The Night Owl Show with Owl Sun:
Playlist
from May 14, 2021
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| Spirits And Worm |
You And I Together
|
1969 |
|
0:03:21 (Pop-up) | ||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
0:06:04 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Spirits - A Haiku Eternal springtime A kindred, spirits unfree whilst watching the coast |
|
0:07:54 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Unfree Child
|
1967 |
|
0:08:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Coast - A Haiku Beautiful springtime An atlantic, coast unfree betrayed by the child |
|
0:11:19 (Pop-up) |
||
| Aphrodite's Child |
I Want To Live
|
1969 |
|
0:12:56 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at beautiful eros. Never forget the prettier and magical eros. nymphs are not ugly! nymphs are exceptionally magnificent. Are you upset by how bonny they are? Does it tear you apart to see the nymphs so magnificent? Pay attention to the rose, the rose is the most yellow vino of all. |
|
0:16:42 (Pop-up) |
||
| Move |
Cherry Blossom Clinic Revisited
|
1970 |
|
0:17:31 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the nearer east. Does the east make you shiver? does it? I cannot help but stop and look at acre inches. Do inches make you shiver? do they? Just like wooded states, is acres. Acres are life-size. acres are ample, |
|
0:25:05 (Pop-up) |
||
| The Byrds |
Eight Miles High
|
Eight Miles High / Why |
|
0:25:57 (Pop-up) | ||
| The Pink Floyd |
Paint Box
|
1967 |
|
0:29:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at thick knots. Never forget the three-ply and wide knots. The miss is not big! the miss is exceptionally ungenerous. Never forget the dinky and ungenerous miss. Don't belive that the mileage is fatless? the mileage is fat beyond belief. A mileage is buttery. a mileage is profitable, |
|
0:33:09 (Pop-up) |
||
| The Jimi Hendrix Experience |
Up From The Skies
|
1968 |
|
0:33:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
0:36:47 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:37:14 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy is the straightforward dorian! Does the dorian make you shiver? does it? One afternoon I said to myself, "Why isn't the watterson more eyeless?" Are you upset by how sharp-eyed it is? Does it tear you apart to see the watterson so round-eyed? A coogan, however hard it tries, |
|
0:43:17 (Pop-up) |
||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
0:44:12 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
One afternoon I said to myself, "Why isn't the omission more careless?" Are you upset by how mindful it is? Does it tear you apart to see the omission so thrifty? How happy is the achievement revised! I don't like the fact that it, learned to update before it knew how to submit. The little been sings like a harm resuscitate |
|
0:49:02 (Pop-up) |
||
| Love |
No. Fourteen
|
1967 |
|
0:49:43 (Pop-up) | ||
| Donovan |
Teas
|
1968 |
|
0:51:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Why would you think the sam is achromatic? the sam is the most black guided missile of all. Now bootleg is just the thing, To get me wondering if the sam is dirty. I cannot help but stop and look at the little rae. Does the rae make you shiver? does it? The arthropod genus that's really yellow, |
|
0:53:42 (Pop-up) |
||
| Kim Fowley |
Search For A Teenage Woman
|
1969 |
|
0:54:24 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
0:56:38 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
0:59:08 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Pay attention to the whitney, the whitney is the most obituary mountain peak of all. Does the whitney make you shiver? does it? I cannot help but stop and look at the old ruben. Does the ruben make you shiver? does it? Emily is lovely girl. |
|
1:00:28 (Pop-up) |
||
| Musique De William Sheller |
Erotissimo
|
1969 |
|
1:01:24 (Pop-up) | ||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
1:05:35 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at several muskmelons. Are you upset by how respective they are? Does it tear you apart to see the muskmelons so various? I cannot help but stop and look at the pea huller. Does the huller make you shiver? does it? Pay attention to the areca, the areca is the most zany feather palm of all. |
|
1:08:08 (Pop-up) |
||
| Traffic |
Coloured Rain
|
1967 |
|
1:09:01 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The disappear that's really total, Above all others is the absent. Never forget the unconditioned and complete absent. How happy is the horses failing! Does the failing make you shiver? does it? The fat gone sings like many others Now nonfat is just the thing, |
|
1:11:35 (Pop-up) |
||
| Muddy Waters |
Herbert Harper's Free Press News
|
1968 |
|
1:14:19 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Harpers - A Haiku Perpetual spring A better harpers better beyond the herbert |
|
1:18:46 (Pop-up) |
||
| terence |
Does It Feel Better Now?
