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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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Artist | Track | Album | Comments | Approx. start time |
---|---|---|---|---|
The Verlaines | Take Good Care Of It | Bird Dog | ///Bass, Backing Vocals – Jane Dodd ///Drums, Xylophone – Robbie Yeats ///Guitar, Harp, Oboe, Piano, Vocals, Composed By [Composition] – Graeme Downes ///Written-By – G. Downes. — Recorded at Mascot Studios, August 86-March 87 | 0:00:00 (Pop-up) |
The Clean | Tensile | Mr. Pop | Recorded in Dunedin, NZ, Feb. 09 | 0:02:33 (Pop-up) |
Tony Hymas | Pictures of Departure | Flying Fortress | Tenor Saxophone – Stan Sulzmann Nato – CD 1435. -- 1988 | 0:05:56 (Pop-up) |
White Noise | Firebird | An Electric Storm | • Kaleidophon – production • David Vorhaus – production co-ordinator • Delia Derbyshire, Brian Hodgson – electronic sound realisation • Paul Lytton – percussion • John Whitman, Annie Bird, Val Shaw – vocals. - -1969 | 0:10:30 (Pop-up) |
Annette Peacock | No Winning, No Losing | Abstract-Contact | ///Bass – Ed 'Slam' Poole ///Drums – Simon 'Diamond' Price ///Vocals, Keyboards, Words By, Music By, Arranged By, Producer – Annette Peacock | 0:13:29 (Pop-up) |
Victor Dimisich Band | It's Cold Outside | My Name Is K | ///Bass, Guitar, Vocals – Stephen Cogle ///Drums – Peter Stapleton ///Guitar, Organ – Allen Meek* ///Organ – Mary Heney Written-By – Stapleton, Cogle | 0:17:03 (Pop-up) |
Gary Wilson | Loneliness | You Think You Really Know Me | Recorded at Gary Wilson's house on a TEAC A2340 and mixed down on a TEAC 2300 - 1977 | 0:21:27 (Pop-up) |
The Band | Chest Fever | Music From Big Pink | • Rick Danko – bass guitar, fiddle, vocals • Levon Helm – drums, tambourine, vocals • Garth Hudson – organ, piano, clavinet, soprano and tenor saxophones • Richard Manuel – piano, organ, vocals • Robbie Robertson – electric and acoustic guitars, vocals. -- 1968 | 0:24:21 (Pop-up) |
DJ SnowConeHead | 0:29:24 (Pop-up) | |||
Kentaro Haneda | XyVE[g | Hane-Ken Land (anime sdtrks) | Released 2003 Haneda was born in Tokyo, Japan. He taught as a professor at the Tokyo College of Music. He graduated from the Toho Gakuen School of Music. He was best known as composer of Wizardry music which was ported to NES and SNES console by Ascii at early 1990, The Super Dimension Fortress Macross series, Barefoot Gen, Ys Symphony, Symphony Sorcerian and Genso Suikoden Ongaku-shu. He died of liver cancer on June 2, 2007 at the age of 58. | 0:35:37 (Pop-up) |
Lalo Schifrin | Scorpio's View | Dirty Harry OST (Aleph) | 0:38:32 (Pop-up) | |
David Shire | The Money Express | The Taking of Pelham One Two Three (Original Soundtrack) | 0:41:05 (Pop-up) | |
Michael Small | House On The Hill - Approaching Showdown | Marathon Man (OST) | recorded July 12-15, 1976 | 0:45:00 (Pop-up) |
Michael Small | Art In Cafeteria - Suitcase Bomb | The Parallax View OST | recorded February 5/7/8, 1974. No original session masters survived. Mastered from the film's monaural music stem with subtle stereo reverb added. | 0:47:39 (Pop-up) |
Toru Takemitsu | And Then I Knew 't Was Wind | Flute Music | Toru Takemitsu’s And Then I Knew ‘Twas Wind is a valedictory work, written in 1992, four years before its composer’s death. Its title is drawn from Emily Dickenson’s poem “Like Rain it sounded till it curved,” and, as Takemitsu wrote, “has as its subject the signs of the wind in the natural world and of the soul, or unconscious mind (or we could even call it ‘dream’), which continues to blow, like the wind, invisibly, through human consciousness.” And Then I Knew ‘Twas Wind is written in one movement and shares its fragmentary melodic style with Debussy’s Sonata for Flute, Viola, and Harp. Most of its harmonic content is derived from a collection of six pitches that, though not tonal, strongly alludes to F major. Takemitsu’s aim to project the shifting quality of the wind led him to create a score that is highly gestural – that is, musical lines reflect the physical attributes of an object (in this case the wind), rising, falling, turning mid-phrase, etc. © Jonathan Blumhofer | 0:51:36 (Pop-up) |
Adriene - SHARKS night meditation | 1:04:53 (Pop-up) | |||
Harold Budd | Cartago Sand Dancing | Myths 3, La Nouvelle Sérénité | ///Piano, Keyboards [Electric Keyboard] – Harold Budd ///Steel Guitar – Eugene Bowen. -- Recorded 25th January 1983 at Poiema studios, Carmarillo, California | 1:05:49 (Pop-up) |
DJ Baravelli, the ice man | 1:11:57 (Pop-up) | |||
TICO ALL STARS | Descarga en Cueros | TICO ALL STARS - DESCARGAS AT THE VILLAGE GATE VOLUMES 1&2 | Eddie Palmieri - Piano; Rafael DaVila - Vocals; Vincent Frisaura Trumpet; Santos Colon Vocals ; Alfredo "Chocolate" Armenteros Trumpet; Israel "Cachao" Lopez Bass ; Candido Camero Conga; Tito Puente Percussion, Vibraphone, Timbales; Bobby Rodriguez Bass; Abreu Alfred Sax (Tenor); Pedro Boulong Trumpet ; Francisco Pozo Cowbell ; Bobby Porcelli Saxophone; Johnny Pacheco Flute ; Charlie Palmieri Piano ; Cachao Bass ; Alfred Abreu Sax (Tenor) ; Jimmy Sabater Timbales ; Victor Paz Trumpet ; Jose Rodrigues Trombone; John Rodriguez Bongos, Cowbell; José Papo Rodríguez Trombone ; José Feliciano Vocals ; Barry Rogers Trombone; Ray Barretto Conga Percussion --- 1966 | 1:21:10 (Pop-up) |
VICTOR VELAZQUEZ, Alegre All-Stars | Guajira in "F" | Lost and Found | ///Bass - Bobby Rodriguez ///Bongos - David Cortijito ///Congas - Frankie Malabe ///Guiro - Tito Jimenez ///Other [Studio Chatter] - Cecilio Carmona ///Piano, Other [Leader] - Charlie Palmieri ///Saxophone [Tenor] - Jose "Chombo" Silva ///Timbales, Other [Co-leader] - Kako ///Trombone - Barry Rogers ///Trumpet - Pedro "Puchi" Boulong , Ray Maldonado ///Vocals, Percussion - Cheo Feliciano , Dioris Valladares , Heny Alvarez , Victor Velazquez , Willie Torres , Yayo "El Indio" Pequero --- Year - ? | 1:34:44 (Pop-up) |
Tito Puente | Gozando | Tito Puente's 20th Anniversary | 1:41:16 (Pop-up) | |
Eddie Palmieri | Buscandote | La Verdad | ///Bass – Polito Huerta ///Bata, Percussion – José Ramirez* ///Congas, Bata, Percussion – Anthony Carrillo*, Giovanni Hidalgo ///Coro – Cali Aleman, Ralphy Torres ///Drums, Timbales – Charlie Cotto ///Lead Vocals – Iris Martinez* (tracks: B3) ///Lead Vocals [Familia Torres] – Ralphy Torres Wilson Torres Yanira Torres ///Piano, Producer, Arranged By – Eddie Palmieri ///Saxophone – Hector Veneros ///Trombone – Ralphy Torres*, Victor Candel | 1:44:07 (Pop-up) |
DJ Bai-la or Die-la | 1:55:21 (Pop-up) | |||
John Corigliano, David Hess, Georges Bizet | Faces Are the Same, III; Playin' the Game; Time | The Naked Carmen | 2:01:55 (Pop-up) | |
Harold Alexander | Mama Soul | Sunshine Man | ///Bass, Electric Bass – Richard Davis ( — ///Congas – Richard Landrum — ///Drums – Pretty Purdie — ///Electric Piano – Neal Creque — ///Flute, Soprano Saxophone – Harold Alexander — ///Written-By – Harold Alexander — Recorded May 27-28, 1971 | 2:10:55 (Pop-up) |
Eddie Gale | It Must Be You | Black Rhythm Happening | • Eddie Gale - trumpet • Roland Alexander - soprano saxophone, flute • Jimmy Lyons - alto saxophone • Russell Lyle - tenor saxophone, flute • Jo Ann Gale Stevens - guitar, vocals • Henry Pearson, Judah Samuel - bass • Elvin Jones - drums • John Robinson - African drums • Sylvia Bibbs, Charles Davis, Paula Nadine Larkin, William Norwood, Fulumi Prince, Carol Ann Robinson, Sondra Walston - vocals - released: 1969 | 2:16:40 (Pop-up) |
24 Carat Black | Ghetto: Misfortune's Wealth | Ghetto: Misfortune's Wealth | —Arranged By – Dale O. Warren*, Gregory Ingram, William Talbert —Bass – Larry Austin (2) —Cello – Barbara Thompson (2), Vincent De Frank* —Composed By – The 24-Carat Black*, Dale O. Warren* E—lectric Piano – James Talbert —Guitar – Ernest Latimore —Percussion – Tyrone Steele* —-Vocals – Ernest Latimore, Kathleen Dent, Princess Hearn, Tyrone Steele*, Valerie Malone ------1973 | 2:22:22 (Pop-up) |
Angel Bat Dawid | We Are Starzz | The Oracle | Lead Vocals, Instrumentation By – Angel Bat Dawid 04 Oct 2019 | 2:25:56 (Pop-up) |
Edda Dell'Orso | La Spiaggia | Dream Within A Dream...The Incredible Voice Of | 2:30:18 (Pop-up) | |
Piero Piccioni | Aspetto Ancora Un Giorno | SIGNOR PICCIONI TEMPO | From the film: from Scacco Alla Regina | 2:38:31 (Pop-up) |
DJ si Scusi | 2:41:33 (Pop-up) | |||
David Murray | Lovers | Black Saint - Musica Jazz CD | /// Olu Dara – cornet ///Baikida Carroll – trumpet ///Craig Harris – trombone ///Vincent Chaney – french horn ///Bob Stewart – tuba /// Steve Coleman – alto and soprano saxophone ///John Purcell – alto saxophone, clarinet ///David Murray – tenor saxophone ///Rod Williams – piano ///Fred Hopkins – bass(?). — New York, Sweet Basil, August 1984 | 2:47:14 (Pop-up) |
Sam Rivers' Rivbea All-Star Orchestra | Solace | Inspiration | GREG OSBY alto saxophone —STEVE COLEMAN alto saxophone —HAMIET BLUIETT baritone saxophone —DOUG MATHEWS bass —ANTHONY COLE drums —JOSEPH DALEY baritone saxophone —CHICO FREEMAN tenor saxophone —GARY THOMAS tenor saxophone —ART BARON trombone —JOSEPH BOWIE trombone —RAY ANDERSON trombone —BAIKIDA CARROLL trumpet —-JAMES ZOLLAR trumpet —-RALPH ALESSI trumpet —-RAVI BEST trumpet —BOB STEWART tuba —SAM RIVERS soprano saxophone, tenor saxophone, flute Recorded at Systems Two Recording Studios Brooklyn, NY, September 28 & 29, 1998 | 2:55:32 (Pop-up) |
Charles Lloyd | Shiva Prayer | Passin' Thru | ///Bass – Reuben Rogers ///Drums – Eric Harland ///Piano – Jason Moran ///Tenor Saxophone – Charles Lloyd recorded at The Lensic, Santa Fe New Mexico July 29, 2016 | 3:06:30 (Pop-up) |
Grant Green | Idle Moments | Idle Moments | • Grant Green - guitar • Joe Henderson - tenor saxophone • Duke Pearson - piano • Bobby Hutcherson - vibraphone • Bob Cranshaw - double bass • Al Harewood - drums. - | 3:14:49 (Pop-up) |
DJ He's Gonna Leave You | 3:29:41 (Pop-up) |
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Listener comments!
Stork:
listener james from westwood:
Wolfgang:
chresti:
hyde:
chresti:
Listener Gregory:
spodiodi:
TDK60:
Fuzzy:
Uncle Michael:
chresti:
Linda Lee:
Stork:
StringOFperils:
Linda Lee:
Artie:
TDK60:
chresti:
Gerry from Miami:
Stork:
doctorjazz:
chresti:
Irene:
Andrew Hollywood:
Linda Lee:
Jeff Golick:
Linda Lee:
Gerry from Miami:
coelacanth∅:
chresti:
Stork:
adamdoesit:
Linda Lee:
chresti:
Listener Gregory:
βrian:
Stork:
Linda Lee:
east Texas, Brian.
chresti:
coelacanth∅:
βrian:
Linda Lee:
TDK60:
Linda Lee:
doctorjazz:
Revolution Rabbit Nov63:
coelacanth∅:
i guess kids make money by existing now
spodiodi:
Stork:
Revolution Rabbit Nov63:
coelacanth∅:
Linda Lee:
fred:
Gerry from Miami:
Revolution Rabbit Nov63:
But whiskey sounds better...
Stork:
coelacanth∅:
Revolution Rabbit Nov63:
Stork:
fred:
Gerry from Miami:
Stork:
Linda Lee:
doctorjazz:
Linda Lee:
Dean:
TDK60:
Linda Lee:
Stork:
Linda Lee:
hyde:
Irene:
Gerry from Miami:
coelacanth∅:
Listener Gregory:
coelacanth∅:
Listener Gregory:
TDK60:
Listener Gregory:
Irene Trudel:
Linda Lee:
Stork:
Dean:
Stork:
hyde:
Linda Lee:
TDK60:
Gerry from Miami:
Stork:
Linda Lee:
https://cruisetotheedge.com/the-cruise/
Irene:
coelacanth∅:
Linda Lee:
Linda Lee:
Dean:
Beneath the diamond sky : Haight-Ashbury, 1965-1970
Led Zeppelin IV
Led Zeppelin : the oral history of the world's greatest rock band
Lowside of the road : a life of Tom Waits
Ragged glories : city lights, country funk, American music
The sound and the fury : a Rock's Backpages reader : 40 years of classic rock journalism (ed.)
Waiting for the sun : a rock 'n' roll history of Los Angeles
(aka) Waiting for the sun : strange days, weird scenes, and the sound of Los Angeles
All books by Hoskyns.
listener james from westwood:
Dean:
Gerry from Miami:
Linda Lee:
StringOFperils:
StringOFperils:
Linda Lee:
Stork:
StringOFperils:
Linda Lee:
Gerry from Miami:
Revolution Rabbit Nov63:
Linda Lee:
Dean:
Linda Lee:
Listener Gregory:
Stork:
Revolution Rabbit Nov63:
Linda Lee:
Linda Lee:
Stork:
Linda Lee:
Linda Lee:
Linda Lee:
Revolution Rabbit Nov63:
doctorjazz:
Linda Lee:
hyde:
Revolution Rabbit Nov63:
Dean:
Revolution Rabbit Nov63:
Stork:
Linda Lee:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
- live for such a turn of phrase.
That's what our 'affluent' 'democratic' society is too...
Linda Lee:
Dean:
This features "And Then I Knew..." and a number of solo flute works, but also ensemble works: https://www.prestomusic.com/classical/products/7926796--takemitsu-chamber-music
WR:
Linda Lee:
doctorjazz:
Time for round 1 of snow clearing (still coming down, but will be harder if I wait until it ends). Will take the show with me. Later.
WR:
Revolution Rabbit Nov63:
Linda Lee:
Dean:
https://www.aureoletrio.com/recordings/takemitsu-towards-the-sea-iii/
Linda Lee:
i jest!
Dean:
Dean:
Andres:
Dean:
Linda Lee:
StringOFperils:
Irene Trudel:
Doug Schulkind:
Peter Kaprelian:
TDK60:
Irene Trudel:
tranewreck:
Linda Lee:
chresti:
www.youtube.com...
adamdoesit:
Stork:
Linda Lee:
TDK60:
Revolution Rabbit Nov63:
Andres:
Dean:
"But this program by Aureole (Laura Gilbert, flute, Mary Hammann, viola, and Stacey Shames, harp) has a lot going for it too. Though it doesn't contain all the music Takemitsu wrote for flute, it does give a wider sample of chamber works than the DG disc, including the three-part Noh-inspired duo for flutes, Masque, and the quartet for oboe, flute, viola, and harp, Eucalypts, which he composed in 1970 after encountering the over 300 varieties of eucalyptus trees in Australia. In truth, Takemitsu's writing for the flute remained fairly consistent over the years (the works represented here date from 1959 to 1996—the latter, Air for solo flute, being his last completed composition), favoring pastoral colors and lyrical moods. In Itinerant (another solo piece) and the flute/harp version of Toward The Sea III, flutist Laura Gilbert does a good job of evoking the Japanese shakuhachi through subtle nuances of breath and vibrato, altering pitches microtonally or distorting them by overblowing. Notwithstanding the music's obvious French influence, the musicians don't attempt to shroud everything in soft-focus Impressionist gauze, which works to their advantage, especially in Eucalypts, with its sharper-than-usual melodic angles and spiky attacks, and And Then I Knew 'Twas Wind, which is Debussian enough in its instrumentation and atmosphere, and benefits from this crisp, direct, nicely proportioned approach. The clear, clean recorded sound helps too. In fact, except for the gratuitous, condescending slap at Schoenberg in the program book, this disc has enough positive notes to warrant a strong recommendation."
StringOFperils:
Revolution Rabbit Nov63:
βrian:
Dean:
Dean:
Stork:
Listener Gregory:
βrian:
Stork:
Gerry from Miami:
Dean:
Stork:
yerfriendpaul:
Dean:
Stork:
Revolution Rabbit Nov63:
yerfriendpaul:
Doug Schulkind:
Doug Schulkind:
adamdoesit:
Stork:
βrian:
Stork:
Revolution Rabbit Nov63:
Stork:
βrian:
Gerry from Miami:
dave wuz here:
Stork:
Gerry - which soundtrack?
Revolution Rabbit Nov63:
Dean:
Revolution Rabbit Nov63:
hs-re.com...
Gerry from Miami:
IkΨ:
dave wuz here:
Revolution Rabbit Nov63:
Dean:
Stork:
Revolution Rabbit Nov63:
www.nytimes.com...
Dean:
Doug Schulkind:
Stork:
βrian:
Listener Gregory:
spodiodi:
Stork:
IkΨ:
Stork:
spodiodi:
ike, yeah i've also uninstalled and reinstalled it
Revolution Rabbit Nov63:
Listener Gregory pretty good here. It's easier to distance than in some City for starters. Even out & about if necessary. Vermont next door is like the poster child for doing it right - despite a Republican Gov. (& it's a red letter day I say anything good about a Republican!) : of course they have even fewer people than NH & a strong community identity...
Dean:
Listener Gregory:
spodiodi:
βrian:
Revolution Rabbit Nov63:
Gerry from Miami:
Ψke:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Dean:
Gerry from Miami:
chresti:
Revolution Rabbit Nov63:
spodiodi:
spodiodi:
Listener Gregory:
Listener Gregory:
chresti:
spodiodi:
coelacanth∅:
spodiodi:
Revolution Rabbit Nov63:
Elvis !!
spodiodi:
chresti:
StringOFperils:
davefromtoronto:
chresti:
spodiodi:
coelacanth∅:
spodiodi:
TDK60:
Stork:
coelacanth∅:
chresti:
chresti:
TDK60:
spodiodi:
spodiodi:
Gerry from Miami:
Andres:
coelacanth∅:
coelacanth∅:
spodiodi:
duke:
coelacanth∅:
coelacanth∅:
Stork:
spodiodi:
coelacanth∅:
headcleaner:
duke:
headcleaner:
Stork:
spodiodi:
Stork:
duke:
Dean:
doctorjazz:
spodiodi:
spodiodi:
Stork:
neverendingwonder.blogspot.com...
spodiodi:
coelacanth∅:
doctorjazz:
headcleaner:
spodiodi:
davefromtoronto:
Revolution Rabbit Nov63:
doctorjazz:
Stork:
coelacanth∅:
Dean:
Snow is what it does.
It falls and it stays and it goes.
It melts and it is here somewhere.
We all will get there.
coelacanth∅:
headcleaner:
duke:
Stork:
Peter K.:
doctorjazz:
Dean:
Dean:
Stork:
doctorjazz:
Dean:
TDK60:
Stork:
doctorjazz:
adamdoesit:
chresti:
chresti:
Dean:
Stork:
doctorjazz:
Gerry from Miami:
Peter K.:
P.S.: Great show today, Stork!
Dean:
Wolfgang:
Irene Trudel:
Irene Trudel:
chresti:
chresti:
Dean:
I thought you looked familiar, chresti.
adamdoesit:
doctorjazz:
Doug Schulkind:
doctorjazz:
Revolution Rabbit Nov63:
Dean:
Wolfgang:
Stork:
Dean:
Stork:
Dean:
Stork:
doctorjazz:
Grant Green reminds me of the guitar classifications I used to hear about rock guitarists, feel versus technique (think it was John Fogerty and Robbie Roberson being put into that "feel" category). Green doesn't Play "notes per measure", just gets a beautiful feel out of what he does play. (Jim Hall and Bill Frissell would fit in the same group).
Stork:
Stork:
doctorjazz:
Stork:
Dean:
I remember our discussing the temptation, doc, too.
doctorjazz:
doctorjazz:
StringOFperils:
Revolution Rabbit Nov63:
headcleaner:
Gerry from Miami:
Revolution Rabbit Nov63:
coelacanth∅:
Dean:
WR:
hi all. laters all. busy here working on my partner's computer...
Irene Trudel:
Stork:
doctorjazz:
spodiodi:
chresti:
Stork: