signora Wardh | Quartet | 0:02:35 (Pop-up) | |
Bruno Nicolai | Rendezvous | Rendezvous | Gemelli | 0:06:03 (Pop-up) | |
Piero Umiliani | Free Dimension | To-Day's Sound | Liuto | 0:07:57 (Pop-up) | |
Music behind DJ: Ennio Morricone |
Summer Solitude |
Gioco Senza Fine |
Virgin |
0:16:14 (Pop-up) |
|
Grant Green | Down Here On The Ground | Alive! | Blue Note | 0:16:28 (Pop-up) | |
Galt MacDermot | Bedroom | The Nucleus | Kilmarnock | 0:22:35 (Pop-up) | |
Music behind DJ: Lalo Schfrin |
Summer Dance |
Invocations: Jazz Meets the Symphony # 7 |
Aleph |
0:26:28 (Pop-up) |
|
David Axelrod | Ken Russell | Seriously Deep | Polydor | 0:32:04 (Pop-up) | |
Lalo Schifrin/Ron Jones | The Pawn: Contained | Mission Impossible - Music From The 1988 Television Series | La-La Land Records | 0:38:06 (Pop-up) | |
Harold Faltermeyer | Shoot Out | Beverly Hills Cop | La-La Land | 0:39:36 (Pop-up) | |
John Scott | Inseminoid | Inseminoid | Citadel | 0:41:20 (Pop-up) | |
Music behind DJ: Tangerine Dream |
Summer Storm |
Oasis |
TDI Records |
0:44:47 (Pop-up) |
|
Robert Wyatt | Solar Flares | Ruth Is Stranger Than Richard | Virgin | 0:51:05 (Pop-up) | |
Pilotpriest | Repetition | Flashback | First Score Music | 0:56:44 (Pop-up) |
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Listener comments!
ultradamno:
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Little Danny:
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Little Danny:
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Revolution Rabbit Nov63:
Devon E. Levins:
Vince from Pearl:
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WR:
Two years earlier Wyatt had provided the hypnotic soundtrack to the experimental film Solar Flares by Arthur Johns. The nine-minute film, "a personal essay on colour effects", had been produced by Nick Mason and recorded at his home studio. Wyatt had been involved at an early stage and his music became an integral part of the project. The music itself would reappear on his 1975 album "in a more 'digestible' form".
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