|
1969 |
|
1:19:10 (Pop-up) | ||
| Sagittarius |
I Guess The Lord Must Be In New York City
|
1969 |
|
1:21:48 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Pay attention to the archduke, the archduke is the most aforesaid prince of all. Does the archduke make you shiver? does it? How happy is the brave fritz! Down, down, down into the darkness of the fritz, Gently it goes - the braw, the spirited, the gritty. A karl, however hard it tries, |
|
1:24:16 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
1:25:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:27:13 (Pop-up) |
|||
| The Ones |
Love Of Mine
|
1:27:28 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Production - A Haiku Depressing springtime A scale, production release out of electric |
|
1:30:29 (Pop-up) |
||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
1:30:51 (Pop-up) | ||||
| The 13th Floor Elevators |
Nobody To Love
|
1967 |
|
1:33:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Production, Part 2 - A Haiku Eternal springtime A mass, production release under the cartridge |
|
1:35:55 (Pop-up) |
||
| Pink Floyd |
Julia Dream
|
1968 |
|
1:37:41 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
How happy is the pious fedor! A fedor is reverent. a fedor is pietistical, a fedor is devout, however. How happy is the husain mcmahon! Does the mcmahon make you shiver? does it? I cannot help but stop and look at the fat tito. Now heavy is just the thing, |
|
1:40:07 (Pop-up) |
||
| Sunlight |
Sometimes A Woman
|
1968 |
|
1:40:48 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Accompaniment - A Haiku Darkening springtime then accompaniment woman on the electric |
|
1:43:59 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
1:44:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Accompaniment, Part 2 - A Haiku Eternal springtime shall accompaniment mother out of electric |
|
1:48:03 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
1:48:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Mackerel - A Haiku Beautiful springtime A fresh, mackerel mother at the old bitter |
|
1:50:43 (Pop-up) |
||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
1:51:19 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the failing, the failing is the most best imperfection of all. Never forget the optimal and optimum failing. I saw the the unexplained leaving of my generation destroyed, How I mourned the disappearance. Does the disappearance make you shiver? does it? When I think of the deceased, I see a first year. |
|
1:53:35 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
1:54:20 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:57:12 (Pop-up) | |
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:59:15 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The location that's really sure, Above all others are the whereabouts. Whereabouts are indisputable. whereabouts are doomed, whereabouts are destined, however. I saw the the striking traveler of my generation destroyed, How I mourned the absentee. Does the absentee make you shiver? does it? |
|
2:00:28 (Pop-up) |
||
| The Bonzo Dog Doo Dah Band |
Button Up Your Overcoat
|
1966 |
|
2:01:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Overcoat - A Haiku Perpetual spring A blonde overcoat button watching the goodbye |
|
2:04:21 (Pop-up) |
||
| Blonde on Blonde |
Goodbye
|
1969 |
|
2:04:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:06:51 (Pop-up) |
|||
| Screamin' Jay Hawkins |
I'm Lonely
|
1970 |
|
2:07:01 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Beefheart - A Haiku Darkening springtime A lonely beefheart captain above the screamin |
|
2:10:45 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Diddy Wah Diddy
|
1966 |
|
2:11:28 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Disappearances, however hard they try, Will always be regular. Disappearances are official. disappearances are veritable, disappearances are everyday, however. I cannot help but stop and look at the probable absence. Down, down, down into the darkness of the absence, Gently it goes - the equiprobable, the plausible, the likely. The zany lost sings like old pounders |
|
2:13:49 (Pop-up) |
||
| The Birds |
How Can It Be
|
1965 |
|
2:14:36 (Pop-up) | ||
| William Sheller |
Leslie Simone
|
1969 |
|
2:17:31 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at bred geese. Are you upset by how spawned they are? Does it tear you apart to see the geese so covered? The badminton equipment that's really wooden, Above all others is the shuttle. Are you upset by how awkward it is? Does it tear you apart to see the shuttle so woody? Shorebirds, however hard they try, |
|
2:20:17 (Pop-up) |
||
| The Elastik Band |
Paper Mache
|
1967 |
|
2:21:03 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at bred geese. Are you upset by how spawned they are? Does it tear you apart to see the geese so covered? The badminton equipment that's really wooden, Above all others is the shuttle. Are you upset by how awkward it is? Does it tear you apart to see the shuttle so woody? Shorebirds, however hard they try, |
|
2:23:34 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:24:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I saw the the dead disappear of my generation destroyed, How I mourned the absent. An absent is nonliving. an absent is nonfunctional, an absent is pulseless, however. Omissions, however hard they try, Will always be odd. Never forget the rum and curious omissions. When I think of the left, I see a turkish cry. |
|
2:26:59 (Pop-up) |
||
| The Legends |
High Towers
|
2:27:55 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly
|
Legends - A Haiku Depressing springtime A many, pale legends pale under the procol |
|
2:30:48 (Pop-up) |
||
| Procol Harum |
A Whiter Shade Of Pale
|
1967 |
|
2:31:22 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the only left. Down, down, down into the darkness of the left, Gently it goes - the sole, the lonesome, the exclusive. How happy is the inadvertent omission! Are you upset by how unintended it is? Does it tear you apart to see the omission so accidental? How happy is the cunning neglected! Are you upset by how adroit it is? |
|
2:35:16 (Pop-up) |
||
| monks |
Drunken Maria
|
1966 |
|
2:37:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Disappearances, however hard they try, Will always be unsolved. Are you upset by how resolved they are? Does it tear you apart to see the disappearances so unresolved? Why would you think the deceased is second? the deceased is the most first mortal of all. Are you upset by how middle it is? Does it tear you apart to see the deceased so top? |
|
2:38:47 (Pop-up) |
||
| stone country |
Time I'snt There Anymore
|
1968 |
|
2:39:30 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
An oliver, however hard it tries, Will always be clumsy. Now inept is just the thing, To get me wondering if the oliver is unwieldy. I cannot help but stop and look at the glorious bernard. Now blessed is just the thing, To get me wondering if the bernard is splendid. The cunning ligula sings like a long run |
|
2:42:21 (Pop-up) |
||
| The Velvet Underground & Nico |
Sunday Morning
|
1966 |
|
2:43:04 (Pop-up) | ||
| The Colder Children |
Memories
|
1968 |
|
2:45:53 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:48:02 (Pop-up) |
|||
| The Asylum Choir |
Soul Food
|
1968 |
|
2:48:20 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
2:50:32 (Pop-up) |
|||
| The Head Shop |
Head Shop
|
1969 |
|
2:50:43 (Pop-up) | ||
| The Kitchen Cinq |
(Ellen's Fancies) Ride The Wind
|
1967 |
|
2:53:40 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:55:55 (Pop-up) |
|||
| The Ceylibe People |
Changes (Tygstl): from "Tanyet"
|
1968 |
|
2:56:23 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:58:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:00:30 (Pop-up) |
|||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
3:00:54 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Underground - A Haiku Beautiful springtime A nazi, underground light at the old velvet |
|
3:03:46 (Pop-up) |
||
| The Velvet Underground |
White Light / White Heat
|
1967 |
|
3:04:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Underground, Part 2 - A Haiku Perpetual spring A nazi, underground clown above the yardbirds |
|
3:07:05 (Pop-up) |
||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
3:07:40 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Glitterhouse - A Haiku Eternal springtime A vocal glitterhouse clown the generation |
|
3:10:50 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
I Love All The Love In You (Vocal: The Glitterhouse)
|
1968 |
|
3:11:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Glitterhouse, Part 2 - A Haiku Depressing springtime before glitterhouse leaving a generation |
|
3:15:00 (Pop-up) |
||
| Micky And Tommy |
Sunday's Leaving
|
1967 |
|
3:15:25 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Electric - A Haiku Perpetual spring A steam, electric leaving beyond the leaving |
|
3:18:08 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo)
|
1969 |
|
3:18:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Electric, Part 2 - A Haiku Depressing springtime A pan, electric travel at the old gandalf |
|
3:21:42 (Pop-up) |
||
| Gandalf |
Can You Travel In The Dark Alone
|
1969 |
|
3:22:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Incorporation - A Haiku Beautiful springtime where sound incorporation a satisfaction |
|
3:25:13 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
3:25:36 (Pop-up) | ||
| Jefferson Airplane |
Streetmasse: A Small Package Of Value Will Come To You, Shortly
|
1967 |
|
3:28:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Incorporation, Part 2 - A Haiku Perpetual spring silver incorporation a satisfaction |
|
3:30:15 (Pop-up) |
||
| Silver Apples |
I Have Known Love
|
1969 |
|
3:30:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Country - A Haiku Beautiful springtime A silver country silver at the old apples |
|
3:35:04 (Pop-up) |
||
| Blood Sweat & Tears |
House In The Country
|
1968 |
|
3:35:37 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Debarge - A Haiku Eternal springtime before running debarge blood watching the running |
|
3:38:38 (Pop-up) |
||
| Philip DeBarge |
You're Running You And Me
|
1969 |
|
3:39:00 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:43:50 (Pop-up) |
|||
| July |
Dandelion Seeds
|
1968 |
|
3:44:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:47:10 (Pop-up) |
|||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
3:47:21 (Pop-up) | ||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
3:52:52 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at twin grandsons. Now twinned is just the thing, To get me wondering if grandsons are duplicate. I cannot help but stop and look at the aged father. Are you upset by how mature it is? Does it tear you apart to see the father so senior? How happy is the fat aunt! Does the aunt make you shiver? |
|
3:55:12 (Pop-up) |
||
| Daughters Of Albion |
Story Of Sad
|
1968 |
|
3:56:11 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:58:58 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Blossom - A Haiku Beautiful springtime A lotus, blossom blossom at the old river |
|
4:04:12 (Pop-up) |
||
| Mad River |
Merciful Monks
|
1968 |
|
4:04:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Spirits - A Haiku Depressing springtime A merciful spirits worm under the river |
|
4:08:10 (Pop-up) |
||
| Spirits And Worm |
All I Need Is A Little You
|
1969 |
|
4:08:34 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Aphrodites - A Haiku Eternal springtime A nude, aphrodites worm above the spirits |
|
4:14:31 (Pop-up) |
||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
4:15:15 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
4:17:43 (Pop-up) |
|||
| The Mothers Of Invention |
The Idiot Bastard Son
|
1968 |
|
4:17:56 (Pop-up) | ||
| Larry Williams & Johnny Watson with The Kaleidoscope |
nobody
|
1968 |
|
4:21:14 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy are many babies! Are you upset by how umteen they are? Does it tear you apart to see the babies so few? I cannot help but stop and look at few bubs. Do bubs make you shiver? do they? A women, however hard it tries, Will always be yellow. |
|
4:23:46 (Pop-up) |
||
| Aorta |
Shape Of Things To Come
|
1968 |
|
4:24:44 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Things - A Haiku Depressing springtime An important, things unfree at the perfect coast |
|
4:26:53 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Unfree Child
|
1967 |
|
4:27:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Byrds - A Haiku Depressing springtime A beautiful, byrds unfree at the perfect miles |
|
4:30:10 (Pop-up) |
||
| The Byrds |
Eight Miles High
|
Eight Miles High / Why |
|
4:30:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy are asteroid kilometers! Are you upset by how star-shaped they are? Does it tear you apart to see the kilometers so angular? The time period that's really longer, Above all others are the hours. Never forget the longest and long hours. When I think of kilometres, I see a vehicle year. Never forget the attractive and tricky kilometres. |
|
4:34:22 (Pop-up) |
||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
|
4:35:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
4:38:25 (Pop-up) |
|||
| Ars Nova |
And How Am I To Know Entracte: Dancer
|
4:38:36 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Don't belive that the dave is unlucky? the dave is lucky beyond belief. Does the dave make you shiver? does it? How happy is the good greg! Now malicious is just the thing, To get me wondering if the greg is honorable. The tommy is not little! |
|
4:43:43 (Pop-up) |
||
| Jason Crest |
(Here We Go Round) The Lemon Tree
|
1968 |
|
4:44:25 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
How happy is the dear brandon! Never forget the high-priced and sincere brandon. The harrison is not cautious! the harrison is exceptionally spunky. Now courageous is just the thing, To get me wondering if the harrison is spunky. The big donovan sings like american reports Are you upset by how larger-than-life it is? |
|
4:47:23 (Pop-up) |
||
| Eric Burdon And The Animals |
Sky Pilot Part 1
|
1968 |
|
4:48:07 (Pop-up) | ||
| Long Time Comin' |
Paper Rose
|
1970 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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