The Night Owl Show with Owl Sun:
Playlist
from February 19, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Faine Jade |
Dont Hassle Me
|
1968 |
|
0:03:42 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
The Ghost Chained To The Past, Present, And Future (Shock Treatment)
|
1969 |
|
0:06:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at inexplicable disappearances. Are you upset by how cryptical they are? Does it tear you apart to see the disappearances so incomprehensible? I saw the the probable deficiency of my generation destroyed, How I mourned the absence. Now equiprobable is just the thing, To get me wondering if the absence is improbable. An absent, however hard it tries, |
|
0:08:03 (Pop-up) |
||
| Amon Düül |
Eternal Flow
|
1970 |
|
0:09:12 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the hypsometric cdt. Does the cdt make you shiver? does it? How happy is the plain sebastian! Are you upset by how pure it is? Does it tear you apart to see the sebastian so general? When I think of the cali, I see southern stages. Are you upset by how nonfat it is? |
|
0:13:40 (Pop-up) |
||
| Frumious Bandersnatch |
Hearts to Cry
|
1968 |
|
0:14:23 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The impersonation that's really silly, Above all others is the spoof. Down, down, down into the darkness of the spoof, Gently it goes - the empty-headed, the slaphappy, the featherbrained. vandals are not adult! vandals are exceptionally jejune. Down, down, down into the darkness of the vandals, Gently they go - the immature, the jejune, the adult. |
|
0:19:25 (Pop-up) |
||
| The Merry Pranksters |
Stage Chaos / More Power Rap
|
1966 |
|
0:20:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Pranksters - A Haiku Dismal wintertime A misty pranksters power in spite of the groep |
|
0:23:18 (Pop-up) |
||
| Groep 1850 |
misty night
|
1966 |
|
0:23:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
All that is appropriate is not absent, absent, by all account is inappropriate. Now improper is just the thing, To get me wondering if the absent is incongruous. A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? |
|
0:27:20 (Pop-up) |
||
| Andromeda |
Day Of The Change
|
1969 |
|
0:27:58 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
0:32:55 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:33:07 (Pop-up) | |
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
0:35:43 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Ypersound - A Haiku Rainy wintertime A feathered ypersound fish in spite of the psych? |
|
0:37:45 (Pop-up) |
||
| The Other Half |
Feathered Fish
|
1968 |
|
0:38:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Instant Request |
|
0:41:03 (Pop-up) |
||
| Preludes |
Deeper Than That
|
Shiggy Diggy / Deeper Than That | For: The Ayatolluh of Rock 'n Rolluh |
|
0:41:07 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Twentieth - A Haiku Polar wintertime why twentieth remember out of century |
|
0:45:54 (Pop-up) |
||
| Twentieth Century Zoo |
You Don't Remember
|
1967 |
|
0:46:40 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Spleandor - A Haiku Arctic wintertime before spleandor remember by the twentieth |
|
0:49:27 (Pop-up) |
||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
0:49:57 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
The Epic And Dead Peter Whose peter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her peter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:52:52 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
0:53:34 (Pop-up) | ||
| Edgar Broughton Band |
Neptune
|
1969 |
|
1:00:23 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Dead And Black Crest Whose crest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:04:32 (Pop-up) |
||
| Jason Crest |
Black Mass
|
1969 |
|
1:05:18 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Don't belive that the jeff is unsure? the jeff is sure beyond belief. Does the jeff make you shiver? does it? How happy is the fitz michael! Does the michael make you shiver? does it? The rebecca is not small! |
|
1:10:00 (Pop-up) |
||
| Jefferson Airplane |
Martha
|
1967 |
|
1:10:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:13:58 (Pop-up) |
|||
| The Lewis and Clarke Expedition |
House of My Sorrow
|
1967 |
|
1:14:12 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The In And Man Expedition Whose expedition is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his expedition a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:19:29 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
I'm In Love With The Ooo-Ooo Man
|
1969 |
|
1:20:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Ventures - A Haiku Brumous wintertime A private, ventures venture above the venture |
|
1:23:45 (Pop-up) |
||
| The Ventures |
Psychedelic Venture
|
1967 |
|
1:24:10 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Don't belive that explorations are unsuccessful? explorations are successful beyond belief. Now flourishing is just the thing, To get me wondering if explorations are palmy. All that is uncreative is not initiatives, initiatives, by all account is creative. Now inventive is just the thing, To get me wondering if initiatives are generative. |
|
1:26:09 (Pop-up) |
||
| Faine Jade |
Doctor Paul Overture
|
1968 |
|
1:26:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:29:46 (Pop-up) |
|||
| Amon Düül |
Paramechanical World
|
1970 |
|
1:30:12 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? A failing, however hard it tries, Will always be sympathetic. A failing is harmonic. a failing is unlikable, a failing is empathetic, however. A disappearance, however hard it tries, |
|
1:35:52 (Pop-up) |
||
| The Waphphle |
Going Down
|
1967 |
|
1:36:46 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at brief prefaces. Never forget the concise and short prefaces. I must submit with the phonological revised again, I don't like the fact that it, learned to submit before it knew how to update. The yellow left sings like a far wall A left is fearful. a left is dishonourable, a left is colored, however. |
|
1:38:19 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:39:03 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at flip flips. Down, down, down into the darkness of the flips, Gently they go - the insolent, the impudent, the snotty-nosed. How happy are torque curves! Do curves make you shiver? do they? Spins, however hard they try, Will always be cunning. |
|
1:41:50 (Pop-up) |
||
| Andromeda |
Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination
|
1969 |
|
1:42:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Determination - A Haiku Dampen wintertime trident determination on the productions |
|
1:49:21 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
1:55:15 (Pop-up) | ||
| Gerry and Paul and the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 1:58:21 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Connection - A Haiku Icy wintertime A causal, connection want near the rotary |
|
2:00:26 (Pop-up) |
||
| The Other Half |
Bad Day
|
1968 |
|
2:01:04 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the loathsome neglected. A neglected is wicked. a neglected is noisome, a neglected is yucky, however. How happy is the deep forgotten! A forgotten is incomprehensible. a forgotten is abysmal, a forgotten is unfathomed, however. The wooly been sings like a divine chance Now addled is just the thing, |
|
2:03:16 (Pop-up) |
||
| Frumious Bandersnatch |
Chesire
|
1968 |
|
2:03:58 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Bandersnatch - A Haiku Dour wintertime suddenly bandersnatch sound out of expression |
|
2:10:58 (Pop-up) |
||
| The Human Expression |
Optical Sound
|
1967 |
|
2:11:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Generation - A Haiku Rainy wintertime A whole, generation sound on the expression |
|
2:15:13 (Pop-up) |
||
| JACKS |
Love Generation
|
1968 |
|
2:15:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:18:58 (Pop-up) |
|||
| Womb |
Peace
|
1968 |
|
2:19:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
A gemma, however hard it tries, Will always be sal. Does the gemma make you shiver? does it? I cannot help but stop and look at the dearest rebecca. Does the rebecca make you shiver? does it? The wooly tracy sings like catholic eyes |
|
2:23:04 (Pop-up) |
||
| Alice Cooper |
Lay Down and Die, Goodbye
|
1970 |
|
2:23:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Pink And Flaming Goodbye Whose goodbye is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her goodbye a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:13 (Pop-up) |
||
| Pink Floyd |
Flaming
|
1967 |
|
2:31:56 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:34:39 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
Harrison, Part 2 - A Haiku Polar wintertime An anti, harrison love an america |
|
2:36:29 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:36:58 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
The United And Unknown Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:41:37 (Pop-up) |
||
| The Lewis and Clarke Expedition |
Destination Unknown
|
1967 |
|
2:42:27 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Trident And Trident Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:45:12 (Pop-up) |
||
| Small Faces |
Song Of A Baker
|
1968 |
|
2:51:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at grotesque poses. Are you upset by how fantastic they are? Does it tear you apart to see the poses so unusual? Pay attention to the confronting, the confronting is the most bold endeavour of all. Now steep is just the thing, To get me wondering if the confronting is obvious. Just like a faced son, is dodges. |
|
2:54:37 (Pop-up) |
||
| Mr. Flood's Party |
advice
|
1970 |
|
2:55:19 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
2:58:23 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
One afternoon I said to myself, "Why aren't tornados more nonviolent?" Now vehement is just the thing, To get me wondering if tornados are knock-down-and-drag-out. Rains, however hard they try, Will always be tropical. Now nonliteral is just the thing, To get me wondering if rains are hot. |
|
3:00:26 (Pop-up) |
||
| Andromeda |
Go Your Way
|
1969 |
|
3:01:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The weekday that's really 5th, Above all others is the friday. Does the friday make you shiver? does it? A feb, however hard it tries, Will always be 5th. Does the feb make you shiver? does it? |
|
3:04:18 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Ruby Tuesday
|
1967 |
|
3:05:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Connection - A Haiku Wicked wintertime A plastic connection trip despite the plastic |
|
3:09:26 (Pop-up) |
||
| Lewis and Clarke |
Daddy's Plastic Child
|
1968 |
|
3:09:50 (Pop-up) | ||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
3:13:20 (Pop-up) | ||
| The Shame |
Too Old To Go 'Way Little Girl
|
1967 |
|
3:16:23 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Company - A Haiku Covered wintertime A cosmic company come by the popera |
|
3:19:29 (Pop-up) |
||
| Popera Cosmic |
Aurore Cosmic
|
1969 |
|
3:20:09 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
Popera - A Haiku Frigid wintertime A cosmic popera need beyond the aurore |
|
3:27:25 (Pop-up) |
||
| The Other Half |
I Need You
|
1968 |
|
3:27:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Kangaroo - A Haiku Arctic wintertime A red, long kangaroo long enjoying the time |
|
3:30:33 (Pop-up) |
||
| Kangaroo |
Such A Long Long Time
|
1968 |
|
3:30:54 (Pop-up) | ||
| Le Cirque |
Land Of Oz
|
Land Of Oz / Ill Be Thinking Of You | 1967 |
|
3:33:07 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Kangaroo, Part 2 - A Haiku Snow-clad wintertime A grey, long kangaroo love whilst watching the jacks |
|
3:36:00 (Pop-up) |
||
| JACKS |
Love
|
1968 |
|
3:36:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Expression - A Haiku Arctic wintertime A human expression down after the human |
|
3:41:55 (Pop-up) |
||
| The Human Expression |
Calm Me Down
|
1967 |
|
3:42:16 (Pop-up) | ||
| Captain Beefheart and His Magic Band |
The Blimp (mousetrapreplica)
|
1970 |
|
3:44:41 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Expression, Part 2 - A Haiku Covered wintertime A human expression frost above the bellum |
|
3:46:43 (Pop-up) |
||
| Lime Frost |
Post Bellum Blues
|
1968 |
|
3:47:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Steeplechase - A Haiku Snow-clad wintertime A famous, bright steeplechase at the perfect bright |
|
3:51:33 (Pop-up) |
||
| Steeplechase |
Lady Bright
|
1970 |
|
3:51:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:56:01 (Pop-up) |
|||
| Attack |
School Daze
|
1968 |
|
3:56:11 (Pop-up) | ||
| Gerry and Paul and the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 3:59:01 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at the all gone. Now complete is just the thing, To get me wondering if the gone is whole. I cannot help but stop and look at regular disappearances. Are you upset by how irregular they are? Does it tear you apart to see the disappearances so normal? When I think of the lost, I see a concerned exception. Now chickenhearted is just the thing, |
|
4:03:33 (Pop-up) |
||
| Nite Watchmen |
Mimic Jester
|
1969 |
|
4:04:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Watchmen - A Haiku Arctic wintertime A night, mimic watchmen ray despite the jester |
|
4:06:52 (Pop-up) |
||
| Baby Ray And The Ferns |
How's Your Bird
|
1963 |
|
4:07:28 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Rounders - A Haiku Icy wintertime A modal rounders survey on the universe |
|
4:10:33 (Pop-up) |
||
| The Holy Modal Rounders |
Jimmy And Crash Survey The Universe: Indian War Whoop
|
1967 |
|
4:10:57 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Cymbaline - A Haiku Arctic wintertime before cymbaline survey before the rounders |
|
4:13:49 (Pop-up) |
||
| played and composed by the pink floyd |
Cymbaline
|
1969 |
|
4:14:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Cymbaline, Part 2 - A Haiku Covered wintertime before cymbaline mother beyond the samwell |
|
4:18:55 (Pop-up) |
||
| The Waters |
Mother Samwell
|
1969 |
|
4:19:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Don't belive that seabeds are sharp? seabeds are natural beyond belief. Now misbegotten is just the thing, To get me wondering if seabeds are instinctual. Don't belive that rivers are deep? rivers are shallow beyond belief. Down, down, down into the darkness of the rivers, Gently they go - the shelvy, the shoal, the knee-deep. |
|
4:22:07 (Pop-up) |
||
| The Lewis and Clarke Expedition |
Blue Revelations
|
1967 |
|
4:22:51 (Pop-up) | ||
| The Merry Pranksters |
Stage Chaos / More Power Rap
|
1966 |
|
4:25:07 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Encouragement - A Haiku Covered wintertime A more, encouragement page at the perfect page |
|
4:28:02 (Pop-up) |
||
| Groep 1850 |
misty night
|
1966 |
|
4:28:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at consonant omissions. Now agreeable is just the thing, To get me wondering if omissions are consistent. Pay attention to the absent, the absent is the most suggestive disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the indicative, the significative, the meaningful. Pay attention to the omission, |
|
4:32:15 (Pop-up) |
||
| The End |
Dreamworld
|
1969 |
|
4:32:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
All that is foul is not absent, absent, by all account is fair. Does the absent make you shiver? does it? Pay attention to the lack, the lack is the most inherent miss of all. Are you upset by how integral it is? Does it tear you apart to see the lack so built-in? |
|
4:38:05 (Pop-up) |
||
| Popera Cosmic |
Philadelphie Story
|
1969 |
|
4:38:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Philadelphie - A Haiku Darkness wintertime why philadelphie story out of popera |
|
4:42:33 (Pop-up) |
||
| Tyde |
Lost
|
1969 |
|
4:42:53 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Deviants - A Haiku Snow-clad wintertime A few, lost deviants hold because of the youve |
|
4:45:40 (Pop-up) |
||
| The Deviants |
You've Got To Hold On
|
1968 |
|
4:46:01 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:50 (Pop-up) | ||||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
|||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz |
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Listener comments!
Owl Sun:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Andrew Hollywood:
CC:
The Ayatolluh of Rock 'n Rolluh:
Andrew Hollywood:
CC:
The Ayatolluh of Rock 'n Rolluh:
CC:
Owl Sun:
CC:
Andrew Hollywood:
The Ayatolluh of Rock 'n Rolluh:
CC:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
Bianyothername:
Bianyothername:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Bianyothername:
Owl Sun:
Bianyothername:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
Owl Sun:
Owl Sun:
Owl Sun:
spacecowboy:
Now complete is just the thing,
To get me wondering if the gone is whole.
I cannot help but stop and look at regular disappearances.
Are you upset by how irregular they are?
Does it tear you apart to see the disappearances so normal?
When I think of the lost, I see a concerned exception.
Now chickenhearted is just the thing,
spacecowboy:
spacecowboy:
spacecowboy:
Owl Sun: