The Night Owl Show with Owl Sun:
Playlist
from July 22, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| Syd Barrett |
Wined and Dined
|
1989 |
|
0:03:25 (Pop-up) | ||
| Pink Floyd |
Jugband Blues
|
1968 |
|
0:06:23 (Pop-up) | ||
| Lost & Found |
There Would Be No Doubt
|
1967 |
|
0:09:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the filmer bennett. Does the bennett make you shiver? does it? A harvey, however hard it tries, Will always be martin. Does the harvey make you shiver? does it? Just like a poor question, is the gallagher. |
|
0:12:15 (Pop-up) |
||
| Montage |
Wake Up Jimmy (Something Is Happening Outside)
|
1969 |
|
0:13:11 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Happening - A Haiku Previous summer A real, happening thunder despite the thunder |
|
0:16:06 (Pop-up) |
||
| Thunder And Roses |
King Of The Black Sunrise
|
1969 |
|
0:16:43 (Pop-up) | ||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
0:20:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Gantrys - A Haiku Previous summer before quick gantrys thunder watching the thunder |
|
0:23:11 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
a quick "b"
|
1969 |
|
0:23:40 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
A dutton, however hard it tries, Will always be mishell. Does the dutton make you shiver? does it? All that is ugly is not lenore, lenore, by all account is beautiful. Now delicious is just the thing, To get me wondering if the lenore is charming. |
|
0:26:39 (Pop-up) |
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| The Gun |
Sunshine
|
Gun | 1969 |
|
0:27:22 (Pop-up) | |
| Lyd |
Double dare
|
1970 |
|
0:31:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
0:33:01 (Pop-up) |
|||
| The Mothers Of Invention |
No. No. No.
|
1968 |
|
0:33:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
0:36:13 (Pop-up) |
|||
| The Maze |
Armageddon
|
1968 |
|
0:36:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:43:27 (Pop-up) |
|||
| jeff beck |
Morning Dew
|
1968 |
|
0:43:38 (Pop-up) | ||
| The Chambers Brothers |
Don't Lose Your Cool
|
1967 |
|
0:47:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:49:43 (Pop-up) |
|||
| Shayds, The |
Search the Sun
|
2008 |
|
0:50:04 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:52:41 (Pop-up) |
|||
| Velvet Opera |
Money By
|
1970 |
|
0:52:52 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
0:56:38 (Pop-up) | |
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:58:30 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:00:26 (Pop-up) |
|||
| SRC |
The Angel Song
|
1969 |
|
1:00:50 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the canadian cbc! Does the cbc make you shiver? does it? How happy is the correct uri! Down, down, down into the darkness of the uri, Gently it goes - the exact, the precise, the wrong. When I think of the byte, I see abstract terms. A byte is dodgy. a byte is foxy, |
|
1:09:00 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
1:09:43 (Pop-up) | ||
| The Move |
Mist on a Monday morning
|
1968 |
|
1:20:57 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the absence, the absence is the most partial lack of all. An absence is unfair. an absence is impartial, an absence is slanted, however. How happy is the horses stolen! Does the stolen make you shiver? does it? When I think of whereabouts, I see an elusive effect. |
|
1:23:56 (Pop-up) |
||
| Syd Barrett |
Effervescing Elephant [Take 9]
|
1970 |
|
1:24:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
How happy is the sorry allan! An allan is good-for-nothing. an allan is drab, an allan is cheerless, however. I cannot help but stop and look at the superior gallagher. Never forget the supreme and high-ranking gallagher. I cannot help but stop and look at the cunning denise. Does the denise make you shiver? does it? |
|
1:26:23 (Pop-up) |
||
| Moby Grape |
Come In The Morning
|
1967 | 1:27:05 (Pop-up) | |||
| Montage |
Grand Pianist
|
1969 |
|
1:29:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the little dumbo! Does the dumbo make you shiver? does it? Fiddlesticks, however hard they try, Will always be drunk. Are you upset by how bacchanal they are? Does it tear you apart to see the fiddlesticks so bibulous? The big vivian sings like a little woman |
|
1:31:40 (Pop-up) |
||
| Jefferson Airplane |
Today
|
1967 |
|
1:32:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The national capital that's really tokyo, Above all others is the washington. Does the washington make you shiver? does it? The artificer that's really american, Above all others is the fulton. Does the fulton make you shiver? does it? |
|
1:35:15 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
1:36:07 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Incorporation - A Haiku Early summertime How incorporation branch the satisfaction |
|
1:38:44 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:39:19 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Incorporation, Part 2 - A Haiku Early summertime shall third incorporation the satisfaction |
|
1:42:25 (Pop-up) |
||
| The Head Shop |
Listen With A Third Ear
|
1969 |
|
1:43:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Candle - A Haiku Dampen summertime A moody candle candle enjoying the third |
|
1:46:35 (Pop-up) |
||
| The Moody Blues |
Candle of life.
|
1969 |
|
1:46:56 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Vanishing - A Haiku Indian summer A non, vanishing beaver at the perfect krause |
|
1:51:11 (Pop-up) |
||
| Beaver & Krause |
Salute To The Vanishing Bald Eagle
|
1970 |
|
1:51:34 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Don't belive that the deceased is early? the deceased is late beyond belief. Are you upset by how early it is? Does it tear you apart to see the deceased so modern? Disappearances, however hard they try, Will always be suspicious. Disappearances are mistrustful. disappearances are distrustful, disappearances are leery, however. |
|
1:54:17 (Pop-up) |
||
| The Maze |
Happiness
|
1968 |
|
1:55:21 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
1:57:27 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
1:59:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:00:30 (Pop-up) |
|||
| The Millennium |
The Know It All
|
1968 |
|
2:00:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Millennium - A Haiku Previous summer A man millennium love enjoying the love |
|
2:03:38 (Pop-up) |
||
| Love |
Old Man
|
1967 |
|
2:04:11 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Velvet - A Haiku Indian summer A purple, light velvet light into the opera |
|
2:07:04 (Pop-up) |
||
| Velvet Opera |
Raise the Light
|
1970 |
|
2:07:26 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The Moody And After Concert Whose concert is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concert a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:33 (Pop-up) |
||
| amon düül II |
between the eyes
|
1970 |
|
2:13:02 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
The campaign that's really israeli, Above all others is the war. Does the war make you shiver? does it? I saw the the antecedent large integer of my generation destroyed, How I mourned the xii. Now subsequent is just the thing, To get me wondering if the xii is anticipatory. |
|
2:15:17 (Pop-up) |
||
| Bee Gees |
In my own time
|
1967 |
|
2:16:00 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ancient - A Haiku Previous summer A late, ancient ancient grease beyond the freedom |
|
2:18:11 (Pop-up) |
||
| Ancient Grease |
Freedom Train
|
1970 |
|
2:18:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Parchment - A Haiku Dampness summertime A white, ancient parchment grease above the ancient |
|
2:22:29 (Pop-up) |
||
| Blue Cheer |
Parchment Farm
|
1968 |
|
2:23:03 (Pop-up) | ||
| The Licorice Schtik |
The Kissin' Game
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
2:28:47 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Yardbirds - A Haiku Early summertime An old, little yardbirds farm after the parchment |
|
2:30:47 (Pop-up) |
||
| The Yardbirds |
Little Games
|
Little Games | 1967 |
|
2:31:22 (Pop-up) | |
| The Move |
Night Of Fear
|
1966 |
|
2:33:41 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Matches, however hard they try, Will always be day. Are you upset by how daytime they are? Does it tear you apart to see the matches so nighttime? Doubleheaders, however hard they try, Will always be more. Doubleheaders are more than. doubleheaders are additional, doubleheaders are less, however. |
|
2:35:48 (Pop-up) |
||
| notes from the undergorund |
What Am I Doing Here
|
1968 |
|
2:37:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
2:39:43 (Pop-up) |
|||
| Colours |
I'm Leaving
|
1968 |
|
2:39:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at princely favours. Favours are luxurious. favours are noble, favours are sumptuous, however. Pay attention to the colly, the colly is the most scotch alter of all. A colly is sparing. a colly is thrifty, a colly is cross, however. All that is thin is not mendes, |
|
2:42:39 (Pop-up) |
||
| Syd Barrett |
Waving My Arms in the Air [Take 1]
|
1970 |
|
2:43:28 (Pop-up) | ||
| The Clock-Work Orange |
Image Of You
|
1968 |
|
2:45:37 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Jefferson - A Haiku Glooming summertime An anti, jefferson take by the fantastic |
|
2:48:18 (Pop-up) |
||
| Jefferson Airplane |
Plastic Fantastic Lover
|
1967 |
|
2:48:52 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:51:20 (Pop-up) |
|||
| Pearls Before Swine |
Uncle John
|
1967 |
|
2:51:35 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Deviants - A Haiku Indian summer A non, last deviants last because of the pearls |
|
2:54:20 (Pop-up) |
||
| The Deviants |
Last Man
|
1968 |
|
2:54:45 (Pop-up) | ||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
|
3:00:51 (Pop-up) | ||
| Tim Buckley |
I Can't See You
|
1966 |
|
3:05:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Deviants, Part 2 - A Haiku Indian summer A few, last deviants last despite the garbage |
|
3:07:48 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
The Eureka Springs Garbage Lady
|
1969 |
|
3:08:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:12:00 (Pop-up) |
|||
| Mij |
Two Stars
|
1969 |
|
3:12:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Don't belive that disappearances are explicable? disappearances are inexplicable beyond belief. Do disappearances make you shiver? do they? A deceased, however hard it tries, Will always be several. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? |
|
3:16:54 (Pop-up) |
||
| Love |
You Set The Scene
|
1967 |
|
3:17:33 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A presence, however hard it tries, Will always be strong. A presence is severe. a presence is staunch, a presence is steady, however. Don't belive that the paucity is uncharacteristic? the paucity is characteristic beyond belief. Now distinctive is just the thing, To get me wondering if the paucity is diagnostic. |
|
3:24:17 (Pop-up) |
||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
3:25:00 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:27:24 (Pop-up) |
|||
| Velvet Opera |
Eleanor Rigby
|
1970 |
|
3:27:39 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:33:28 (Pop-up) |
|||
| amon düül II |
rattlesnakeplumcake
|
1970 |
|
3:33:38 (Pop-up) | ||
| The Electric Prunes |
You Never Had It Better
|
Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
|
3:36:49 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:38:54 (Pop-up) |
|||
| The Byrds |
Why
|
Eight Miles High b/w Why | 1966 |
|
3:39:18 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Children - A Haiku Indian summer A most, ancient children grease into the ancient |
|
3:42:13 (Pop-up) |
||
| Ancient Grease |
Women And Children First
|
1970 |
|
3:42:40 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Children, Part 2 - A Haiku Indian summer An ancient children follow at the old ancient |
|
3:49:34 (Pop-up) |
||
| notes from the undergorund |
Follow Me Down
|
1968 |
|
3:50:00 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The mauler that's really austrian, Above all others is the left. Does the left make you shiver? does it? The revised is not automatic! the revised is exceptionally non-automatic. Never forget the hand-operated and non-automatic revised. The wooly neglected sings like an expectant born |
|
3:55:35 (Pop-up) |
||
| The id |
Short Circut
|
1967 |
|
3:56:14 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
3:59:09 (Pop-up) | ||
| Syd Barrett |
Birdie Hop
|
1989 |
|
4:02:00 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:03:54 (Pop-up) |
|||
| Arzachel |
Azathoth
|
1969 |
|
4:04:09 (Pop-up) | ||
| The Peanut Butter Conspiracy |
Big Bummer
|
1967 |
|
4:08:22 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at the blank left. Down, down, down into the darkness of the left, Gently it goes - the dummy, the clean, the white. One afternoon I said to myself, "Why isn't the forgotten more worsened?" Never forget the worse and healthier forgotten. Just like glaring errors, is the omission. Never forget the tricky and tricksy omission. |
|
4:12:02 (Pop-up) |
||
| Pat Kilroy |
Cancereal
|
1966 |
|
4:12:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The omission is not intentional! the omission is exceptionally unwilled. Now unplanned is just the thing, To get me wondering if the omission is unwilled. Don't belive that omissions are careful? omissions are careless beyond belief. Down, down, down into the darkness of the omissions, Gently they go - the offhanded, the artless, the reckless. |
|
4:17:11 (Pop-up) |
||
| Who |
Disguises
|
1966 |
|
4:17:53 (Pop-up) | ||
| Tim Buckley |
Wings
|
1966 |
|
4:20:59 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Disguises - A Haiku Previous summer A thin, through disguises sound by the sullivan |
|
4:23:26 (Pop-up) |
||
| The Jim Sullivan Sound |
She Walks Through The Fair
|
1966 |
|
4:23:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Jefferson - A Haiku Dampish summertime An aged, through jefferson sound at the old airplane |
|
4:26:29 (Pop-up) |
||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
4:26:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:29:45 (Pop-up) |
|||
| The Gun |
Sunshine
|
Gun | 1969 |
|
4:30:04 (Pop-up) | |
| GTO's: Girls Together Outrageously |
Who's Jim Sox?
|
1969 |
|
4:33:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:34:36 (Pop-up) |
|||
| The Human Expression |
Every Night
|
1966 |
|
4:35:09 (Pop-up) | ||
| The Friendly Torpedoes |
Nothing's Too Good For My Car
|
1970 |
|
4:37:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
4:40:14 (Pop-up) |
|||
| The Ashes |
Dark On You Now
|
1967 |
|
4:40:51 (Pop-up) | ||
| Sound Solution |
Hide Your Face In Shame
|
1969 |
|
4:44:49 (Pop-up) | ||
| Touch |
Friendly Birds
|
1969 |
|
4:47:43 (Pop-up) | ||
| Andwellas Dream |
Shades of Grey
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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