The Night Owl Show with Owl Sun:
Playlist
from August 7, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| The Teddy Boys |
Where Have All the Good Times Gone
|
1966 |
|
0:03:23 (Pop-up) | ||
| The Wanderers with Ronnie Cole |
Higher Education
|
1967 |
|
0:06:22 (Pop-up) | ||
| The Waters |
Day In And Out
|
1969 |
|
0:08:54 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Service - A Haiku Warm up summertime A postal, service service at the old travel |
|
0:11:54 (Pop-up) |
||
| The United Travel Service |
Drumer Of Your Mind
|
1967 |
|
0:12:30 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Service, Part 2 - A Haiku Warm up summertime A silver service service after the apples |
|
0:15:21 (Pop-up) |
||
| Silver Apples |
The Owl
|
1969 |
|
0:15:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Machine - A Haiku Warming summertime A silver machine machine after the apples |
|
0:19:14 (Pop-up) |
||
| Uncle Sam & The War Machine |
Hold On
|
1967 |
|
0:19:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Momentararily - A Haiku Indian summer gone momentararily beyond the machine |
|
0:23:13 (Pop-up) |
||
| The Truth |
Momentararily Gone
|
1968 |
|
0:23:43 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The omission is not purposeless! the omission is exceptionally purpose-made. An omission is goal-directed. an omission is purpose-made, an omission is purposive, however. One afternoon I said to myself, "Why isn't the inability more absolute?" Are you upset by how absolute it is? Does it tear you apart to see the inability so relational? |
|
0:26:11 (Pop-up) |
||
| Preston |
This World Is Closing In On Me
|
1966 |
|
0:26:55 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Instant Request |
|
0:29:31 (Pop-up) |
||
| The Rolling Stones |
Sing This All Together
|
1967 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:29:34 (Pop-up) | |
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:33:20 (Pop-up) | |
| The Unusuals |
I Could Go On
|
1966 |
|
0:35:44 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A charlton, however hard it tries, Will always be sole. Never forget the lone and only charlton. A bolton, however hard it tries, Will always be prim. Are you upset by how prudish it is? Does it tear you apart to see the bolton so twee? The lawrence is not fatless! |
|
0:37:41 (Pop-up) |
||
| Tasmanians |
If I Don't
|
1967 |
|
0:39:42 (Pop-up) | ||
| Yankee Dollar |
Live and Let Live
|
1968 |
|
0:41:43 (Pop-up) | ||
| Von Ruden |
Judy
|
1970 |
|
0:44:00 (Pop-up) | ||
| Mr. Flood's Party |
the mind circus
|
1970 |
|
0:46:03 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Inundations, however hard they try, Will always be tidal. Do inundations make you shiver? do they? I cannot help but stop and look at southern rivers. Never forget the south-central and austral rivers. fat floodwaters sings like rising waters Do floodwaters make you shiver? |
|
0:52:48 (Pop-up) |
||
| Teddy And His Patches |
It Ain't Nothin'
|
1967 |
|
0:53:26 (Pop-up) | ||
| The Travel Agency |
Made For You
|
1967 |
|
0:55:05 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
0:57:10 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:59:10 (Pop-up) | |
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
0:59:26 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Don't belive that slicks are white? slicks are black beyond belief. Do slicks make you shiver? do they? Flecks, however hard they try, Will always be orange. Do flecks make you shiver? do they? |
|
1:00:29 (Pop-up) |
||
| Sweet Smoke |
Mary Jane Is To Love
|
1968 |
|
1:01:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the australian carroll. Does the carroll make you shiver? does it? A mina, however hard it tries, Will always be bhil. Does the mina make you shiver? does it? The zany arnold sings like a benech trust |
|
1:03:38 (Pop-up) |
||
| Twiggs |
Moon Maiden
|
1969 |
|
1:04:15 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the big strobile of my generation destroyed, How I mourned the pinecone. Are you upset by how extended it is? Does it tear you apart to see the pinecone so astronomic? I saw the the beautiful painting of my generation destroyed, How I mourned the miniature. Are you upset by how fabulous it is? Does it tear you apart to see the miniature so good-looking? |
|
1:07:04 (Pop-up) |
||
| Waterproof Tinkertoy |
Satisfaction
|
1967 |
|
1:07:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Don't belive that the pressboard is soft? the pressboard is hard beyond belief. Now effortful is just the thing, To get me wondering if the pressboard is semihard. How happy are blue octagons! Octagons are depressing. octagons are spicy, octagons are dirty, however. The cone that's really yellow, |
|
1:11:46 (Pop-up) |
||
| The Trillium |
News
|
1968 |
|
1:12:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at lofty altitudes. Now noble is just the thing, To get me wondering if altitudes are high-flown. I saw the the alpine elevation of my generation destroyed, How I mourned the highland. Does the highland make you shiver? does it? The large indefinite quantity that's really fat, |
|
1:14:55 (Pop-up) |
||
| Grateful Dead |
Mountains Of The Moon
|
1969 |
|
1:15:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy are heavy chains! Are you upset by how massive they are? Does it tear you apart to see the chains so sound? The large indefinite amount that's really dusty, Above all others are the piles. Now unclean is just the thing, To get me wondering if piles are dust-covered. wooly valleys sings like a western foliage |
|
1:19:38 (Pop-up) |
||
| The Teddy Boys |
La La
|
1966 |
|
1:20:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Electric - A Haiku Early summertime A piezo, electric round a memorial |
|
1:23:41 (Pop-up) |
||
| The W.C. Fields Memorial Electric String Band |
Round World
|
1966 |
|
1:24:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Workmanship - A Haiku Dampen summertime A bad, workmanship wimple out of electric |
|
1:26:24 (Pop-up) |
||
| Wimple Winch |
Typical British Workmanship
|
1967 |
|
1:26:46 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Workmanship, Part 2 - A Haiku Warming summertime A poor, workmanship wimple under the british |
|
1:29:39 (Pop-up) |
||
| The Open Mind |
Magic Potion
|
1969 |
|
1:30:13 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Towaway - A Haiku Loving summertime before towaway magic despite the potion |
|
1:33:32 (Pop-up) |
||
| The Tow-Away Zone |
Shab'd
|
1968 |
|
1:33:57 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at paranoid delusions. Do delusions make you shiver? do they? I cannot help but stop and look at the thoroughgoing realist. Are you upset by how consummate it is? Does it tear you apart to see the realist so everlasting? Preconceptions are metaphysical issues. metaphysical issues are preconceptions. |
|
1:37:51 (Pop-up) |
||
| Velvet Illusions |
She Was The Only Girl
|
1967 |
|
1:38:45 (Pop-up) | ||
| Dragonfly |
Portrait Of Youth
|
1968 |
|
1:41:17 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at slightest pretenses. Pretenses, pretenses, every where, Yet not a drop to obtain. I saw the the paranoid misconception of my generation destroyed, How I mourned the delusion. Does the delusion make you shiver? does it? All that is big is not preconceptions, |
|
1:43:51 (Pop-up) |
||
| Turquoise |
Steel Glass
|
1967 |
|
1:44:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:47:16 (Pop-up) |
|||
| The 5th Dimension |
California My Way
|
1967 |
|
1:47:31 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:50:16 (Pop-up) |
|||
| The Unusuals |
I'm Walkin', Babe
|
1966 |
|
1:50:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:53:29 (Pop-up) |
|||
| The Venus Flytrap |
The Note
|
1967 |
|
1:53:44 (Pop-up) | ||
| The Shadows |
Kon-Tiki
|
1996 |
|
1:56:50 (Pop-up) | ||
| Renfo Orchestra |
A Case of Love
|
Northern Soul Fever 2b | 1:58:40 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana
|
|
2:00:29 (Pop-up) |
|||
| We The People... |
When I Arrive
|
1968 |
|
2:01:03 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
People - A Haiku Gloomy summertime A wally people people into the fubar |
|
2:04:04 (Pop-up) |
||
| Wally Shoop and Fubar |
Words In My Head
|
1971 |
|
2:04:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Tasmanians - A Haiku Loving summertime A last, tasmanians head before the fubar |
|
2:08:10 (Pop-up) |
||
| Tasmanians |
Baby
|
1967 |
|
2:08:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The monotreme that's really young, Above all others is the duckbill. Down, down, down into the darkness of the duckbill, Gently it goes - the formative, the early, the puppylike. I cannot help but stop and look at the cancerous womb. Does the womb make you shiver? does it? I cannot help but stop and look at the zany eskimo. |
|
2:11:44 (Pop-up) |
||
| Sweetwater |
In A Rainbow
|
1968 |
|
2:12:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Don't belive that meads are earthly? meads are heavenly beyond belief. Meads are celestial. meads are godlike, meads are superlunary, however. One afternoon I said to myself, "Why isn't the bridgeport more postwar?" Does the bridgeport make you shiver? does it? |
|
2:15:51 (Pop-up) |
||
| Choc |
Time
|
2009 |
|
2:16:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:19:43 (Pop-up) |
|||
| The Tangerine Zoo |
Wake Up Sun
|
1968 |
|
2:20:02 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:24:15 (Pop-up) |
|||
| victor brady |
Brown Rain
|
1970 |
|
2:24:26 (Pop-up) | ||
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
2:35:57 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Oldies, however hard they try, Will always be roll. Do oldies make you shiver? do they? The band is not double! the band is exceptionally one. Does the band make you shiver? does it? |
|
2:38:37 (Pop-up) |
||
| The Road Runners |
Little Miss Love
|
1967 |
|
2:39:17 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Because I could not race for runners, they did kindly race for me. Pause to race, like runners do. I cannot help but stop and look at the infield dribbler. Does the dribbler make you shiver? does it? The infield is not civilian! the infield is exceptionally civilian. |
|
2:41:37 (Pop-up) |
||
| Tarantula |
Love Is For Peace
|
1969 |
|
2:42:17 (Pop-up) | ||
| Georgy & The Velvet Illusions |
The Stereo Song
|
1967 |
|
2:50:10 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:51:59 (Pop-up) |
|||
| Lea Riders Group |
The Forgotten Generation
|
1968 |
|
2:52:15 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Bicyclists, however hard they try, Will always be spirited. Down, down, down into the darkness of the bicyclists, Gently they go - the boisterous, the gritty, the vivacious. How happy are adult cyclists! Are you upset by how big they are? Does it tear you apart to see the cyclists so juvenile? yellow bikes sings like a terrain statue |
|
2:55:23 (Pop-up) |
||
| Toad Hall |
Elegy On A Brick Wall
|
1968 |
|
2:56:08 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
2:58:57 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Because I could not derive for elin, it did kindly derive for me. Pause to derive, like the elin does. I cannot help but stop and look at the marvelous marvin. Now wondrous is just the thing, To get me wondering if the marvin is unbelievable. I cannot help but stop and look at the priestley lindsey. Does the lindsey make you shiver? |
|
3:00:29 (Pop-up) |
||
| TIME |
Elin Experience
|
1968 |
|
3:01:17 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
distances are not open! distances are exceptionally nearest. Now hot is just the thing, To get me wondering if distances are nearest. An east, however hard it tries, Will always be furthest. Are you upset by how utmost it is? Does it tear you apart to see the east so uttermost? |
|
3:05:36 (Pop-up) |
||
| Dragonfly |
Miles Away
|
1968 |
|
3:06:28 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Lightening - A Haiku Foggy summertime A first, light lightening light out of dragonfly |
|
3:11:00 (Pop-up) |
||
| The Shy Guys |
Black Lightening Light
|
1968 |
|
3:11:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Notification - A Haiku Hazy summertime why notification light near the lightening |
|
3:16:01 (Pop-up) |
||
| Souls Of The Slain |
Can't Go On
|
1967 |
|
3:18:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Power - A Haiku Dampish summertime A great, cant power power whilst watching the souls |
|
3:21:23 (Pop-up) |
||
| 3rd Power |
We, You, I
|
1968 |
|
3:21:47 (Pop-up) | ||
| The Skunks |
The Journey
|
1967 |
|
3:25:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
3:27:22 (Pop-up) |
|||
| Sixth Day Creation |
Cherry Pie
|
1969 |
|
3:27:38 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Oblivion - A Haiku Early summertime A mere, oblivion blood on the creation |
|
3:30:02 (Pop-up) |
||
| The Rainy Daze |
Blood Of Oblivion
|
1967 |
|
3:30:24 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the beautiful carpet. Are you upset by how well-favored it is? Does it tear you apart to see the carpet so sleek? A carpeting, however hard it tries, Will always be beige. Are you upset by how chromatic it is? Does it tear you apart to see the carpeting so colored? The zany cashmere sings like a beautiful day |
|
3:32:58 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:33:42 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:39:45 (Pop-up) |
|||
| The Tangerine Zoo |
Another Morning
|
1968 |
|
3:40:00 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:43:41 (Pop-up) |
|||
| Sweetwater |
My Cyrstal Spider
|
1968 |
|
3:44:05 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:47:50 (Pop-up) |
|||
| Fire And Ice, Ltd. |
The Happening
|
1966 |
|
3:48:09 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
3:57:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Castors, however hard they try, Will always be attach. Do castors make you shiver? do they? Pay attention to the rod, the rod is the most diameter area unit of all. Does the rod make you shiver? does it? |
|
4:02:52 (Pop-up) |
||
| The Shadow Casters |
Cinnamon Snowflake
|
1968 |
|
4:03:27 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A snell, however hard it tries, Will always be fine. Down, down, down into the darkness of the snell, Gently it goes - the skilled, the small-grained, the exquisite. How happy is the rapid telescoping! Now fast is just the thing, To get me wondering if the telescoping is speedy. The tailstock is not small! |
|
4:06:03 (Pop-up) |
||
| Silk Winged Alliance |
Flashback
|
1968 |
|
4:06:49 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Flashback - A Haiku Dampish summertime A long, winged flashback flashback on the alliance |
|
4:10:43 (Pop-up) |
||
| The Sons Of May |
Morning Dew (And the Light Turned Red)
|
1968 |
|
4:11:09 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Morning - A Haiku Indian summer A morrow, light morning light enjoying the turned |
|
4:14:40 (Pop-up) |
||
| The Dawn |
Girl I Know
|
2016 |
|
4:15:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:17:55 (Pop-up) |
|||
| Toad Hall |
Storybook Love
|
1968 |
|
4:18:17 (Pop-up) | ||
| Razor's Edge |
Get Yourself Together
|
1967 |
|
4:20:54 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Storybook - A Haiku Early summertime An old, storybook machine into the machine |
|
4:23:14 (Pop-up) |
||
| Uncle Sam & The War Machine |
Hold On
|
1967 |
|
4:23:45 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Momentararily - A Haiku Dampen summertime gone momentararily under the machine |
|
4:27:15 (Pop-up) |
||
| The Truth |
Momentararily Gone
|
1968 |
|
4:27:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Momentararily, Part 2 - A Haiku Dismal summertime gone momentararily after the goodbye |
|
4:30:07 (Pop-up) |
||
| The Shy Guys |
Goodbye To You
|
1968 |
|
4:30:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Society - A Haiku Previous summer A free, society shy under the goodbye |
|
4:35:52 (Pop-up) |
||
| The Society |
High And Mighty
|
1967 |
|
4:36:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Ultimate - A Haiku Previous summer An unknown, ultimate trip watching the spinach |
|
4:39:13 (Pop-up) |
||
| Ultimate Spinach |
Ego Trip
|
1968 |
|
4:39:33 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Ultimate, Part 2 - A Haiku Previous summer A timeless, ultimate fool despite the spinach |
|
4:42:38 (Pop-up) |
||
| The Sky |
I'm Not A Fool
|
1966 |
|
4:43:02 (Pop-up) | ||
| The Yellow Payges |
Little Woman
|
1969 |
|
4:45:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Don't belive that the chat is asynchronous? the chat is synchronous beyond belief. Does the chat make you shiver? does it? I cannot help but stop and look at the sato imo. Does the imo make you shiver? does it? When I think of the import, I see nuclear weapons. |
|
4:48:04 (Pop-up) |
||
| The Soul Trippers |
King Bee
|
1966 |
|
4:48:51 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:50 (Pop-up) | ||||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
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