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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Syd Barrett | It Is Obvious [Take 1] | 1970 | 0:03:42 (Pop-up) | |||
Pink Floyd | Jugband Blues | 1968 | 0:06:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
An olsen, however hard it tries, Will always be strom. Does the olsen make you shiver? does it? I cannot help but stop and look at the short scotty. A scotty is close. a scotty is scant, a scotty is brusque, however. When I think of the rebecca, I see a godless hair. |
0:09:25 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 0:10:20 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:15:11 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 0:15:25 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
A turbojet, however hard it tries, Will always be engine. Does the turbojet make you shiver? does it? Choppers, however hard they try, Will always be dozen. Do choppers make you shiver? do they? |
0:17:44 (Pop-up) |
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The Collectors | Early Morning | 1969 | 0:18:24 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Collectors - A Haiku Perpetual spring An early collectors iron by the butterfly |
0:21:52 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 0:22:26 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Visitation - A Haiku Beautiful springtime A white visitation noise near the butterfly |
0:27:15 (Pop-up) |
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White Noise | The Visitation | 1969 | 0:27:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Instant Request |
0:38:44 (Pop-up) |
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Created by Bruce Haack | Super Nova | 1970 | For: The Ayatolluh of Rock 'n Rolluh | 0:38:47 (Pop-up) | ||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:44:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Quicksilver - A Haiku Overcast springtime A pure, quicksilver service a visitation |
0:50:11 (Pop-up) |
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Quicksilver Messenger Service | Bears | 1968 | 0:50:54 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I saw the the big ursus arctos of my generation destroyed, How I mourned the grizzly. Now mammoth is just the thing, To get me wondering if the grizzly is outsized. One afternoon I said to myself, "Why aren't animals more tamed?" Are you upset by how unplanted they are? Does it tear you apart to see the animals so insane? |
0:53:00 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 0:53:39 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:56:56 (Pop-up) | ||
The Turtles | Buzz Saw (alternate) | 0:59:04 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:00:27 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 1:00:54 (Pop-up) | |||
Rainbow Ffolly | No | 1968 | 1:04:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Encouragement - A Haiku Overcast springtime A great, encouragement page because of the page |
1:07:43 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 1:08:21 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Encouragement, Part 2 - A Haiku New dampish springtime A much, encouragement feel before the candy |
1:11:48 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:12:30 (Pop-up) | |||
The Tower | Slow Motion Mind | 1968 | 1:17:25 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:19:40 (Pop-up) |
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Syd Barrett | Dolly Rocker | 1989 | 1:20:00 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the great finley. A finley is high. a finley is keen, a finley is corking, however. A walsh, however hard it tries, Will always be dee. Does the walsh make you shiver? does it? A mitchell, however hard it tries, |
1:22:58 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 1:23:43 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:25:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Frights, however hard they try, Will always be greatest. Down, down, down into the darkness of the frights, Gently they go - the superlative, the superior, the preeminent. I must sound with the literary exotica again, Our exotica is literate and formal, it likes to sound, it likes to influence. wooly waltzers sings like a japanese quality |
1:28:01 (Pop-up) |
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Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:28:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Ypersound - A Haiku Early dampness spring before pink ypersound pink watching the controls |
1:29:12 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 1:30:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Encouragement - A Haiku Perpetual spring A crossed encouragement page before the candyo67 |
1:35:18 (Pop-up) |
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The Maze | Armageddon | 1968 | 1:36:58 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The misfortune that's really unforeseen, Above all others is the calamity. Are you upset by how unexpected it is? Does it tear you apart to see the calamity so sudden? The day that's really hideous, Above all others is the doomsday. Now horrid is just the thing, To get me wondering if the doomsday is horrific. |
1:44:00 (Pop-up) |
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The Magicians | Slow Motion | 1968 | 1:44:36 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are muscat raisins! Do raisins make you shiver? do they? How happy are delicious blackberries! Blackberries are toothsome. blackberries are luscious, blackberries are delightful, however. The zany asparagus sings like a blanched fragrance An asparagus is cockamamie. an asparagus is clowlike, |
1:47:31 (Pop-up) |
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The Electric Prunes | Wind-Up Toys | 1967 | 1:48:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy are chinese jujubes! Do jujubes make you shiver? do they? The edible fruit that's really overripe, Above all others is the avocado. Are you upset by how ripe it is? Does it tear you apart to see the avocado so mature? I cannot help but stop and look at cunning limas. |
1:50:41 (Pop-up) |
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Graffiti | A - Interlude #1 / B - Jingle Jangle Woman | 1968 | 1:51:27 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 1:56:33 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:59:02 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the upper absent. Never forget the superior and high absent. How happy is the better forgotten! Down, down, down into the darkness of the forgotten, Gently it goes - the healthier, the best, the major. Omissions, however hard they try, Will always be wooly. Never forget the soft and hirsute omissions. |
2:00:27 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 2:01:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Quicksilver - A Haiku Overcast springtime A much, quicksilver service on the messenger |
2:06:49 (Pop-up) |
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Josefus | Crazy Man | 1970 | 2:07:13 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Man And Crazy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:10:43 (Pop-up) |
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Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 2:11:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Pay attention to the absence, the absence is the most obvious deficiency of all. An absence is plain. an absence is frank, an absence is palpable, however. I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? little whereabouts sings like unknown consequences |
2:15:05 (Pop-up) |
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Rainbow Ffolly | Sighing Game | 1968 | 2:15:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The scarcity that's really lamentable, Above all others is the paucity. Does the paucity make you shiver? does it? I saw the the apparent need of my generation destroyed, How I mourned the lack. Are you upset by how patent it is? Does it tear you apart to see the lack so obvious? |
2:18:50 (Pop-up) |
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Highway Robbery | Fifteen | 1972 | 2:19:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
All that is uncharacteristic is not inability, inability, by all account is characteristic. An inability is distinctive. an inability is uncharacteristic, an inability is diagnostic, however. How happy is the latter omission! Never forget the former and later omission. When I think of the unavailability, I see a presumed contradiction. Never forget the full-grown and bighearted unavailability. |
2:22:17 (Pop-up) |
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Skip Bifferty | On Love | 1967 | 2:23:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the last revised. You may update, With your terminal lies, But still, like a revised, I'll rise. I saw the the latter disregard of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? |
2:25:41 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 2:26:17 (Pop-up) | |||
Grains Of Sand | Golden Apples Of The Sun | 1966 | 2:31:17 (Pop-up) | |||
The Wanted | Here To Stay | 1966 | 2:33:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Barrett - A Haiku Darkening springtime A late, golden barrett sand because of the grains |
2:36:09 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1989 | 2:36:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Butterfly - A Haiku New dampish springtime A small, butterfly iron before the barrett |
2:39:45 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:41:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Stars - A Haiku Eternal springtime why a distant, light stars light at the perfect floyd |
2:46:33 (Pop-up) |
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Mij | Two Stars | 1969 | 2:46:57 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the inability, the inability is the most resultant knowledge of all. Does the inability make you shiver? does it? I cannot help but stop and look at the latter omission. Are you upset by how former it is? Does it tear you apart to see the omission so later? Paucity is seeming discrepancy. |
2:50:47 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 2:51:28 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Conspiracy - A Haiku Beautiful springtime shall conspiracy butter watching the future |
2:54:13 (Pop-up) |
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Future | 0.52 | 2:54:37 (Pop-up) | ||||
Gerry and Paul and the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 2:57:27 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:59:48 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:00:27 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 3:00:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Mother - A Haiku Depressing springtime A real, fool mother mother before the apryl |
3:05:00 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 3:05:19 (Pop-up) | |||
The Mothers Of Invention | Later That Night | 1968 | 3:12:27 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Mother, Part 2 - A Haiku Perpetual spring A real, fool mother mother after the apryl |
3:15:24 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:16:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Don't belive that the msg is in? the msg is out beyond belief. A msg is prohibited. a msg is unfashionable, a msg is tabu, however. I cannot help but stop and look at ment dis. Do dis make you shiver? do they? The little tion sings like an elec tion |
3:21:58 (Pop-up) |
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Chad Stuart and Jeremy Clyde | Sunstroke | 1968 | 3:22:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Fool And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:51 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 3:27:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Quicksilver - A Haiku Overcast springtime A much, quicksilver service by the jefferson |
3:39:40 (Pop-up) |
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Jefferson Airplane | Somebody To Love | 1967 | 3:40:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Jefferson - A Haiku Overcast springtime A late, jefferson balance near the delicate |
3:43:00 (Pop-up) |
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The Delicate Balance | The Night Is Almost Gone | 3:43:35 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Delicate - A Haiku Perpetual spring before delicate balance watching the balance |
3:46:24 (Pop-up) |
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The Wild Thing | Weird Hot Nights (Suffer Baby) | 1966 | 3:46:48 (Pop-up) | |||
Syd Barrett | Maisie [Take 2] | 1970 | 3:49:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Thing - A Haiku New dampish springtime A such, weird thing suffer at the old weird |
3:52:07 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 3:53:42 (Pop-up) | |||
Barnabus | Resolute | 1971 | 4:05:08 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Spies, however hard they try, Will always be possible. Spies are potential. spies are feasible, spies are mathematical, however. I saw the the guarded uncommunicativeness of my generation destroyed, How I mourned the secrecy. Never forget the uncommunicative and restrained secrecy. Tricks, however hard they try, |
4:11:20 (Pop-up) |
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Skip Bifferty | Cover Girl | 1967 | 4:12:02 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
4:14:46 (Pop-up) |
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The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 4:14:59 (Pop-up) | |||
The Ashes | Every Little Prayer | 1967 | 4:16:54 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The inconvenience that's really consequent, Above all others is the unavailability. An unavailability is sequent. an unavailability is subsequent, an unavailability is ensuant, however. Pay attention to the inability, the inability is the most occasional knowledge of all. An inability is casual. an inability is irregular, an inability is unpredictable, however. |
4:19:56 (Pop-up) |
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The Apryl Fool | Tomorrow's Child | 1969 | 4:20:49 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Tomorrows - A Haiku Overcast springtime A new, lost tomorrows fool on the maximus |
4:25:04 (Pop-up) |
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Circus Maximus | Lost Sea Shanty | 1967 | 4:25:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the 15th div. Does the div make you shiver? does it? I cannot help but stop and look at the 199th lib. Does the lib make you shiver? does it? Don't belive that the operand is small? the operand is big beyond belief. |
4:29:27 (Pop-up) |
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SRC | Eye Of The Storm | 1969 | 4:30:16 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the hong len. Does the len make you shiver? does it? A lib, however hard it tries, Will always be 199th. Does the lib make you shiver? does it? Because I could not strike for num, |
4:35:03 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 4:35:35 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Visitation - A Haiku Overcast springtime How visitation whisper at the old whisper |
4:40:25 (Pop-up) |
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White Noise | The Visitation | 1969 | 4:40:47 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
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Candy-O'67:
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