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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Approx. start time |
---|---|---|---|---|
Billy Strange | Rose Derriere | DeSade | Composed By, Conductor – Billy Strange Orchestrated By – Al Harris, Harry Betts Performer [Performed By] – Berlin Symphony*, Billy Strange Orchestra - - 1969 | |
Damon Locks - Black Monument Ensemble | Keep Your Mind Free | Now | Drums – Dana Hall Percussion – Arif Smith Clarinet – Angel Bat Dawid Cornet, Melodica – Ben LaMar Gay Lyrics By, Composed By, Artwork, Electronics, Sampler – Damon Locksy Vocals – Eric Tre'von, Erica Rene, Monique Golding, Phillip Armstrong, Richie Parks, Tramaine Parker - - 2021 | 0:01:33 (Pop-up) |
Stanley Cowell | Ask Him | New World | iano, electric piano, prepared pianos, kalimba, hammond organ, orchestra chimes, occasional backing vocals - Stanley Cowell Bass - Cecil McBee Drums - Roy Haynes Percussion - Kenneth Nash Alto, Tenor and Bass Trombones - Julian Priester Trumpet, Electric Trumpet, Flugelhorn - Eddie Henderson Piccolo, Flute, Clarinet, Tenor Saxophone - Pat Patrick Cello - Terry Adams Violin - Nate Rubin Vocals - Judy Lacey , Linda Mandolph , Robert Mandolph Recorded at Fantasy Studios, Berkeley, November 1978 Arranged and Conducted by Stanley Cowell - -1978 | 0:07:18 (Pop-up) |
Johnny Dyani With John Tchicai & Dudu Pukwana | Radebe | Witchdoctor's Son | Alto Saxophone, Soprano Saxophone – John Tchicai Alto Saxophone, Tenor Saxophone – Dudu Pukwana Bass, Piano, Vocals – Johnny Dyani Congas, Percussion – Mohamed Al-Jabry Drums – Luez "Chuim" Carlos de Sequaira* Guitar – Alfredo Do Nascimento - - Recorded March 15, 1978 | 0:12:04 (Pop-up) |
DJ Unprepared with a stupid made-up moniker for this particular mike break | 0:18:21 (Pop-up) | |||
Grant Green | Sunday Mornin' | Sunday Morning | Grant Green – guitar • Kenny Drew – piano • Ben Tucker – bass • Ben Dixon – drums. - - - Recorded June 4, 1961 Studio Van Gelder Studio, Englewood Cliffs, New Jersey, US | 0:24:01 (Pop-up) |
Johnny Hodges and Wild Bill Davis | Harmony In Harlem | Joe's Blues | Johnny Hodges - alto saxophone • Wild Bill Davis - organ • Lawrence Brown - trombone • Grant Green - guitar • Bob Cranshaw - double bass • Grady Tate - drums Recorded January 6 & 7, 1965 Studio Van Gelder Studio, Englewood Cliffs, NJ | 0:27:57 (Pop-up) |
Grant Green | Lazy Afternoon | Street Of Dreams | Grant Green - guitar • Bobby Hutcherson - vibes • Larry Young - organ • Elvin Jones - drums - - Recorded on November 16, 1964 - RVG | 0:31:15 (Pop-up) |
Herbie Hancock | Blind Man, Blind Man | My Point of View | Herbie Hancock – piano • Donald Byrd – trumpet • Grachan Moncur III – trombone • Hank Mobley – tenor saxophone • Grant Green – guitar (not on tracks 2, 3 & 4) • Chuck Israels – bass • Tony Williams – drums - - Recorded - - March 19, 1963 RVG | 0:38:54 (Pop-up) |
Jimmy Forrest | All the Gin Is Gone | All the Gin Is Gone | Jimmy Forrest - tenor saxophone • Grant Green – guitar • Harold Mabern – piano • Gene Ramey – bass • Elvin Jones – drums Recorded December 10 & 12, 1959 Studio Hall Studios, Chicago | 0:47:05 (Pop-up) |
Horace Parlan | The Book's Beat | Up & Down | Horace Parlan - piano • Booker Ervin - tenor saxophone • Grant Green - guitar • George Tucker - bass • Al Harewood - drums Recorded on June 18, 1961 | 0:51:52 (Pop-up) |
Grant Green | My Funny Valentine | Grantstand | Grant Green – guitar • Yusef Lateef – flute • Brother Jack McDuff – organ • Al Harewood – drums • Ben Tucker – bass Recorded August 1, 1961 | 1:01:37 (Pop-up) |
DJ Green Party | 1:10:41 (Pop-up) | |||
Grant Green | I Don't Want Nobody To Give Me Nothing (Open Up The Door I'll Get It Myself) | Carryin' On | Grant Green – guitar • Claude Bartee – tenor saxophone • Willie Bivens – vibes • Clarence Palmer – electric piano • Jimmy Lewis – electric bass • Idris Muhammad – drums - - - Recorded October 3, 1969 - RVG | 1:18:32 (Pop-up) |
Stanley Turrentine | But Not For Me | Up at Minton's, Vol. 1 | Stanley Turrentine - tenor saxophone • Grant Green - guitar • Horace Parlan - piano • George Tucker - bass • Al Harewood - drums • Recorded at Minton's Playhouse, NYC, on February 23, 1961 | 1:24:31 (Pop-up) |
Grant Green | You Don't Know What Love Is | Talkin' About | Grant Green - guitar • Larry Young - organ • Elvin Jones - drums Recorded September 11, 1964 Studio Van Gelder Studio, Englewood Cliffs, NJ | 1:35:57 (Pop-up) |
Grant Green (also as: Dave Bailey Quintet) | Falling In Love With Love (take 1) | Reaching Out | Dave Bailey - drums • Frank Haynes - tenor saxophone • Billy Gardner - piano • Grant Green - guitar • Ben Tucker - bass - - — Recorded at Nola's Penthouse Studio, New York City, 15th March 1961 | 1:43:31 (Pop-up) |
Joe Carroll | Wha Wha Blues | Man with a Happy Sound | Drums – Lee Ausley Guitar – Grant Green Organ – Specs Williams Piano – Ray Bryant Saxophone [Tenor Sax] – Connie Lester Vocals – Joe Carroll - 1962 | 1:00:00 (Pop-up) |
Larry Young | Plaza De Toros | Into Somethin' | Drums – Elvin Jones Guitar – Grant Green Organ – Larry Young Tenor Saxophone – Sam Rivers — - Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey on November 12, 1964 | 0:51:43 (Pop-up) |
George Braith | Chops Sticks | Laughing Soul | George Braith - soprano and tenor saxophone • "Big" John Patton - organ • Grant Green - guitar • Eddie Diehl - rhythm guitar • Victor Sproles Jr. - bass • Ben Dixon - drums • Richard Landrum - congas Recorded March 1, 1966 - RVG | 2:01:19 (Pop-up) |
Grant Green | Mama Inez | The Latin Bit | John Acea • Wendell Marshall - bass • Willie Bobo - drums • Carlos "Patato" Valdes - conga • Garvin Masseaux - chekere - Recorded on April 26, 1962 - RVG | 2:04:05 (Pop-up) |
DJ GMan | 2:10:41 (Pop-up) | |||
Barney Kessel Trio | Blue Mist | Live in Los Angeles at PJ's Club* | Guitar – Barney Kessel, Grant Green, Kenny Burrell *recorded at Ronnie Scott's Club in London in 1969, bassist and drummer unknown. | 2:18:42 (Pop-up) |
Jack McDuff | I Want a Little Girl | The Honeydripper | Jack McDuff - organ • Jimmy Forrest - tenor saxophone • Grant Green - guitar • Ben Dixon - drums Recorded in Englewood Cliffs, NJ; February 3, 1961 | 2:26:12 (Pop-up) |
Grant Green | Nobody Knows The Trouble I've Seen | Feelin' The Spirit | Grant Green - electric guitar • Herbie Hancock - piano • Butch Warren - bass • Billy Higgins - drums • Garvin Masseaux - tambourine Recorded December 21, 1962 - Van Gelder Studio, Englewood Cliffs, NJ | 2:33:57 (Pop-up) |
Grant Green | Corcovado | I Want to Hold Your Hand | Grant Green - guitar • Hank Mobley - tenor saxophone • Larry Young - organ • Elvin Jones - drums Recorded - - March 31, 1965 Van Gelder Studio, Englewood Cliffs, NJ | 2:39:04 (Pop-up) |
Grant Green | Django | Idle Moments | Grant Green - guitar • Joe Henderson - tenor saxophone • Duke Pearson - piano • Bobby Hutcherson - vibraphone • Bob Cranshaw - double bass • Al Harewood - drums - - Recorded on November 4 (A1, B2) and 15 (A2, B1), 1963 - Van Gelder Studio, Englewood Cliffs, New Jersey | 2:44:57 (Pop-up) |
Grant Green | Down Here On The Ground | Alive! | Grant Green - guitar • Claude Bartee - tenor saxophone • Willie Bivens - vibes • Neal Creque - organ • Idris Muhammad - drums • Joseph Armstrong - congas • Buddy Green - announcer. — Recorded at the Cliché Lounge, Newark, N.J., August 15, 1970 | 2:53:31 (Pop-up) |
Rusty Bryant | Streak O' Lean | Rusty Bryant Returns | Rusty Bryant - alto saxophone • Sonny Phillips - organ • Grant Green - guitar • Bob Bushnell - bass • Herbie Lovelle - drums - - Recorded at Van Gelder Studio, Englewood Cliffs, NJ, February 17, 1969 | 3:00:15 (Pop-up) |
'Big' John Patton | Hot Sauce | Blue John | John Patton – organ • Tommy Turrentine – trumpet (5, 6) • George Braith – soprano saxophone, stritch • Grant Green – guitar • Ben Dixon – drums - Soprano Saxophone, Saxophone [Stritch] – George Braith - Trumpet – Tommy Turrentine - - • Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey on on August 6, 1963 | 3:06:45 (Pop-up) |
All is Copascetic in Mr. B's Pomp Room Tonight | 3:14:40 (Pop-up) | |||
Grant Green | Medley: Vulcan Princess / Skin Tight / Woman’s Gotta Have It / Boogie On Reggae Woman / For the Love of Money (Live) | Slick! (Live at Oil Can Harry's) | Bass – Ronnie Ware Drums – Greg Williams (10) Electric Piano – Emmanuel Riggins Guitar – Grant Green - - - Recorded at Oil Can Harry's on September 5, 1975 (Vancouver, Canada) - - Vulcan Princess Written-By – Stanley Clark; Skin Tight Written-By – Leroy Bonner*, Ralph Middlebrooks*, Marvin Pierce*, Clarence Satchell, Marshall Jones, James Williams; Woman’s Gotta Have It Written-By – Bobby Womack, Darryl Carter, Linda Cooke; Boogie On Reggae Woman Written-By – Stevie Wonder; For The Love Of Money Written-By – Kenneth Gamble, Leon Huff, Anthony Jackson | 3:25:00 (Pop-up) |
DJ Has to Go Home and Smoke the Green Green Grass | THANK YOU ALL! NEXT SUNDAY? | 3:56:47 (Pop-up) |
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Listener comments!
Stork:
listener james from westwood:
Stork:
chresti:
hyde:
doctorjazz:
Stork:
Fuzzy:
Is that G-Day as in guitars? Because there are some fine ones in those playlist pictures!
chresti:
Stork:
Green used a Gibson ES-330, then a Gibson L7 with a Gibson McCarty pickguard/pickup, an Epiphone Emperor (with the same pickup) and finally had a custom-built D'Aquisto. According to fellow guitarist George Benson, Grant achieved his tone by turning off the bass and treble settings of his amplifier, and maximizing the midrange. This way he could get his signature punchy, biting tone.
doctorjazz:
doctorjazz:
doctorjazz:
Franco Twinkie:
Listening Out There:
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
Jeff Golick:
Heya, @Stork and klubbers!
doctorjazz:
Stork:
Stork:
Jeff Golick:
Revolution Rabbit Nov63:
Stork:
doctorjazz:
doctorjazz:
doctorjazz:
Revolution Rabbit Nov63:
Stork:
doctorjazz:
Ok, out Rob outdoorj azz, catch you in the car and later!
doctorjazz:
Stork:
Gerry from Miami:
Stork:
Stork:
WR:
Stork:
Gerry from Miami:
Stork:
Stork:
Stork:
hyde:
Stork:
headcleaner:
Stork:
Michael 98145:
Doug Schulkind:
Fuzzy:
My first GG tune was the non-Steppenwolf version of Sookie Sookie. Great stuff!
Stork:
watchpocket:
Gerry from Miami:
Stork:
watchpocket:
Stork:
Stork:
chresti:
Doug Schulkind:
Fuzzy:
listening out there:
watchpocket:
Stork:
Doug Schulkind:
doctorjazz:
Stork:
Stork:
Fuzzy:
Fuzzy:
watchpocket:
Stork:
watchpocket:
Little Danny:
Stork:
Little Danny:
Little Danny:
adamdoesit:
jimbrux:
Revolution Rabbit Nov63:
Stork:
watchpocket:
listening out there:
Doug Schulkind:
adamdoesit:
Little Danny:
adamdoesit:
Stork:
www.youtube.com...
Stork:
Little Danny:
Stork:
Stork:
Little Danny:
Stork:
Revolution Rabbit Nov63:
Little Danny:
Revolution Rabbit Nov63:
Little Danny:
Revolution Rabbit Nov63:
Stork:
Little Danny:
Stork:
Revolution Rabbit Nov63:
Stork:
mauri:
adamdoesit:
Stork:
Jeff g. via app:
Stork:
Revolution Rabbit Nov63:
adamdoesit:
Stork:
adamdoesit:
Stork:
Little Danny:
adamdoesit:
adamdoesit:
Stork:
WR:
Stork:
:)))))
Revolution Rabbit Nov63:
en.wikipedia.org...
Galling when people use the term lightyear as a measurement of time : it is the distance light travels in a year. The trap is using velocity to conceive of & convey this relation between time & space. The speed of light in Einsteinian Relativity is a constant - & really effectively removes the barriers between time, space & velocity in orienting ourselves to the Universe... The further away something is as we perceive it - the further back in time from us it is too...
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
adamdoesit:
Revolution Rabbit Nov63:
adamdoesit:
Stork:
WR:
Stork:
WR:
doctorjazz:
Stork:
Jeff g. via app:
doctorjazz:
adamdoesit:
Stork:
Stork:
adamdoesit:
Stork:
adamdoesit:
Fuzzy:
Little Danny:
WR:
headcleaner:
chresti:
Revolution Rabbit Nov63: