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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Aphrodite's Child | Plastics Nevermore | 1968 | 0:03:21 (Pop-up) | |||
Les Yper-Sound | Jericho Jerk | 1967 | 0:05:49 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:08:15 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 0:08:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Animals - A Haiku Beautiful springtime A wild, pink animals paint despite the burdon |
0:13:29 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:13:52 (Pop-up) | |||
Art | Alive Not Dead | 1967 | 0:17:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Accompaniment - A Haiku Eternal springtime For accompaniment double near the reginald |
0:19:37 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 0:20:10 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Accompaniment, Part 2 - A Haiku Darkening springtime when accompaniment double near the reginald |
0:22:41 (Pop-up) |
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Traffic | Coloured Rain | 1967 | 0:23:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the english murray. Does the murray make you shiver? does it? How happy is the dearest marianne! Never forget the dear and beloved marianne. All that is nonfat is not elizabeth, elizabeth, by all account is fat. An elizabeth is blubber. an elizabeth is rich, |
0:25:52 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:26:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Instant Request |
0:29:41 (Pop-up) |
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The Beatles | It's all too much | 1969 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:44 (Pop-up) | ||
The Gas Company | Get Out Of My Life | 1966 | 0:35:56 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:38:02 (Pop-up) |
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Musique De William Sheller | Generissimo | 1969 | 0:38:32 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instant Request |
0:41:08 (Pop-up) |
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The Music Asylum | Star Dreams (Nebulous) | 1970 | Requested by: CC | 0:41:10 (Pop-up) | ||
H.P. Lovecraft | Let's Get Together | 1967 | 0:43:35 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
A bale, however hard it tries, Will always be brown. Down, down, down into the darkness of the bale, Gently it goes - the brownish, the dark-brown, the chromatic. All that is nonmechanical is not thresher, thresher, by all account is mechanical. Never forget the mechanically skillful and nonmechanical thresher. Just like oblong boots, is nutlets. |
0:48:01 (Pop-up) |
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Heavy Balloon | 32,000: Barnyard Blues | 1969 | 0:49:02 (Pop-up) | |||
The 13th Floor Elevators | Nobody To Love | 1967 | 0:54:50 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 0:57:39 (Pop-up) | ||
Brian Auger | The In Crowd | 1:00:09 (Pop-up) | ||||
The Bonzo Dog Doo Dah Band | Button Up Your Overcoat | 1966 | 1:00:28 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
A dah, however hard it tries, Will always be burmese. Does the dah make you shiver? does it? I cannot help but stop and look at the khizr rah. Does the rah make you shiver? does it? I cannot help but stop and look at the cunning poh. |
1:03:18 (Pop-up) |
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Sagittarius | I Still Can See Your Face | 1969 | 1:03:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Sagittarius - A Haiku Perpetual spring where sagittarius still at the old screamin |
1:06:49 (Pop-up) |
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Screamin' Jay Hawkins | I'm Lonely | 1970 | 1:07:22 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Pink And Lonely Dream Whose dream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her dream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:10:31 (Pop-up) |
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Pink Floyd | Julia Dream | 1968 | 1:11:15 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Pink And Yellow Yellow Whose yellow is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her yellow a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:13:41 (Pop-up) |
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The Yellow Payges | Devil Woman | 1969 | 1:14:42 (Pop-up) | |||
electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 1:17:36 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I saw the the striking traveler of my generation destroyed, How I mourned the absentee. An absentee is spectacular. an absentee is outstanding, an absentee is salient, however. Why would you think the disappearance is explicable? the disappearance is the most inexplicable conclusion of all. Are you upset by how unexplained it is? Does it tear you apart to see the disappearance so self-contradictory? |
1:20:17 (Pop-up) |
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William Sheller | Leslie Simone | 1969 | 1:21:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:24:16 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:24:38 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the scottish montgomerie. Never forget the scots and scotch montgomerie. Don't belive that the agger is square? the agger is circular beyond belief. An agger is global. an agger is globose, an agger is capitate, however. How happy is the fat tammany! Are you upset by how endomorphic it is? |
1:30:42 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:31:29 (Pop-up) | |||
The Elastik Band | Paper Mache | 1967 | 1:36:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Elastik - A Haiku Depressing springtime A short elastik paper despite the circut |
1:39:22 (Pop-up) |
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The id | Short Circut | 1967 | 1:39:48 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Circut - A Haiku Eternal springtime suddenly short circut show betrayed by the short |
1:42:42 (Pop-up) |
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Side Show | Ah! | 1970 | 1:43:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Underground - A Haiku Eternal springtime A nazi, underground show after the morning |
1:47:05 (Pop-up) |
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The Velvet Underground and Nico | Sunday Morning | 1966 | 1:47:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Underground And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:50:17 (Pop-up) |
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The Underground Failure | How Unpleasant To Meet Mr. Elliott | 1970 | 1:51:06 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Unpleasant And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:55:33 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 1:56:20 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:59:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
American - A Haiku Darkening springtime A young, american head an america |
2:00:28 (Pop-up) |
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The United States Of America | The American Metaphysical Circus | 1968 | 2:01:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
American, Part 2 - A Haiku Eternal springtime How american people the america |
2:05:58 (Pop-up) |
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Lothar and The Hand People | The Music Never Stops | 1968 | 2:06:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the manual revised! Revised, revised, every where, Yet not a drop to submit. All that is impartial is not omission, omission, by all account is partial. Does the omission make you shiver? does it? Just like an unintended use, is omissions. |
2:09:02 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 2:09:43 (Pop-up) | |||
monks | Drunken Maria | 1966 | 2:14:31 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Orchestra - A Haiku Eternal springtime For orchestra overture by the electric |
2:16:13 (Pop-up) |
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The Electric Light Orchestra | 10538 Overture | 1971 | 2:16:58 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Orchestra, Part 2 - A Haiku Perpetual spring where orchestra overture on the electric |
2:22:20 (Pop-up) |
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daughters of albion | hey, you, wait, stay | 1968 | 2:23:01 (Pop-up) | |||
The Asylum Choir | Soul Food | 1968 | 2:25:54 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the last been! Are you upset by how net it is? Does it tear you apart to see the been so fourth-year? I cannot help but stop and look at autobiographical prefaces. Do prefaces make you shiver? do they? Why would you think the absent is large? the absent is the most little vanish of all. |
2:28:08 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:28:54 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instrumental - A Haiku Depressing springtime then instrumental mother the funkadelic |
2:35:03 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 2:35:29 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Glitterhouse - A Haiku Beautiful springtime A vocal glitterhouse down the generation |
2:38:11 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 2:38:37 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Glitterhouse, Part 2 - A Haiku Perpetual spring A vocal glitterhouse saint a generation |
2:43:15 (Pop-up) |
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Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 2:43:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Epilogue - A Haiku Perpetual spring A leary epilogue saint by the timothy |
2:46:59 (Pop-up) |
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Dr. Timothy Leary | The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out) | 1967 | 2:47:19 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Epilogue, Part 2 - A Haiku Beautiful springtime A long, epilogue people into the ceylibe |
2:50:08 (Pop-up) |
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The Ceylibe People | Ceyladd Beyta | 1968 | 2:50:38 (Pop-up) | |||
Raw Material | Days Of The Fighting Cocks | 1970 | 2:52:55 (Pop-up) | |||
Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 2:55:55 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:58:35 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Nitzsche, Part 2 - A Haiku Depressing springtime Surprisingly young nitzsche hound out of anymore |
3:00:28 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 3:01:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Electric - A Haiku Darkening springtime A hydro, electric be out of anymore |
3:05:28 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 3:05:52 (Pop-up) | |||
Gandalf | Can You Travel In The Dark Alone | 1969 | 3:08:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Electric, Part 2 - A Haiku Perpetual spring A solar, electric be near the banana |
3:11:50 (Pop-up) |
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Smokey and His Sister | A Lot of Lovin' | 1967 | 3:13:39 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A disappearance, however hard it tries, Will always be final. Does the disappearance make you shiver? does it? A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? |
3:16:00 (Pop-up) |
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Barracuda | I Feel So Down | 2009 | 3:16:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Why would you think the nothing is finite? the nothing is the most infinite relative quantity of all. Now finite is just the thing, To get me wondering if the nothing is numberless. One afternoon I said to myself, "Why aren't dimensions more incidental?" Down, down, down into the darkness of the dimensions, Gently they go - the incidental, the basal, the radical. |
3:19:01 (Pop-up) |
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Aorta | Shape Of Things To Come | 1968 | 3:19:52 (Pop-up) | |||
Captain Beefheart and His Magic Band | Frying Pan | 1966 | 3:21:59 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:23:57 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:24:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:26:10 (Pop-up) |
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The Boomerangs | Dream World | 1966 | 3:26:26 (Pop-up) | |||
Blossom Toes | Love Is | 1967 | 3:29:05 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Boomerangs - A Haiku Beautiful springtime An ancient, boomerangs coast by the natural |
3:31:44 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 3:32:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Tomorrow - A Haiku Depressing springtime A brighter, brown tomorrow by the holiday |
3:35:40 (Pop-up) |
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Jack Holiday | Lazy Day | 1967 | 3:36:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Country - A Haiku Depressing springtime A jack country holiday on the holiday |
3:39:05 (Pop-up) |
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Blood Sweat and Tears | House In The Country | 1968 | 3:39:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Cinnamon - A Haiku Beautiful springtime A true, deep cinnamon blood at the old country |
3:42:39 (Pop-up) |
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The Deep Set | Cinnamon Girl | 2009 | 3:43:00 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Yardbirds - A Haiku Perpetual spring when an old, said yardbirds clown near the cinnamon |
3:46:17 (Pop-up) |
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The Yardbirds | Ha Ha Said The Clown | 1967 | 3:46:53 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Yardbirds, Part 2 - A Haiku Perpetual spring A yester yardbirds rapture before the rapture |
3:49:10 (Pop-up) |
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Judy Henske and Jerry Yester | Rapture | 1969 | 3:49:32 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
An omission, however hard it tries, Will always be notable. Are you upset by how noteworthy it is? Does it tear you apart to see the omission so renowned? The faction that's really lower, Above all others is the left. Down, down, down into the darkness of the left, Gently it goes - the infernal, the nether, the junior-grade. |
3:53:30 (Pop-up) |
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la revolución de emiliano zapata | Melynda | 1971 | 3:54:13 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 3:59:14 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Daughters - A Haiku Eternal springtime An own, sad daughters story by the robertson |
4:02:50 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 4:03:18 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Blonde And Blonde Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:06:05 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 4:06:50 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Aphrodites - A Haiku Depressing springtime A blonde aphrodites rain an isabella |
4:11:28 (Pop-up) |
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Aphrodite's Child | Rain And Tears | 1968 | 4:12:03 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Aphrodites, Part 2 - A Haiku Eternal springtime A nude, aphrodites rain at the old mystic |
4:15:10 (Pop-up) |
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The Human Beast | Mystic Man | 1970 | 4:15:45 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Millennium - A Haiku Beautiful springtime A last, millennium man into the mystic |
4:22:27 (Pop-up) |
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The Millennium | It's You | 1968 | 4:23:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:26:06 (Pop-up) |
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July | Dandelion Seeds | 1968 | 4:26:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:29:24 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 4:29:34 (Pop-up) | |||
Traffic | Coloured Rain | 1967 | 4:32:46 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
A pugh, however hard it tries, Will always be child. Does the pugh make you shiver? does it? Don't belive that the bryson is old? the bryson is young beyond belief. Down, down, down into the darkness of the bryson, Gently it goes - the aged, the old, the early. |
4:35:20 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 4:36:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Don't belive that the sadhus is unchristian? the sadhus is christian beyond belief. Does the sadhus make you shiver? does it? I cannot help but stop and look at medieval monasteries. Do monasteries make you shiver? do they? Pagodas are venerated languages. |
4:39:37 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 4:41:25 (Pop-up) | |||
The Aggregation | Maharishi | 1968 | 4:44:43 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Cardboard - A Haiku Perpetual spring A wet, cardboard cardboard box betrayed by the grape |
4:46:49 (Pop-up) |
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Moby Grape | He | 1967 | 4:47:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:51 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 |
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Listener comments!
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
spacecowboy:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
spacecowboy:
CC:
Owl Sun:
Owl Sun:
Owl Sun:
spacecowboy:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
CC:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
CC:
spacecowboy:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
CC:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
CC:
tom tom the pipers son:
Owl Sun:
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
Mod Mokka Matti:
tom tom the pipers son:
CC:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
CC:
CC:
Mod Mokka Matti:
CC:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
CC:
tom tom the pipers son:
CC:
Owl Sun:
tom tom the pipers son:
CC:
tom tom the pipers son:
tom tom the pipers son:
CC:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
CC:
CC:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
CC:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
CC:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
CC:
tom tom the pipers son:
CC:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Lieutenant Lou Tennant:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
tom tom the pipers son:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
JBoogie:
Owl Sun:
Owl Sun: