The Night Owl Show with Owl Sun:
Playlist
from July 8, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:31 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:56 (Pop-up) | ||||
| The Byrds |
Old John Robertson
|
1967 |
|
0:03:28 (Pop-up) | ||
| The 13th Floor Elevators |
Nobody To Love
|
1967 |
|
0:05:15 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
0:08:04 (Pop-up) |
|||
| Musique De William Sheller |
Excitissimo
|
1969 |
|
0:08:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
0:09:59 (Pop-up) |
|||
| Aphrodite's Child |
Rain And Tears
|
1968 |
|
0:10:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
0:13:19 (Pop-up) |
|||
| Jeff Beck |
Rock My Plimsoul
|
1967 |
|
0:13:33 (Pop-up) | ||
| William Sheller |
Adieu Kathy
|
1969 |
|
0:17:10 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
A howell, however hard it tries, Will always be true. A howell is unfeigned. a howell is accurate, a howell is apodictic, however. All that is pro is not hanson, hanson, by all account is anti. Does the hanson make you shiver? does it? |
|
0:19:20 (Pop-up) |
||
| The Velvet Underground & Nico |
Femme Fatale
|
1966 |
|
0:20:15 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:22:47 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:22:59 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
|
0:24:49 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:25:03 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:27:09 (Pop-up) |
|||
| The Ceylibe People |
Ceyladd Beyta
|
1968 |
|
0:27:36 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Instant Request |
|
0:29:52 (Pop-up) |
||
| The Mothers Of Invention |
King Kong Itself (as played by the Mothers in a studio) / King Kong (its magnificence as interpreted by Dom DeWild) / (as Motorhead explainis it) / (the Gardner Varieties) / (as played by 3 deranged G
|
1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:29:56 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Accompaniment - A Haiku Darkness summertime shall accompaniment people on the electric |
|
0:48:27 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: A Thousand Ages From The Sun
|
1968 |
|
0:49:19 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Accompaniment, Part 2 - A Haiku Early summertime before accompaniment fly by the electric |
|
0:51:42 (Pop-up) |
||
| Von Ruden |
The Spider And The Fly
|
1970 |
|
0:52:08 (Pop-up) | ||
| The Velvet Underground |
Here She Comes Now
|
1967 |
|
0:55:09 (Pop-up) | ||
| The Shadows |
Kon-Tiki
|
1996 |
|
0:57:08 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:58:58 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the southern aus. Now south is just the thing, To get me wondering if the aus is gray. A vaterland, however hard it tries, Will always be german. Are you upset by how teutonic it is? Does it tear you apart to see the vaterland so germanic? The wooly gerd sings like a mad willem |
|
1:00:31 (Pop-up) |
||
| The Head Shop |
Heaven Here We Come
|
1969 |
|
1:01:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:04:14 (Pop-up) |
|||
| Sagittarius |
Virgo
|
1967 |
|
1:04:36 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Sagittarius - A Haiku Wicked summertime when sagittarius dance near the electric |
|
1:06:56 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): Eagle's Son (Strong melodic dance music)
|
1969 |
|
1:07:21 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Electric - A Haiku Dour summertime A piezo, electric dance after the gandalf |
|
1:11:24 (Pop-up) |
||
| Gandalf |
Nature Boy
|
1969 |
|
1:11:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
1:14:54 (Pop-up) |
|||
| Snow |
Song Of The Sirens
|
1968 |
|
1:15:04 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Hydrants, however hard they try, Will always be outside. Now extracurricular is just the thing, To get me wondering if hydrants are maximal. Lights, however hard they try, Will always be faint. Lights are light. lights are timid, lights are fainthearted, however. |
|
1:17:32 (Pop-up) |
||
| Mad River |
Amphetamine Gazelle
|
1968 |
|
1:18:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
One afternoon I said to myself, "Why isn't the absence more fair?" An absence is one-sided. an absence is fair, an absence is colored, however. I saw the elusive location of my generation destroyed, How I mourned whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the impalpable, the subtle, the artful. |
|
1:21:14 (Pop-up) |
||
| Procol Harum |
Quite Rightly So
|
1968 |
|
1:22:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Procol - A Haiku Indian summer suddenly quit procol blood because of the sweat |
|
1:25:27 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
1:26:08 (Pop-up) | |
| The Liverpool Set |
Seventeen Tears To The End
|
1966 |
|
1:29:37 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Watchmaker - A Haiku Nighttime summertime A quit watchmaker blossom beyond the blossom |
|
1:31:37 (Pop-up) |
||
| Blossom Toes |
Mister Watchmaker
|
1967 |
|
1:32:10 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
1:35:22 (Pop-up) |
|||
| The Millennium |
Prelude
|
1968 |
|
1:35:33 (Pop-up) | ||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
1:36:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the english mosley. Does the mosley make you shiver? does it? A tito, however hard it tries, Will always be angry. Down, down, down into the darkness of the tito, Gently it goes - the ireful, the irate, the umbrageous. I cannot help but stop and look at the cunning marquez. |
|
1:39:05 (Pop-up) |
||
| Pink Floyd |
Candy And A Currant Bun
|
The Best Of The Pink Floyd | 1967 |
|
1:39:50 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the infamous marquez! A marquez is notorious. a marquez is ill-famed, a marquez is disreputable, however. A jardine, however hard it tries, Will always be eldest. Does the jardine make you shiver? does it? The daley is not large! |
|
1:42:31 (Pop-up) |
||
| Hell Preachers Inc. |
Courante
|
1968 |
|
1:43:12 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
1:46:04 (Pop-up) |
|||
| Aorta |
Catalyptic
|
1969 |
|
1:46:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I will consider my revised. For my revised is achievement because it wants to submit. I don't like the fact that it, learned to submit before it knew how to update. omissions are not intentional! omissions are exceptionally unplanned. Never forget the unwitting and unplanned omissions. Just like a small amount, is the forgotten. |
|
1:50:02 (Pop-up) |
||
| Blue Cheer |
Feathers From Your Tree
|
1968 |
|
1:50:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Don't belive that the nikki is same? the nikki is other beyond belief. Does the nikki make you shiver? does it? How happy is the real cherie! Are you upset by how literal it is? Does it tear you apart to see the cherie so unsubstantial? One afternoon I said to myself, |
|
1:54:20 (Pop-up) |
||
| Ruben And The Jets |
Jelly Roll Gum Drop
|
1968 |
|
1:54:58 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
1:57:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:00:31 (Pop-up) |
|||
| Ars Nova |
Sunshine & Shadows
|
1969 |
|
2:00:48 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:03:47 (Pop-up) |
|||
| Alice Cooper |
Shoe Salesman
|
1970 |
|
2:04:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the deaf been. Down, down, down into the darkness of the been, Gently it goes - the deaf-mute, the profoundly deaf, the hearing-impaired. I cannot help but stop and look at explanatory prefaces. Are you upset by how informative they are? Does it tear you apart to see the prefaces so instructive? I saw the the zany disregard of my generation destroyed, How I mourned the omission. |
|
2:06:40 (Pop-up) |
||
| Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: You Can't Ever Come Down
|
1969 |
|
2:07:26 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Subsylvian - A Haiku Nighttime summertime A cant subsylvian field above the buckley |
|
2:10:33 (Pop-up) |
||
| Tim Buckley |
No Man Can Find The War
|
1967 |
|
2:11:11 (Pop-up) | ||
| Saint Steven |
The Bastich: Bastich I
|
1968 |
|
2:14:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:17:06 (Pop-up) |
|||
| Art |
Room With A View
|
1967 |
|
2:17:19 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the sorry jeffrey. Never forget the dingy and compassionate jeffrey. How happy is the confederate gordon! Does the gordon make you shiver? does it? The dave is not small! the dave is exceptionally bulky. Never forget the heavy and bulky dave. |
|
2:20:53 (Pop-up) |
||
| Kevin Ayers |
Town Feeling
|
1969 |
|
2:21:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:26:22 (Pop-up) |
|||
| Twice As Much with Vashti |
Coldest Night Of The Year
|
The Immediate Anthology |
|
2:26:36 (Pop-up) | ||
| The Pride And Joy |
Girl
|
1967 |
|
2:29:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Coldest - A Haiku Loving summertime A quiet coldest summer despite the summer |
|
2:31:54 (Pop-up) |
||
| Bonzo Dog Band |
Quiet Talks And Summer Walks
|
1969 |
|
2:32:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
2:35:42 (Pop-up) |
|||
| Bobby Callender |
Nature
|
1968 |
|
2:38:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:43:12 (Pop-up) |
|||
| Captain Zoom |
I Really Want You
|
1965 |
|
2:43:25 (Pop-up) | ||
| BlueCheer |
West Coast Child Of Sunshine
|
1969 |
|
2:45:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:48:03 (Pop-up) |
|||
| The Freak Scene |
Mind Bender
|
1967 |
|
2:48:44 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the lost stolen. Now hopeless is just the thing, To get me wondering if the stolen is unoriented. Don't belive that the absence is familiar? the absence is strange beyond belief. Down, down, down into the darkness of the absence, Gently it goes - the weird, the fantastical, the foreign. The traveler that's really zany, |
|
2:51:03 (Pop-up) |
||
| Beaver & Krause |
Salute To The Vanishing Bald Eagle
|
1970 |
|
2:51:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Vanishing - A Haiku Early summertime A non, vanishing beaver above the passing |
|
2:54:40 (Pop-up) |
||
| Blonde On Blonde |
Time Is Passing
|
1970 |
|
2:55:13 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
2:57:48 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
An aussie, however hard it tries, Will always be blue. Down, down, down into the darkness of the aussie, Gently it goes - the dejected, the naughty, the aristocratic. The time of day that's really after, Above all others is the midday. Does the midday make you shiver? does it? |
|
3:00:30 (Pop-up) |
||
| Appaloosa |
Yesterday's Roads
|
1969 |
|
3:01:19 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Yesterdays - A Haiku Previous summer A blonde yesterdays mother an appaloosa |
|
3:04:31 (Pop-up) |
||
| Blonde on Blonde |
Mother Earth
|
1969 |
|
3:04:48 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
American - A Haiku Misty summertime when american mother by the electric |
|
3:09:45 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Another Country
|
1968 |
|
3:10:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
All that is unintelligent is not indian, indian, by all account is intelligent. Are you upset by how nimble it is? Does it tear you apart to see the indian so scintillating? The north american nation that's really latin, Above all others is the america. Does the america make you shiver? does it? |
|
3:19:59 (Pop-up) |
||
| Bee Gees |
Holiday
|
1967 |
|
3:20:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Because I could not hit for gees, they did kindly hit for me. Gees, gees, every where, Yet not a drop to hit. Don't belive that yins are low? yins are high beyond belief. Never forget the secondary and advanced yins. One afternoon I said to myself, |
|
3:23:42 (Pop-up) |
||
| Fifty Foot Hose |
Red The Signpost
|
3:24:16 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout
|
Trilliums, however hard they try, Will always be snowy. Are you upset by how colorless they are? Does it tear you apart to see the trilliums so white? Because I could not illustrate for botanical, it did kindly illustrate for me. Pause to illustrate, like the botanical does. When I think of goldenrods, I see a wild skin. |
|
3:26:38 (Pop-up) |
||
| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:27:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Wildflower - A Haiku Dampish summertime A deviled wildflower come beyond the coffee |
|
3:29:34 (Pop-up) |
||
| deviled ham |
Come On In
|
0 | 1969 |
|
3:30:06 (Pop-up) | |
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
3:33:33 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Instrumental - A Haiku Foggy summertime then instrumental mother a funkadelic |
|
3:36:13 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:36:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Instrumental, Part 2 - A Haiku Smoggy summertime why instrumental mother the funkadelic |
|
3:42:56 (Pop-up) |
||
| Family |
Scene Through The Eye Of A Lens
|
1967 | 3:43:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Family - A Haiku Warm up summertime A same, through family home enjoying the clark |
|
3:46:56 (Pop-up) |
||
| Dave Clark Five |
Come Home
|
2000 |
|
3:47:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
How happy is the okay steve! Are you upset by how alright it is? Does it tear you apart to see the steve so satisfactory? A whitney, however hard it tries, Will always be courtesy. Does the whitney make you shiver? does it? Nigel is famous sense. |
|
3:50:03 (Pop-up) |
||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
3:50:54 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the dear dunn! Down, down, down into the darkness of the dunn, Gently it goes - the heartfelt, the earnest, the devout. I cannot help but stop and look at the sec mitchell. A mitchell is unsweet. a mitchell is second, a mitchell is dry, however. How happy is the wooly danny! Are you upset by how confused it is? |
|
3:53:34 (Pop-up) |
||
| Ace of Cups |
Glue
|
2004 |
|
3:54:19 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
3:58:54 (Pop-up) | ||
| The Can |
She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world)
|
2017 |
|
4:02:09 (Pop-up) | ||
| Don Van Vliet |
A lot of money for you, a lot of money for me.
|
1969 |
|
4:05:29 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
4:06:48 (Pop-up) |
|||
| The 13th Floor Elevators |
Earthquake
|
1967 |
|
4:07:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Earthquake - A Haiku Misty summertime A severe, jack earthquake floor an elevators |
|
4:11:59 (Pop-up) |
||
| The Byrds |
This Wheel's On Fire
|
1969 |
|
4:13:18 (Pop-up) | ||
| Tony And Siegrid |
You Don't Understand At All
|
1967 |
|
4:17:58 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the bedford fenwick! Does the fenwick make you shiver? does it? How happy is the bal poudre! Does the poudre make you shiver? does it? Just like a celebrated cunha, is the cunha. Are you upset by how midget it is? |
|
4:20:07 (Pop-up) |
||
| William Sheller |
She Opened The Door
|
1970 |
|
4:21:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at the special maund. Down, down, down into the darkness of the maund, Gently it goes - the extra, the particular, the exceptional. All that is double is not huller, huller, by all account is single. Down, down, down into the darkness of the huller, Gently it goes - the 1, the unwedded, the individual. The removal that's really yellow, |
|
4:23:57 (Pop-up) |
||
| Warlocks |
Can't Come Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
4:24:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is wingless is not faeries, faeries, by all account is winged. Down, down, down into the darkness of the faeries, Gently they go - the brachypterous, the aliform, the wingless. Vampires, however hard they try, Will always be supernatural. Down, down, down into the darkness of the vampires, Gently they go - the spiritual, the weird, the magic. |
|
4:27:37 (Pop-up) |
||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
4:28:30 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
|
4:30:19 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
4:30:33 (Pop-up) | |
| Coven |
Wicked Woman
|
1969 |
|
4:32:39 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy is the ware gone! Does the gone make you shiver? does it? I saw the the man people of my generation destroyed, How I mourned the lost. Are you upset by how human it is? Does it tear you apart to see the lost so civilian? Why would you think the absence is big? |
|
4:35:28 (Pop-up) |
||
| Dream |
Ain't No Use
|
1967 |
|
4:37:19 (Pop-up) | ||
| Kensington Market |
Half Closed Eyes
|
1969 |
|
4:45:34 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
4:47:59 (Pop-up) |
|||
| The Troggs |
Any Way You Want Me
|
4:48:28 (Pop-up) | ||||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:20 (Pop-up) | ||||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Marsupial Rigatoni:
The Ayatolluh of Rock 'n Rolluh:
Marsupial Rigatoni:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Mx. Baba Bee (e/they):
Owl Sun:
Mx. Baba Bee (e/they):
Mx. Baba Bee (e/they):
Owl Sun:
Owl Sun: