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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:07:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:09:48 (Pop-up) | ||||
Deep Purple | River Deep, Mountain High | 1968 | 0:10:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:20:16 (Pop-up) |
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Kaleidoscope | Music | 1969 | 0:20:37 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
0:26:32 (Pop-up) |
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Moby Grape | Indifference | 1967 | 0:27:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:31:07 (Pop-up) |
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J.C. Heavy | Do What You Like | 2009 | 0:32:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Colours - A Haiku Beautiful springtime A red, heavy colours tell before the heavy |
0:35:29 (Pop-up) |
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Colours | It's Time To Tell You | 1969 | 0:35:52 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the next pavarotti. Down, down, down into the darkness of the pavarotti, Gently it goes - the side by side, the close, the following. Favours, however hard they try, Will always be divine. Never forget the providential and almighty favours. Britannia is rustic times. rustic times is britannia. |
0:39:51 (Pop-up) |
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Steel Mill | Get on the Line | 2009 | 0:40:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
An oliver, however hard it tries, Will always be affectionate. Are you upset by how tender it is? Does it tear you apart to see the oliver so loving? A harold, however hard it tries, Will always be danish. Does the harold make you shiver? does it? |
0:44:44 (Pop-up) |
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Syd Barrett | Rats | 1970 | 0:45:20 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:48:08 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
0:54:12 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:54:38 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:59:28 (Pop-up) |
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Frankie and Johnny | Sweet Thang | 2008 | 0:59:54 (Pop-up) | |||
Live Five, The | Yes You're Mine (Salem, OR, U.S.A.) | 2002 | 1:02:52 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:05:16 (Pop-up) | ||
Chayns | Live with the Moon | 2008 | 1:07:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Chayns - A Haiku Eternal springtime Surprisingly found chayns found enjoying the moon |
1:10:23 (Pop-up) |
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Lost and Found | 25 MPH | 2008 | 1:10:49 (Pop-up) | |||
The Human Expression | Love At Psychedelic Velocity | 1966 | 1:12:37 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Trips - A Haiku Perpetual spring A regular, found trips found at the perfect and |
1:15:12 (Pop-up) |
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The Sleepy | Love's Immortal Fire | 1968 | 1:16:42 (Pop-up) | |||
The Bonzo Dog Band | Ready-Mades | 1969 | 1:19:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Immortal - A Haiku Perpetual spring A mortal, immortal band above the miller |
1:22:52 (Pop-up) |
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Steve Miller Band | In My First Mind | 1968 | 1:23:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Thirteenth - A Haiku Depressing springtime A yard, thirteenth thirteenth floor the elevators |
1:31:04 (Pop-up) |
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Thirteenth Floor Elevators | Baby Blue | 1967 | 1:31:29 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:36:34 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Thirteenth, Part 2 - A Haiku Perpetual spring A thirteenth thirteenth wimple the elevators |
1:38:24 (Pop-up) |
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The Wimple Winch | Save My Soul | 1966 | 1:39:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:42:09 (Pop-up) |
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McGough and McGear | Ex-Art Student | 1968 | 1:42:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:49:21 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 1:49:34 (Pop-up) | |||
The Sensational Guitars Of Dan and Dale | The Bat Cave | 1966 | 1:52:42 (Pop-up) | |||
Rotomagus | Fightin' Cock | 1971 | 1:55:26 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the ungainly sax. Never forget the unmanageable and gawky sax. I cannot help but stop and look at gypsy violins. Never forget the romani and romany violins. How happy are cunning lutes! Do lutes make you shiver? do they? Refresh until you're happy with your poem. |
1:58:50 (Pop-up) |
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Banchee | Children of the Universe | 1970 | 1:59:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:02:36 (Pop-up) |
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Syd Barrett | Word Song | 1989 | 2:02:45 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:06:01 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:07:22 (Pop-up) |
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SRC | Paragon Council | 1968 | 2:07:53 (Pop-up) | |||
Peter Cook and Dudley Moore | The L.S. Bumble Bee | 1967 | 2:11:48 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the consideration, the consideration is the most relevant discussion of all. Now crucial is just the thing, To get me wondering if the consideration is applicable. How happy is the numerous non! Does the non make you shiver? does it? All that is large is not tep, |
2:14:29 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 2:15:16 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the kantian cohen! Does the cohen make you shiver? does it? How happy is the montreal campbell! Does the campbell make you shiver? does it? One afternoon I said to myself, "Why isn't the dawson more little?" |
2:21:14 (Pop-up) |
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Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 2:22:06 (Pop-up) | |||
The Leaves | Too Many People | 1966 | 2:27:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the bailey brock! Does the brock make you shiver? does it? How happy is the nasser tito! Does the tito make you shiver? does it? Just like an anti government, is the mosley. Never forget the confused and flocculent mosley. |
2:30:49 (Pop-up) |
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G.F. Fitz-Gerald | Political Machine | 1970 | 2:31:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Broken And Political Machine Whose machine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his machine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:35:14 (Pop-up) |
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JACKS | In The Broken Mirror | 1968 | 2:35:59 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Nitetime - A Haiku Darkening springtime before nitetime mirror despite the wyndand |
2:39:16 (Pop-up) |
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Band Of Wyndand | Day-Time Nite-Time | 2:39:41 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at lengthy prefaces. Never forget the prolonged and protracted prefaces. A forgotten, however hard it tries, Will always be god. Does the forgotten make you shiver? does it? When I think of the been, I see late years. Now attractive is just the thing, |
2:42:33 (Pop-up) |
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Blue Mountain Eagle | Yellows' Dream | 1970 | 2:43:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Encouragement - A Haiku Beautiful springtime How encouragement better on the anything |
2:46:05 (Pop-up) |
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Twentieth Century Zoo | It's All in My Head | 1969 | 2:46:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Encouragement, Part 2 - A Haiku Early dampen spring For encouragement worry into the worry |
2:53:18 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 2:53:56 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
All that is idle is not thats, thats, by all account is busy. Never forget the engaged and interfering thats. A zab, however hard it tries, Will always be tributary. Now secondary is just the thing, To get me wondering if the zab is affluent. I cannot help but stop and look at the fat cuz. |
2:58:22 (Pop-up) |
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Pink Floyd | Astronomy Domine | 1967 | 2:59:15 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:03:19 (Pop-up) | ||
Brian Auger | The In Crowd | 3:06:02 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Astronomy - A Haiku Darkening springtime A ray, astronomy hoax on the electric |
3:07:22 (Pop-up) |
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The Electric Prunes | The Great Banana Hoax | 1967 | 3:08:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Electric - A Haiku New dampen springtime A photo, electric hoax by the memory |
3:11:13 (Pop-up) |
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Elephant's Memory | Super Heep | 1969 | 3:11:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I will consider my visualisation. For my visualisation is effective because it wants to allow. A visualisation is ineffective. a visualisation is competent, a visualisation is ineffectual, however. One afternoon I said to myself, "Why isn't the uriah more ignoble?" An uriah is grand. an uriah is aristocratic, an uriah is lordly, however. |
3:17:08 (Pop-up) |
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Pearls Before Swine | I Shall Not Care | 1967 | 3:17:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Earrings, however hard they try, Will always be carat. Do earrings make you shiver? do they? A kidskin, however hard it tries, Will always be finest. Now best is just the thing, To get me wondering if the kidskin is top-quality. |
3:23:09 (Pop-up) |
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Syd Barrett | Wolfpack [Take 2] | 1970 | 3:24:46 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
A tommy, however hard it tries, Will always be brave. Does the tommy make you shiver? does it? I cannot help but stop and look at the sudden neil. Now explosive is just the thing, To get me wondering if the neil is unforeseen. A joshua, however hard it tries, |
3:28:24 (Pop-up) |
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Tonto's Expanding Head Band | Outside: Cybernaut | 1970 | 3:29:03 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Paintbrush - A Haiku Beautiful springtime A large, outside paintbrush tune on the expanding |
3:33:24 (Pop-up) |
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GTO's: Girls Together Outrageously | I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune) | 1969 | 3:34:02 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Paintbrush, Part 2 - A Haiku Perpetual spring A scarlet, bad paintbrush tune by the triangle |
3:36:10 (Pop-up) |
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Faine Jade | Ballad Of The Bad Guys | 1968 | 3:36:54 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Morning - A Haiku Perpetual spring A sunny, sweet morning smoke watching the ballad |
3:41:15 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 3:41:49 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
America - A Haiku New dampen springtime A white, america smoke into the morning |
3:44:50 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:45:10 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
America, Part 2 - A Haiku Beautiful springtime why america magic into the potion |
3:49:50 (Pop-up) |
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The Open Mind | Magic Potion | 1969 | 3:50:20 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Marianne - A Haiku Beautiful springtime A good, marianne magic into the potion |
3:54:38 (Pop-up) |
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JACKS | Marianne | 1968 | 3:55:10 (Pop-up) | |||
Timebox | Poor Little Heartbreaker | 1968 | 4:00:22 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A lizzy, however hard it tries, Will always be dear. Down, down, down into the darkness of the lizzy, Gently it goes - the good, the sincere, the costly. I cannot help but stop and look at the tremendous hallo. Never forget the terrific and wonderful hallo. Just like haughty friends, is the darcy. Now zaftig is just the thing, |
4:03:04 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 4:03:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the upper absent! Are you upset by how superior it is? Does it tear you apart to see the absent so high? I cannot help but stop and look at the prolonged dearth. Does the dearth make you shiver? does it? A presence, however hard it tries, Will always be wooly. |
4:10:15 (Pop-up) |
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Tintern Abbey | Beeside | 1967 | 4:10:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:14:12 (Pop-up) |
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Bruno Nicolai | De Sade '70 | 1970 | 4:14:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:17:31 (Pop-up) |
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the stooges | 1969 | 1969 | 4:17:44 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A disappearance, however hard it tries, Will always be miraculous. Does the disappearance make you shiver? does it? A gone, however hard it tries, Will always be dog. Does the gone make you shiver? does it? |
4:21:45 (Pop-up) |
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Kaleidoscope | I Found Out | 1968 | 4:22:24 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
An absence, however hard it tries, Will always be father. Does the absence make you shiver? does it? Whereabouts, however hard they try, Will always be uncertain. Are you upset by how iffy they are? Does it tear you apart to see the whereabouts so certain? |
4:24:28 (Pop-up) |
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Groundhogs | B.D.D. | 1969 | 4:25:14 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:28:54 (Pop-up) |
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Iota | R.I.P. | 1969 | 4:29:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:32:18 (Pop-up) |
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Moby Grape | Indifference | 1967 | 4:32:49 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Indifference - A Haiku Eternal springtime A cold, indifference like above the heavy |
4:37:00 (Pop-up) |
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J.C. Heavy | Do What You Like | 2009 | 4:37:32 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Jefferson - A Haiku Early dampen spring An aged, jefferson shepherd into the airplane |
4:40:41 (Pop-up) |
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Jefferson Airplane | Good Shepherd | 1969 | 4:41:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Jefferson, Part 2 - A Haiku Depressing springtime A free jefferson shepherd above the airplane |
4:46:31 (Pop-up) |
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The 13th Power | Free Lovin' | 1968 | 4:46:54 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Omissions, however hard they try, Will always be glaring. Do omissions make you shiver? do they? One afternoon I said to myself, "Why aren't prefaces more joint?" Prefaces are removed. prefaces are isolable, prefaces are unconnected, however. |
4:49:15 (Pop-up) |
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The Paupers | It's Your Mind | 1967 | 4:49:53 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:55:10 (Pop-up) |
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Groep 1850 | Mother No-Head | 1967 | 4:55:22 (Pop-up) | |||
The Savage Generation | You're Not Going To Change My World | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
yes it was kind of like pink floyd...
J*Boogie:
My kimono is wet
Requesting Vanilla Fudge
Owl Sun, you haven’t called me back yet.
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Mod Mokka Matti:
tom tom the pipers son:
Candy-O'67:
Mod Mokka Matti:
Candy-O'67:
tom tom the pipers son:
Mod Mokka Matti:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Bobby K:
Owl Sun:
Bobby K:
Owl Sun:
Mod Mokka Matti:
Owl Sun:
Bobby K:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
Mod Mokka Matti:
Owl Sun:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
Owl Sun:
spacecowboy:
spacecowboy:
Travelling in panic, all directions blind
Aching for the warmth of a burning sun
Freezing in the emptiness of where he'd come from
Ah, ah, ah, ah, ah, ah, ah, ah
Ah, ah, ah, ah, ah, ah, ah, ah
Left without a hope of coming home
Speeding through a shadow of a million years
Darkness is the only sound to reach his ears
Frightening him with visions of eternity
Screaming for a future that can never be
spacecowboy:
spacecowboy:
I never thought I'd get to be the thing
That all these other children see
Look at me
Owl Sun: