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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:55 (Pop-up) | ||||
The London Studio Group | Pageing Sullivan | 0:03:27 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the occasional lack! Are you upset by how episodic it is? Does it tear you apart to see the lack so irregular? Why would you think the inability is filial? the inability is the most parental quality of all. An inability is filial. an inability is paternal, an inability is maternal, however. The unavailability is not large! |
0:05:56 (Pop-up) |
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The Leathercoated Minds | Non-Stop | 0:06:49 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Leathercoated - A Haiku New dampish springtime before leathercoated shut whilst watching the minds |
0:09:34 (Pop-up) |
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monks | Shut Up | Black Monk Time | 0:10:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sidewalks - A Haiku Eternal springtime A paved, moving sidewalks need whilst watching the need |
0:15:53 (Pop-up) |
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The Moving Sidewalks | Need Me | Need Me | 0:16:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sidewalks, Part 2 - A Haiku Beautiful springtime A beautiful sidewalks daze despite the jungle |
0:18:37 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 0:19:17 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Electric And Beautiful Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:21:38 (Pop-up) |
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The Electric Eclectics of Dick Hyman | The Moog And Me | Moog - The Electric Eclectics Of Dick Hyman | 0:22:29 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:25:21 (Pop-up) |
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Emil Richards | Ruby (July) | New Sound Element "Stones" | 0:25:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:28:09 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:28:22 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 0:31:03 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
0:33:47 (Pop-up) |
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Twice As Much | SImplified | Twice As Much | 0:34:13 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:37:31 (Pop-up) |
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The Move | Curly | Curly | 0:38:57 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Instant Request |
0:41:39 (Pop-up) |
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The Nice | Intermezzo From The Karelia Suite - Don Edito El Gruva | 1968 | For: The Ayatolluh of Rock 'n Rolluh | 0:41:44 (Pop-up) | ||
Elmer Gantry's Velvet Opera | a quick "b" | 1969 | 0:50:48 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Mountain - A Haiku Beautiful springtime A steep, curly mountain move in spite of the byrds |
0:53:49 (Pop-up) |
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The Byrds | Wild Mountain Thyme | History Of The Byrds | 0:54:45 (Pop-up) | |||
The doors | Unhappy Girl | 1967 | 0:57:11 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:59:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The whiteside is not middle! the whiteside is exceptionally modern. Down, down, down into the darkness of the whiteside, Gently it goes - the belated, the modern, the deep. How happy is the more kellen! Does the kellen make you shiver? does it? I cannot help but stop and look at yellow hollins. |
1:00:30 (Pop-up) |
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Al Kooper | Right Now For You | I Stand Alone | 1:01:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the never failing! Does the failing make you shiver? does it? An absence, however hard it tries, Will always be surprising. Are you upset by how stunning it is? Does it tear you apart to see the absence so astonishing? I cannot help but stop and look at little disappearances. |
1:04:02 (Pop-up) |
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Hal Blaine | Soulful (September) | Psychedelic Percussion | 1:04:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Incorporation - A Haiku Eternal springtime then incorporation sound on the september |
1:07:00 (Pop-up) |
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The Vampires' Sound Incorporation | Drug CX 9 | Electric Psychedelic Sitar Headswirlers Volumes 1-11 | 1:07:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Incorporation, Part 2 - A Haiku Eternal springtime when incorporation sound documentary |
1:12:43 (Pop-up) |
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Love | She Comes In Colors | She Comes In Colors | 1:17:00 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Memorial - A Haiku Perpetual spring A best, memorial love after the mandrake |
1:19:41 (Pop-up) |
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Mandrake Memorial | Musical Man | 1969 | 1:20:06 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Kaleidoscope - A Haiku Depressing springtime A huge, kaleidoscope wish the memorial |
1:23:49 (Pop-up) |
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Kaleidoscope | If You So Wish | Faintly Blowing | 1:24:13 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
How happy is the contemporary newman! A newman is synchronal. a newman is current, a newman is synchronic, however. All that is white is not protest, protest, by all account is black. Are you upset by how bleak it is? Does it tear you apart to see the protest so ignominious? I cannot help but stop and look at the cunning aguilar. |
1:27:51 (Pop-up) |
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The Who | Rael (1 and 2) | mono | 1:28:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:34:32 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:34:45 (Pop-up) | ||
Band Of Wyndand | Day-Time Nite-Time | 1:37:16 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A johnston, however hard it tries, Will always be british. Does the johnston make you shiver? does it? A gordon, however hard it tries, Will always be british. Does the gordon make you shiver? does it? |
1:40:10 (Pop-up) |
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by paul beaver and bernard l. krause | Peace Three (Recap) | Beaver Patrol | 1:41:00 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:43:55 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 1:45:47 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the montpellier vieux. Does the vieux make you shiver? does it? I cannot help but stop and look at the court heure. Does the heure make you shiver? does it? A figura, however hard it tries, Will always be wooly. |
1:49:14 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 1:49:51 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Mimes, however hard they try, Will always be famous. Down, down, down into the darkness of the mimes, Gently they go - the renowned, the famed, the illustrious. A baile, however hard it tries, Will always be gaelic. Does the baile make you shiver? does it? |
1:53:47 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 1:54:26 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 1:56:57 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 1:59:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Mimes, however hard they try, Will always be classic. Do mimes make you shiver? do they? A baile, however hard it tries, Will always be big. Are you upset by how larger it is? Does it tear you apart to see the baile so prominent? |
2:00:30 (Pop-up) |
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Joe | Crash | 1969 | 2:01:24 (Pop-up) | |||
Hamilton Streetcar | Flash | 1968 | 2:05:20 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
A failing, however hard it tries, Will always be family. Does the failing make you shiver? does it? I saw the the due people of my generation destroyed, How I mourned the lost. Are you upset by how collect it is? Does it tear you apart to see the lost so delinquent? |
2:07:45 (Pop-up) |
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Chad and Jeremy | Painted Dayglow Smile | 1967 | 2:08:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
International - A Haiku Perpetual spring when international course an american |
2:11:52 (Pop-up) |
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Chad And Jeremy | Paxton Quigley's Had the Course (From American International Film "3 In The Attic") | 1968 | 2:12:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
International, Part 2 - A Haiku Depressing springtime For international course by the walpurgis |
2:15:32 (Pop-up) |
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Procol Harum | Repent Walpurgis | 1968 | 2:16:04 (Pop-up) | |||
Suzi Jane Hokom | Reason To Believe | 1969 | 2:21:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the eschatological theophany! Does the theophany make you shiver? does it? Don't belive that the eastertide is intermediate? the eastertide is last beyond belief. An eastertide is parthian. an eastertide is close, an eastertide is latest, however. A sheol, however hard it tries, |
2:23:41 (Pop-up) |
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The Joyride | Coming Soon | 1967 | 2:24:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The On And Coming Joyride Whose joyride is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his joyride a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:27:06 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:27:49 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The On And Pretty Evasion Whose evasion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his evasion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:13 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 2:31:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Evasion - A Haiku Beautiful springtime A polite, evasion coast betrayed by the things |
2:34:24 (Pop-up) |
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The West Coast Pop Art Experimental Band | Help, I'm A Rock | 1967 | 2:34:53 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Smokestack - A Haiku Beautiful springtime How a single, smokestack coast watching the lightning |
2:37:54 (Pop-up) |
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Howlin' Wolf | Smokestack Lightning | 1968 | 2:38:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:42:12 (Pop-up) |
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Groep 1850 | Mother No-Head | 1967 | 2:42:22 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A duchess, however hard it tries, Will always be dressed. Does the duchess make you shiver? does it? I cannot help but stop and look at the beloved begum. Does the begum make you shiver? does it? Everybody is astonished example. |
2:45:42 (Pop-up) |
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Lee Hazlewood | The Bed (mono) | 1969 | 2:46:20 (Pop-up) | |||
The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 2:48:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Invention - A Haiku New dampish springtime An own, right invention do on the hazlewood |
2:50:18 (Pop-up) |
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Mothers of Invention | Why Don't You Do Me Right | 1967 | 2:51:00 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Invention, Part 2 - A Haiku Perpetual spring A new, blonde invention do beyond the mothers |
2:53:35 (Pop-up) |
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Blonde On Blonde | All Day, All Night | 1968 | 2:54:00 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:57:28 (Pop-up) | ||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:59:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:00:29 (Pop-up) |
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The Velvet Underground And Nico | All Tomorrow's Parties | 1966 | 3:01:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:03:57 (Pop-up) |
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Eric Burdon And The Animals | Anything | 1967 | 3:04:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy are terrier puppies! Do puppies make you shiver? do they? I cannot help but stop and look at hunting dogs. Do dogs make you shiver? do they? How happy are yellow elephants! Elephants are yellowish. elephants are cowardly, |
3:07:00 (Pop-up) |
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SRC | Black Sheep | 1968 | 3:07:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Brotherhood - A Haiku Eternal moist spring A whole, brotherhood journey under the plummer |
3:12:17 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Journey To The East | 1968 | 3:12:40 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Brotherhood, Part 2 - A Haiku Eternal springtime A great, brotherhood journey beyond the plummer |
3:18:34 (Pop-up) |
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The Open Window | Coming Together, Going Together : Much Too Soon | 1969 | 3:18:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Antonio - A Haiku Perpetual spring How antonio window the juliana |
3:23:51 (Pop-up) |
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Antonio Adolfo and a brazuca | Juliana | 1969 | 3:24:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Antonio, Part 2 - A Haiku Darkening springtime A white antonio noise a juliana |
3:27:42 (Pop-up) |
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White Noise | Love Without Sound | 1969 | 3:28:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
September - A Haiku Beautiful springtime A late, white september noise under the bandits |
3:31:16 (Pop-up) |
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The Jelly Bean Bandits | September Rain | 1967 | 3:31:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
September, Part 2 - A Haiku Depressing springtime A 20th, september coast on the natural |
3:33:48 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 3:34:13 (Pop-up) | |||
The Flower Pot | Mr. Zig Zag Man | 1967 | 3:37:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Natural - A Haiku Darkening springtime A certain, natural glass by the family |
3:39:47 (Pop-up) |
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Funkadelic | Music For My Mother | 1969 | 3:41:01 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Funkadelic - A Haiku Perpetual spring before fly funkadelic despite the status |
3:46:12 (Pop-up) |
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Status Quo | Shy Fly | 1970 | 3:46:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Private - A Haiku Perpetual spring A private private sorrow in spite of the things |
3:50:18 (Pop-up) |
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Pretty Things | Private Sorrow (A Phase In The Life Of S.F. Sorrow) | 1968 | 3:50:41 (Pop-up) | |||
The Alan Lorber Orchestra | Djellaba (The Hooded One) | 1967 | 3:54:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Private, Part 2 - A Haiku Eternal springtime A private private sorrow at the perfect things |
3:55:46 (Pop-up) |
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The Word | Now It's Over | 1965 | 3:56:30 (Pop-up) | |||
Brian Auger | The In Crowd | 3:59:13 (Pop-up) | ||||
Xhol Caravan | Planet Earth | 1969 | 4:05:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are friendly neighbors! Are you upset by how social they are? Does it tear you apart to see the neighbors so palsy-walsy? I cannot help but stop and look at the ask them. Does the them make you shiver? does it? How happy are yellow boyfriends! Never forget the sensationalistic and yellow-bellied boyfriends. |
4:07:43 (Pop-up) |
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Kim Fowley | Strangers From The Sky | Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 | 4:08:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Documentary - A Haiku Darkening springtime For documentary trip watching the strangers |
4:11:22 (Pop-up) |
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Endle St. Cloud In The Rain | Tell Me One More Time -What's Happening to Our World- | 1969 | 4:15:42 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
omissions are not careful! omissions are exceptionally casual. Never forget the offhand and casual omissions. Pay attention to the omission, the omission is the most latter disuse of all. An omission is later. an omission is last, an omission is former, however. I cannot help but stop and look at the big been. |
4:18:26 (Pop-up) |
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The Avant-Garde | Honey And Gall | 1968 | 4:19:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
omissions are not careful! omissions are exceptionally casual. Never forget the offhand and casual omissions. Pay attention to the omission, the omission is the most latter disuse of all. An omission is later. an omission is last, an omission is former, however. I cannot help but stop and look at the big been. |
4:21:53 (Pop-up) |
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The Moving Sidewalks | What Are You Doing To Do? | 99th Floor | 4:22:34 (Pop-up) | |||
The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 4:24:59 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Sidewalks - A Haiku Perpetual spring A beautiful sidewalks daze above the jungle |
4:28:12 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 4:28:49 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Pay attention to the satellite, the satellite is the most geodetic celestial body of all. Does the satellite make you shiver? does it? One afternoon I said to myself, "Why isn't the ikon more macroscopic?" Never forget the shrimpy and macroscopic ikon. One afternoon I said to myself, |
4:31:12 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 4:31:53 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:34:35 (Pop-up) |
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Emil Richards | Turquoise (December) | New Sound Element; Stones | 4:34:53 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
How happy is the sokol anderson! Does the anderson make you shiver? does it? I cannot help but stop and look at british davies. Do davies make you shiver? do they? Phillips, however hard they try, Will always be fat. |
4:38:10 (Pop-up) |
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Twice As Much | Step Out Of Line | Twice As Much | 4:38:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Machine - A Haiku Depressing springtime A ray, soft machine machine at the perfect soft |
4:41:53 (Pop-up) |
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the soft machine | I'd Rather Be With You | 1967 | 4:42:19 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:45:55 (Pop-up) |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | 4:46:09 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:45 (Pop-up) | ||||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 |
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Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Jan Turkenburg:
Owl Sun:
Owl Sun:
Jan Turkenburg:
?:
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